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In 1966, everyone who was anyone wanted an invitation to Truman Capote's "Black and White Dance" in New York, and guests included Frank Sinatra, Norman Mailer, C. Z. Guest, Kennedys, Rockefellers, and more. Lavishly illustrated with photographs and drawings of the guests, this portrait of revelry at the height of the swirling, swinging sixties is a must for anyone interested in American popular culture and the lifestyles of the rich, famous, and talented.
Tells the forgotten story of Black star-quality athletes excluded from professional baseball because of the big league's color line.
Presents a crossover novel featuring private investigator Amos Walker and hit man Peter Macklin, who struggle to protect Macklin's estranged wife from a murderous killer who may or may not be Peter's own son.
"A haunting tapestry of interwoven stories that inform us not just about our past but about the resentment-bred demons that are all too present in our society today . . . The interconnected strands of race and history give Ball’s entrancing stories a Faulknerian resonance." —Walter Isaacson, The New York Times Book Review A 2020 NPR staff pick | One of The New York Times' thirteen books to watch for in August | One of The Washington Post's ten books to read in August | A Literary Hub best book of the summer| One of Kirkus Reviews' sixteen best books to read in August The life and times of a militant white supremacist, written by one of his offspring, National Book Award–winner Edward Ball Life of a Klansman tells the story of a warrior in the Ku Klux Klan, a carpenter in Louisiana who took up the cause of fanatical racism during the years after the Civil War. Edward Ball, a descendant of the Klansman, paints a portrait of his family’s anti-black militant that is part history, part memoir rich in personal detail. Sifting through family lore about “our Klansman” as well as public and private records, Ball reconstructs the story of his great-great grandfather, Constant Lecorgne. A white French Creole, father of five, and working class ship carpenter, Lecorgne had a career in white terror of notable and bloody completeness: massacres, night riding, masked marches, street rampages—all part of a tireless effort that he and other Klansmen made to restore white power when it was threatened by the emancipation of four million enslaved African Americans. To offer a non-white view of the Ku-klux, Ball seeks out descendants of African Americans who were once victimized by “our Klansman” and his comrades, and shares their stories. For whites, to have a Klansman in the family tree is no rare thing: Demographic estimates suggest that fifty percent of whites in the United States have at least one ancestor who belonged to the Ku Klux Klan at some point in its history. That is, one-half of white Americans could write a Klan family memoir, if they wished. In an era when racist ideology and violence are again loose in the public square, Life of a Klansman offers a personal origin story of white supremacy. Ball’s family memoir traces the vines that have grown from militant roots in the Old South into the bitter fruit of the present, when whiteness is again a cause that can veer into hate and domestic terror.
This Palgrave Pivot offers a history of and proof against claims of "buying power" and the impact this myth has had on understanding media, race, class and economics in the United States. For generations Black people have been told they have what is now said to be more than one trillion dollars of "buying power," and this book argues that commentators have misused this claim largely to blame Black communities for their own poverty based on squandered economic opportunity. This book exposes the claim as both a marketing strategy and myth, while also showing how that myth functions simultaneously as a case study for propaganda and commercial media coverage of economics. In sum, while “buying power” is indeed an economic and marketing phrase applied to any number of racial, ethnic, religious, gender, age or group of consumers, it has a specific application to Black America.
Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author The Ball family hails from South Carolina—Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In Slaves in the Family, Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, Slaves in the Family is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word ‘family.'"
Dad takes Zachary to his first Boston Red Sox game, where they catch a ball and something magical happens.
America and baseball are rediscovering the game played by African Americans before Jackie Robinson broke the color barrier in 1947. We now know a great deal about the Negro Leagues of 1920 on, and their great stars-Satchel Paige, Josh Gibson, and their contemporaries. But what of the pre-1920 black game? From the onset in the 1880s of the "gentleman's agreement" that barred blacks from playing in white leagues, that game is nearly invisible. Financially shaky, with sporadic media coverage even in black newspapers and completely overlooked by the mainstream, Negro teams of this era played on for love of the game and in hopes that their skills would receive their due. In 1907, Sol White, a remarkable African-American ballplayer, successful manager, and baseball loyalist, wrote a small volume on the history of the black game. Part fund-raising effort, advertising brochure, team hype, celebration of black baseball, and throughout an implicit and explicit challenge to racism, Sol White's History of Colored Base Ball is the source of much of what we know of the events in the organized black game of that time. The original was poorly printed, and copies are exceedingly rare (known and rumored copies number only four). This edition republishes the full 1907 edition (with the even rarer supplement), completely reset for legibility, and reproduces all the original's illustrations, including the advertisements that speak volumes on the social world of the day. Fifteen additional documents from 1886 to 1936 augment the picture of the black game and our record of Sol White himself. The work is introduced by Jerry Malloy, a recognized expert on the history of Negro leagues who has spent years inpainstaking research into this vanished world.
Throughout its chequered history, snooker has had more than its fair share of heroes and villains, champions and chumps, rascals and rip-off artists. In the last 20 years, every sleazy scandal imaginable has attached itself to this raffish sport: corruption, match fixing, bribery, sex, recreational drugs, performance-enhancing drugs, ballot rigging, fraud, theft, domestic violence, common-or-garden violence, paranoid politicking, dirty tricks - all against a background of inept petty tsars fixated on the pursuit, retention and abuse of power. In Black Farce and Cue Ball Wizards, Clive Everton recounts the glory and despair, the dreams and disillusion, and the treachery and greed that have characterised the game since it was invented as an innocent diversion by British Army officers in India in the nineteenth century. He tells the true and unexpurgated tale of snooker's transformation into a television success story second only to football and exposes how its potential has been shamefully squandered.
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.