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Black Culture and Experience: Contemporary Issues offers a holistic look at Black culture in the twenty-first century. This anthology contains work from leading scholars, authors, and other specialists who have been brought together to highlight key issues in black culture and experience today.
The Black Experience in Design spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United States, educators, practitioners, and students now have the opportunity—as well as the social and political momentum—to make long-term, systemic changes in design education, research, and practice, reclaiming the contributions of Black designers in the process. The Black Experience in Design, an anthology centering a range of perspectives, spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Through the voices represented, this text exemplifies the inherently collaborative and multidisciplinary nature of design, providing access to ideas and topics for a variety of audiences, meeting people as they are and wherever they are in their knowledge about design. Ultimately, The Black Experience in Design serves as both inspiration and a catalyst for the next generation of creative minds tasked with imagining, shaping, and designing our future.
In this compelling new study, Debra Walker King considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. King's primary hypothesis is that, in the United States, black experience of the body in pain is as much a construction of social, ethical, and economic politics as it is a physiological phenomenon. As an essential element defining black experience in America, pain plays many roles. It is used to promote racial stereotypes, increase the sale of movies and other pop culture products, and encourage advocacy for various social causes. Pain is employed as a tool of resistance against racism, but it also functions as a sign of racism's insidious ability to exert power over and maintain control of those it claims--regardless of race. With these dichotomous uses of pain in mind, King considers and questions the effects of the manipulation of an unspoken but long-standing belief that pain, suffering, and the hope for freedom and communal subsistence will merge to uplift those who are oppressed, especially during periods of social and political upheaval. This belief has become a ritualized philosophy fueling the multiple constructions of black bodies in pain, a belief that has even come to function as an identity and community stabilizer. In her attempt to interpret the constant manipulation and abuse of this philosophy, King explores the redemptive and visionary power of pain as perceived historically in black culture, the aesthetic value of black pain as presented in a variety of cultural artifacts, and the socioeconomic politics of suffering surrounding the experiences and representations of blacks in the United States. The book introduces the term Blackpain, defining it as a tool of national mythmaking and as a source of cultural and symbolic capital that normalizes individual suffering until the individual--the real person--disappears. Ultimately, the book investigates America's love-hate relationship with black bodies in pain.
This historical exploration of the Green Book offers “a fascinating [and] sweeping story of black travel within Jim Crow America across four decades” (The New York Times Book Review). Published from 1936 to 1966, the Green Book was hailed as the “black travel guide to America.” At that time, it was very dangerous and difficult for African-Americans to travel because they couldn’t eat, sleep, or buy gas at most white-owned businesses. The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. Author Candacy A. Taylor shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations in America. A New York Times Notable Book of 2020
This wide-ranging archive, capturing more than four centuries of African American history and culture in one essential volume, is at once poignant, painful, celebratory, and inspiring. The African American Experience is a one-of-a-kind and absolutely riveting collection of more than 300 letters, speeches, articles, petitions, poems, songs, and works of fiction tracing the course of black history in America from the first slaves brought over in the 16th century to the events of the present day. All aspects of African American history and daily life are represented here, from the days of abolition and the Civil War to the Civil Rights movement and the current times. Organized chronologically, here are writings from the great political leaders including Frederick Douglass, Martin Luther King, Jr., Malcolm X, Jesse Jackson, and Barack Obama; literary giants including Langston Hughes, Gwendolyn Brooks, Toni Morrison, Alice Walker, James Baldwin, and bell hooks; scholars such as Cornel West and Henry Louis Gates, Jr.; artists including Miles Davis, Billie Holiday, Wynton Marsalis, Run-DMC, the Sugar Hill Gang, and Chuck Berry; athletes such as Muhammad Ali and Jackie Robinson; and many more. A new introduction by Kai Wright provides overall context, and introductory material for each document delineates its significance and role in history. This edition features all new and updated material.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Surveys the oral cultural heritage of black Americans as manifested in music, folk tales and heroes, and humor.
An illustrated chronicle of the migrations--forced and voluntary--into, out of, and within the United States that have created the current black population.
African American spirituality plays a central role in the formation and practice of Black freedom in America. This freedom is primarily spiritual and cultural and has a significant role in shaping Black consciousness, behavior and belief.It has created a cultural archive or black culture soul, which shapes the colors, content, timber and texture of the African American communities.Unlike other paradigms which posit the social, political and economic imperatives of freedom, the African American model stipulates the vital role of Black spirituality. This spirituality embodies the creation and sustenance of Black culture, establishes psychological and spiritual relocation in response to oppression, and equips African Americans with the spiritual tools for their physical, vocational and institutional survival.A central thesis of the book is that African American spirituality, by the way it shapes and informs black life, creates a unique praxis of freedom. Most importantly is the way Black spirituality is expressed in Black culture, the Black church and Black life values.Creativity is, therefore, essential to freedom. That freedom is manifested in everything from the development of jazz as a sui generis and indigenous art form, to the ways Black people walk, talk, interpret and oppositionally express themselves in the world.Such creativity is indispensable to the formation and preservation of Black life. It has been used by African Americans as a powerful weapon in maintaining identity and creating a spirituality of culture and a culture of spirituality, which have largely thwarted their complete psychological and physical annihilatio