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In Bitter Lemons, Durrell tells the perceptive, often humorous, story of his experiences on Cyprus between 1953 and 1956-first as a visitor, then as a householder and teacher, and finally as Press Advisor to a government coping with armed rebellion. Here are unforgettable pictures of the sunlit villages and people, the ancient buildings, mountains and sea-and the somber political tragedy that finally engulfed the island.
DIVDIVWho will survive the Labyrinth of Crete?/divDIV /divDIVA group of English cruise-ship tourists debark to visit the isle of Crete’s famed labyrinth, the City in the Rock. The motley gathering includes a painter, a poet, a soldier, an elderly married couple, a medium, a convalescent girl, and the mysterious Lord Gracean. The group is prepared for a trifling day of sightseeing and maybe even a glimpse of the legendary Minotaur, but instead is suddenly stuck in a nightmare when a rockslide traps them deep within the labyrinth. Who among the passengers will make it out alive? And for those who emerge, will anything ever be the same?/div/div
A moving account of friendship and discovery on the island of Sicily from the acclaimed travel writer and bestselling author of The Alexandria Quartet. Despite decades spent writing poetic evocations of the timeless pleasures of life in the Mediterranean, Lawrence Durrell had never set foot on the sea’s largest island: mysterious, impenetrable Sicily. For years his friend Martine begged him to visit her on this sun-kissed paradise, and though he always intended to, life inevitably interfered. It took Martine’s sudden death to finally bring him to the island’s shores. With Martine’s letters in his pocket, Durrell signs up for a tour group, hoping to learn the travel habits of those who aren’t obsessively devoted to island life. As he treks from sight to sight, dizzy with history and culture, Durrell finds echoes of his past lives in Rhodes, Cyprus, and Corfu.
The first comprehensive treatment of how "an American poet so profoundly shaped or affected the modern British novel," this--in the words of James E. Miller, Jr.--details "an extraordinary and even exciting literary fact, worthy of full documentation and exploration. "The book begins with an introduction describing how The Waste Land blew into England in 1922, as William Empson said, "not unlike an east wind." Although the critics disagree over what the poem means, all writers since 1922 have felt its influence in some degree, even if only in rejecting it. The author then traces echoes of The Waste Land in 17 major British novelists, confining himself to cases where the evidence is too strong to be explained as coincidence. The authors are divided into three groups. Part I assesses the poem's early impact, as seen in the work of writers already established at the time of its publication. Novelists discussed in this section include E. M. Forster, D. H. Lawrence, and Aldous Huxley. There is also a chapter on Richard Aldinton that contains a fascinating revaluation, based on extensive research, of Aldington's personal quarrel with Eliot. Part II examines the different sort of influence The Waste Land exerted on novelists who came to prominence in the decade before World War II. For these writers--among them Evelyn Waugh, George Orwell, Christopher Isherwood, C. S. Lewis, and Graham Greene--the poem was a basic part of their literary education, and was therefore woven more deeply, and frequently, into the fabric of their work. Part III focuses on two writers of the postwar era, Iris Murdoch and Anthony Burgess. With the rest of their generation they had been forced to recognize a horror more oppressive than the banality and blight of Eliot's "Unreal City," yet they found in the The Waste Land images and meanings so compelling that the poem retains an undeniable presence in their work. In his conclusion, Dr. Crawford attributes The Waste Land's uniquely powerful impact to four qualities: its timing in providing "prototypes for almost every modern problem"; its challenging elusiveness; its ambiguity, which "allows every reader to draw his own conclusion regarding the poem's meaning"; and its haunting symbols and descriptions. The "rhetoric of fiction" is especially sensitive to such qualities. The result is the British novelists "have helped to 'define' The Waste Land by their varied use of it."
A desperate scientist’s mastery of technology may save him—or be his undoing—in this follow-up to Tunc by the New York Times–bestselling literary master. The ominous and compelling sequel to Durrell’s Tunc finds gifted inventor Felix Charlock called upon by the sinister international firm, Merlin, to apply his scientific prowess to a seemingly impossible project. He must literally reinvent his lost lover, Iolanthe, in the form of a living, breathing replica. Merlin’s dark project leads Felix on a fantastic undertaking. In recreating his former love, Felix knows that he will either find what he had thought lost, or the technology—his very life’s blood—will be the end of him.
Before Peter Mayle there was Lawrence Durrell, who for more than 30 years made Provence his home. In this, his last book, he distills the affection and understanding of half a lifetime, describing the rich culture and giving breath to the history that still invests the land. 39 color photos.
After World War II, an Englishman seeks peace on an ancient Greek island in this “remarkable” travel memoir (The New York Times). Islomania is a disease not yet classified by Western science, but to those afflicted its symptoms are all too recognizable. Men like Lawrence Durrell are struck by a powerful need to live on the ancient islands of the Mediterranean, where the clear blue Aegean is always within reach. After four tortuous wartime years in Egypt, Durrell finds a post on the island of Rhodes, where the British are attempting to return Greece to the sleepy peace it enjoyed in the ’30s. From his first morning, when a dip in the frigid sea jolts him awake for what feels like the first time in years, Durrell breathes in the fullest joys of island life, meeting villagers, eating exotic food, and throwing back endless bottles of ouzo, as though the war had never happened at all. The charms of his stay there still resonate today, for the pleasures of Greece are older than history itself.
The British Foreign Office is a timeless institution. Antrobus is the embodiment of everything that makes it what it is. His tales of diplomatic misadventure, accompanied by memorable and witty drawings, make a collection to cherish, for as long as the Foreign Office holds sway over far-flung British interests. 'Whatever wars there may be and whatever crises, there will still, please heaven, be the diplomatic corps, with its protocol and formalities and a field of humour which I have never seen better used than in these stories.' John Betjeman
This fascinating survey of Cyprus during the eighteenth, nineteenth and the first half of the twentieth centuries offers a unique view of a country as seen through the eyes of artists and travellers. It is based on over 350 works which are for the first time presented, pertaining to two periods of the history of Cyprus, those of Ottoman and British rule. A panorama of topography, monuments and ethnography is unfolded through the paintings and drawings of both amateur and professional artists. The political background and nationality of the artists and the influences of Imperialism, Orientalism and Colonialism are explored, and the book considers how attitudes changed during the period under discussion. The book also looks at the perception of the island, once a French, Ottoman and British colony, in relation to those of neighbouring countries such as Greece and Malta.
DIVDIVThe final installment of the Alexandria Quartet, hailed by the New York Times Book Review as “one of the most important works of our time”/divDIV /divDIVYears after his liaisons with Justine and Melissa, Darley becomes immersed in a relationship with Clea, a bisexual artist. The ensuing chain of events transforms not only the lovers, but the dead as well, and leads to the series’ brilliant and unexpected resolution. /divDIV /divDIVPraised by Life as among the “most discussed and widely admired serious fiction of our time,” Clea carries on Durrell’s assured and unwavering style, and confirms the series’ standing as a resounding masterpiece of twentieth-century fiction./divDIV /divDIVThis ebook contains a new introduction by Jan Morris./div /div