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The coasts of today's American South feature luxury condominiums, resorts, and gated communities, yet just a century ago, a surprising amount of beachfront property in the Chesapeake, along the Carolina shores, and around the Gulf of Mexico was owned and populated by African Americans. Blending social and environmental history, Andrew W. Kahrl tells the story of African American–owned beaches in the twentieth century. By reconstructing African American life along the coast, Kahrl demonstrates just how important these properties were for African American communities and leisure, as well as for economic empowerment, especially during the era of the Jim Crow South. However, in the wake of the civil rights movement and amid the growing prosperity of the Sunbelt, many African Americans fell victim to effective campaigns to dispossess black landowners of their properties and beaches. Kahrl makes a signal contribution to our understanding of African American landowners and real-estate developers, as well as the development of coastal capitalism along the southern seaboard, tying the creation of overdeveloped, unsustainable coastlines to the unmaking of black communities and cultures along the shore. The result is a skillful appraisal of the ambiguous legacy of racial progress in the Sunbelt.
2020 Miriam Matthews Ethnic History Award from the Los Angeles City Historical Society Alison Rose Jefferson examines how African Americans pioneered America’s “frontier of leisure” by creating communities and business projects in conjunction with their growing population in Southern California during the nation’s Jim Crow era.
This heartfelt picture book biography illustrated by the Caldecott Honoree Ekua Holmes, tells the story of MaVynee Betsch, an African American opera singer turned environmentalist and the legacy she preserved. MaVynee loved going to the beach. But in the days of Jim Crow, she couldn't just go to any beach--most of the beaches in Jacksonville were for whites only. Knowing something must be done, her grandfather bought a beach that African American families could enjoy without being reminded they were second class citizens; he called it American Beach. Artists like Zora Neale Hurston and Ray Charles vacationed on its sunny shores. It's here that MaVynee was first inspired to sing, propelling her to later become a widely acclaimed opera singer who routinely performed on an international stage. But her first love would always be American Beach. After the Civil Rights Act desegregated public places, there was no longer a need for a place like American Beach and it slowly fell into disrepair. MaVynee remembered the importance of American Beach to her family and so many others, so determined to preserve this integral piece of American history, she began her second act as an activist and conservationist, ultimately saving the place that had always felt most like home.
A history of race relations in Florida focuses on the resort area founded by Florida's first Black millionaire
This summer vacation is anything but a dream trip. The first book in a spooky, witty new graphic novel series from bestselling Blastosaurus creator Richard Fairgray, perfect for fans of Gravity Falls, Rickety Stitch, and Fake Blood. Twelve-year-old Dash and his best friend Lily are spending the summer at Black Sand Beach, where Dash's family has a house. Lily can't understand why Dash isn't more excited. Three months of surf, sand, and sun. It should be a dream! But Black Sand Beach is not that kind of vacation spot. The house is a shack, and all of Dash's weird relatives are there. More alarming is the zombie ram that crashes through the front yard and the eerie voices calling out to Dash from the lighthouse--a lighthouse that hasn't been operational in a hundred years. . . . So Dash has a new plan for his summer vacation. . . . Survive. Full of unexpected twists, Are You Afraid of the Light? begins a delightfully creepy graphic novel series that readers will devour. (But keep a flashlight handy.)
Florida Historical Society Harry T. and Hariette V. Moore Award  Florida Book Awards, Silver Medal for Florida Nonfiction In May 1945, activists staged a “wade-in” at a whites-only beach in Miami, protesting the Jim Crow–era laws that denied blacks access to recreational waterfront areas. Pressured by protestors in this first postwar civil rights demonstration, the Dade County Commission ultimately designated the difficult-to-access Virginia Key as a beach for African Americans. The beach became vitally important to the community, offering a place to congregate with family and friends and to enjoy the natural wonders of the area. It was also a tangible victory in the continuing struggle for civil rights in public space. As Florida beaches were later desegregated, many viewed Virginia Key as symbolic of an oppressive past and ceased to patronize it. At the same time, white leaders responded to desegregation by decreasing attention to and funding for public spaces in general. The beach was largely ignored and eventually shut down. In White Sand Black Beach, historian and longtime Miami activist Gregory Bush recounts this unique story and the current state of the public waterfront in Miami. Recently environmentalists, community leaders, and civil rights activists have come together to revitalize the beach, and Bush highlights the potential to stimulate civic engagement in public planning processes. While local governments defer to booster and lobbying interests pushing for destination casinos and boat shows, Bush calls for a land ethic that connects people to the local environment. He seeks to shift the local political divisions beyond established interest groups and neoliberalism to a broader vision that simplifies human needs, and reconnects people to fundamental values such as health. A place of fellowship, relaxation, and interaction with nature, this beach, Bush argues, offers a common ground of hope for a better future.
The Stories of Building the Black Beach Community of Ocean City, North Carolina shares a provocative story about a small Black beach community on North Topsail Island, North Carolina. Hope Jackson argues that stories like these not only offer a rich, untold perspective about Black lives, but also shares the depth of this Black community despite originating under the threat of violence in the segregated South. Brick by Brick acknowledges the defiance of a group of Black individuals who, collectively, provided a recreational oceanfront haven. These radical Black folks created a safe harbor for Blacks to visit, live, worship, and recreate in the midst of de facto segregation. The author reveals an embedded narrative which highlights the rebelliousness of Ocean City women’s strategic mothering. Jackson shares how the impact of this location extended beyond a vacation by creating Christian worship opportunities and an Episcopal summer youth camp for Black youth. The Ocean City stories remind readers that despite Jim Crow’s demise, the need for a safe, recreational space remains necessary for Black people in today’s society.
In 1928, Eli Reid purchased 400 acres of picturesque property on the banks of the Chowan River in Hertford County, North Carolina. Soon after he acquired the land, Reid began turning the area into a Segregation-era resort for African Americans, and Chowan Beach was born. As the resort began to take shape in the late 1920s, it was clear that something special had been started. Wide sandy beaches were built, and construction was immediately started on guest cottages, bathhouses, a dance hall, photo studio, restaurant, picnic area and magnificent German-made carousel. Chowan Beach was an immediate success, and throngs of African Americans began to stream in from across North Carolina and the East Coast to relax and enjoy the atmosphere and spectacular views--an oasis of fun in a social desert of limited opportunities and unfair treatment. The water was cool and refreshing, the crowds were friendly, and the music was hot, as the beach was a popular stop for musicians touring on the Chitlin Circuit, including B.B. King, James Brown, Sam Cooke and The Drifters. In this nostalgic new book, author Frank Stephenson brings back the glory days of Chowan Beach with an array of vintage photographs and a brief history of the area. Come along as Stephenson revisits the past of this beloved beach and offers a reminder of what it meant to generations of African American visitors.
New York Times Bestseller! The View cohost and New York Times bestselling author Sunny Hostin dazzles with this brilliant novel about a life-changing summer along the beaches of Martha's Vineyard. Welcome to Oak Bluffs, the most exclusive Black beach community in the country. Known for its gingerbread Victorian-style houses and modern architectural marvels, this picturesque town hugging the sea is a mecca for the crème de la crème of Black society—where Michelle and Barack Obama vacation and Meghan Markle has shopped for a house for her mom. Black people have lived in this pretty slip of the Vineyard since the 1600s and began buying property in the 1800s, making this posh town the embodiment of “old money.” Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters:” Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit. Growing up, these three goddaughters from different backgrounds came together each summer at Chateau Laveau. As adults, the cottage is a place this trio of successful yet very different women go to escape, to slow down from their hectic lives, share private time with Ama, and enjoy the gorgeous weather, cool water, and stunning views Oak Bluffs offers. This summer on the Bluffs, however, will be different. An era is ending: Ama, now nearing seventy-one, is moving to the south of France to reunite with her college sweetheart. She has invited Perry, Olivia, and Billie to spend one last golden summer together with her the way they did when they were kids. And when fall comes, she is going to give the house to one of them. Each of the women wants the house desperately. Each is grappling with a secret she fears will hurt her and her chances. By the end of summer, old ties will fray, new bonds will be created, and these three found sisters will discover they aren’t the only ones with something to hide. Ama has a few secrets of her own. What she has to give them is far more than property. Between Memorial Day and Labor Day, she will tell these surrogate daughters she fiercely loves and protects everything they never knew they needed to know.
Rolly Waters is a recovering rock musician and part-time private eye. One night his band performs at a blowout party for EyeBitz.com, a fast-rising Internet startup that has the city of San Diego talking. When Rolly returns after hours to retrieve his guitar from the host's mansion, he finds a dead body floating in the swimming pool. His discovery sets in motion a series of intrigues that drag him into the surreal world of dot.com culture, as well as the dark heart of his own uneven past. Black's Beach Shuffle updates the classic Southern California gumshoe world of Raymond Chandler and Ross McDonald with contemporary technology riffs, new millennium anxieties and sun-blotted humor. It pumps out a page-turning mix of plot twists, colorful characters and laugh-out-loud humor as Rolly's investigation ricochets him from the high-tech industrial parks of Torrey Pines Mesa to downtown blues clubs, from street taco shops to the penthouse of the La Jolla Hyatt, from the hallowed halls of academia to the sands of Black's Beach, San Diego's official clothing-optional playground.