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Captivating stories of how a young doctor's first year of medical practice in the Smoky Mountains shaped his practice of life and faith. The little mountain hamlet of Bryson City, North Carolina, offers more than dazzling vistas. For Walt Larimore, a young "flatlander" physician setting up his first practice, the town presents its peculiar challenges as well. With the winsomeness of a James Herriott book, Bryson City Tales sweeps you into a world of colorful characters, the texture of Smoky Mountain life, and the warmth, humor, quirks, and struggles of a small country town. It's a world where the family doctor is also the emergency physician, the coroner, and the obstetrician, and where wilderness medicine is part of the job, search-and-rescue calls in the national forest are a way of life, and the next patient just may be somebody's livestock or pet. Bryson City Tales is the tender and insightful chronicle of a young man's rite of passage from medical student to family physician. Laughter and adventure await you in these pages, and lessons learned from Bryson City's unforgettable residents.
The short story should enlighten, excite and above all, entertain the reader from an early stage. It is the skill of grasping interest from the outset and retaining such that remains the aim of any writer. THE LADY IN BLACK and Other City Tales collects fourteen short stories set in a different city at a time of particular interest in each chosen destination's history. When better to visit Venice than at the time of Casanova (BECKFORD'S VENETIAN AFFAIR) or Vienna in the dying days of the belle epoch of Emperor Franz Josef ? In THE LADY IN BLACK , the mystery of Gustav Klimt's last missing portrait is solved in a thrilling journey through the battlefields of the second world war to the present day (and where a particularly chilling twist is revealed at the story s conclusion!). In DUPONT'S REVENGE, the French Resistance is reactivated in 1970's Nice to deal with a troublesome neighbour, and in present day Liverpool, a journalist discovers to his cost the consequences of meddling in the affairs of THE TOXTETH VAMPIRE. The futility of Britain's celebrity obsession is evaluated in all its puerile glory where, in FALLS ROAD DON JUAN, a Belfast lothario accepts a sexual wager which if won, will see him fifty thousand pounds better off. It is common knowledge that the invasion of Britain by the German war machine seemed inevitable in 1940, but few appreciate the even greater threat to the security of the nation which occurred twenty three years earlier when Winston Churchill ordered tanks into a major British city on the verge of Bolshevik revolution. THE MOST DANGEROUS MAN tells the story of Brennan, the charismatic anarchist who came dangerously close in bringing the world's greatest Empire to collapse. Britain is again under threat in THE LAST TARGET. Set in a future London on the brink of civil war a young intelligence operative hunts the world's most elusive assassin on the eve of the reopening of the House of Commons destroyed by Islamic terrorists. Join three middle aged men in a touching tale of lost youth in THE INTERESTING ACCOUNTANT as they attempt to relive old times in modern day Cuba, and in DIET, a young Calgary lawyer finds success in her endeavour to loose weight but at a terrible cost. In FRANKIE AND BENNY a young Scots entrepreneur lives the American dream at the dawn of the twentieth Century in New York and gives the Marx Brothers their first break in entertainment along the way. If the purpose of the short story is to seek a response from the reader, to make them laugh, cry, sulk, shudder, frown or wince, THE LADY IN BLACK and Other City Tales delivers.
A boy arrives at a remote village in the dead of night. His name is Ludlow Fitch—and he is running from a most terrible past. What he is about to learn is that in this village is the life he has dreamed of—a safe place to live, and a job, as the assistant to a mysterious pawnbroker who trades people's deepest, darkest secrets for cash. Ludlow's job is to neatly transcribe the confessions in an ancient leather-bound tome: The Black Book of Secrets. Ludlow yearns to trust his mentor, who refuses to disclose any information on his past experiences or future intentions. What the pawnbroker does not know is, in a town brimming with secrets, the most troubling may be held by his new apprentice.
In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the "race" films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film.
Featuring original stories from 20 authors, this dark, captivating, fabulous and fantastical collection, Naked City, is not to be missed! Edited by award-winning editor Ellen Datlow. In this thrilling collection of original stories some of today's hottest paranormal authors delight, thrill, and captivate readers with otherworldly tales of magic and mischief. In Jim Butcher's "Curses" Harry Dresden investigates how to lift a curse laid by the Fair Folk on the Chicago Cubs. In Patricia Briggs' "Fairy Gifts," a vampire is called home by magic to save the Fae who freed him from a dark curse. In Melissa Marr's "Guns for the Dead," the newly dead Frankie Lee seeks a job in the afterlife on the wrong side of the law. In Holly Black's "Noble Rot," a dying rock star discovers that the young woman who brings him food every day has some strange appetites of her own. Delia Sherman, Richard Bowes, Ellen Kushner, Christopher Fowler, Pat Cadigan, Peter S. Beagle, Naomi Novik, Matthew Kressel, Kit Reed, Lavie Tidhar, Nathan Ballingrud, John Crowley, Jeffrey Ford, Lucius Shepard, Caitlin R. Kiernan, and Elizabeth Bear also contribute to this fabulous collection.
The second series finally gets its own collection! Originally published by Kitchen Sink, this goes deeper into the oddball back streets of Atomic City, exposing the terrible insecurities of rockabilly superhero Big Bang. The criminal mastermind Doc Phantom has thrown a party and Bang wasn't invited--can he manage to crash it? The innovative and influential comics of Jay Stephens continue to expand our minds while his amazing cartooning thrills our eyes!
A CLASSIC OF LGBTQ LITERATURE THAT HAS BECOME A CULT SEN-SATION! THE HEROES OF THIS ENCHANTING GROUP HAVE BEEN ENJOYED BY MILLIONS OF READERS WORLDWIDE! Adapted on TV (BBC), Limited Se-ries (Netflix), Theater...and now in graphic novel form for the first time! San Francisco, 28 Barbary Lane, Anna Madrigal runs a boarding house. She wel-comes people who have nowhere else to go: the misfits. This matriarch is known for her unending kindness and her superb marijuana crop. The novel starts with the arrival of Mary Ann Singleton, a prudish, naïve, young woman who escaped her dull Ohio hometown for San Francisco. She settles in with her other fellow tenants: Michael “Mouse,” a personable young gay man, Brian Hawkins, an incor-rigible Don Juan, and Mona Ramsey, a young hippyish bisexual.
An important new ethnographic study of São Paulo’s favelas revealing the widespread use of race-based police repression in Brazil While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity. The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities. The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
Poets who can write prose that equals their poetry are rare. With this collection of thirteen new short stories, Wanda Coleman, Los Angeles's unofficial poet laureate, proves an exception to the rule yet again. The characters in these stories lead lonely lives full of longing, of potential stifled by racism, poverty, and absurd accidents of fate. And yet, even though they are trapped by the present moment, their inner lives are lush, a mirror of the city of angels in which they live, a metropolis, always simmering, as Coleman writes in the final story, ever waiting to be borne on that balmy promised crescendo. Coleman applies a poet's economy of words to her fiction, setting a scene with lightning-quick strokes, letting a detail, a dialogue, or the brisk vernacular speak for itself. .