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Birth order has a powerful effect on children's emotional development, on their self-esteem, and on their sense of well-being. The youngest child, the firstborn, the middleborn, twins, and the only child all have specific birth order issues that, if not atted to early on, can impair their functioning and their interpersonal relations at home and at school, and can follow them into adulthood. Parental birth order, too, plays an important role, as do such other factors as gender and family size. To understand these birth order blues, the author, an expert in parent-child relationships, first raises parents' awareness of the impact of birth order upon children. She then shows how to identify their children's birth order problems, often disguised by behaviors such as underachievement or aggression, and suggests how they can resolve these issues and prevent negative behavioral patterns from developing.
Cartoons provide a humorous view of the frustrations and rewards of parenthood as first-time parents Wanda and Darryl adjust to life with their infant daughter Zoe.
Key insights into birth order help readers understand themselves and improve their marriage, parenting, and career skills.
The latest collection of "Baby Blues" strips shows the harried parents Darryl and Wanda adding a third little one to the MacPherson household. Illustrations.
Best known for his "Legend of Duluoz" novels, including On the Road and The Dharma Bums, Jack Kerouac is also an important poet. In these eight extended poems, Kerouac writes from the heart of experience in the music of language, employing the same instrumental blues form that he used to fullest effect in Mexico City Blues, his largely unheralded classic of postmodern literature. Edited by Kerouac himself, Book of Blues is an exuberant foray into language and consciousness, rich with imagery, propelled by rythm, and based in a reverent attentiveness to the moment. "In my system, the form of blues choruses is limited by the small page of the breastpocket notebook in which they are written, like the form of a set number of bars in a jazz blues chorus, and so sometimes the word-meaning can carry from one chorus into another, or not, just like the phrase-meaning can carry harmonically from one chorus to the other, or not, in jazz, so that, in these blues as in jazz, the form is determined by time, and by the musicians spontaneous phrasing & harmonizing with the beat of time as it waves & waves on by in measured choruses." —Jack Kerouac
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.
The blues had a child and they called it rock and roll. But it's impossible to look past the parent when so much unbridled talent has and continues to contribute to this increasingly popular music form. The Blues. So much feeling. So much mood. So well-captured. You can feel the soul stirring in 20 stunning photo-biographies featuring Muddy Waters, T-Bone Walker, B.B. King, Memphis Minnie, John Lee Hooker plus 17 more. Each of their lives, their works -- their rise to fame -- is eloquently captured in every mini-biography. When you look at all the stories -- from the blues' slavery beginnings through the strains that sparked rock and roll. Then hear it smoldering in the 10-song accompanying CD designed to heighten this unequaled collection.
44 SCOTLAND STREET - Book 7 The residents and neighbors of 44 Scotland Street and the city of Edinburgh come to vivid life in these gently satirical, wonderfully perceptive serial novels, featuring six-year-old Bertie, a remarkably precocious boy—just ask his mother. If you haven’t met the residents of 44 Scotland Street yet, there is no better time, since everyone seems to be in the midst of new beginnings. New parents Matthew and Elspeth must muddle through the difficulties of raising their triplets Rognvald, Tobermory and Fegus—there's normal sleep deprivation, and then there's trying to tell the children apart from one another. Angus and Domenica are newly engaged, and now they must negotiate the complex merger of two households. Domenica is also forced to deal with the return of an old flame, while Big Lou has begun the search for a new one, boldly exploring the new world of online dating and coming up with an Elvis impersonator on the first try. And in Bertie’s family, there's a shift in power as his father Stuart starts to stand up to overbearing mother, Irene—and then there’s Bertie, who has been thinking that he might want to start over with a new family and so puts himself up for adoption on eBay. With his signature charm and gentle wit Alexander McCall Smith vividly portrays the lives of Edinburgh’s most unique and beloved characters.
The author of the classic In a Different Voice offers a brilliant, provocative book about love that has powerful implications for the way we live and love today. “Compelling ... A thrilling new paradigm.” —The Times Literary Supplement Carol Gilligan, whose In a Different Voice revolutionized the study of human psychology, now asks: Why is love so often associated with tragedy? Why are our experiences of pleasure so often shadowed by loss? And can we change these patterns? Gilligan observes children at play and adult couples in therapy and discovers that the roots of a more hopeful view of love are all around us. She finds evidence in new psychological research and traces a path leading from the myth of Psyche and Cupid through Shakespeare’s plays and Freud’s case histories, to Anne Frank’s diaries and contemporary novels.
In this jaunty and intimate collection, Kevin Young invents a language as shimmying and comic, as low-down and high-hearted, as the music from which he draws inspiration. With titles such as “Stride Piano,” “Gutbucket,” and “Can-Can,” these poems have the sharp completeness of vocalized songs and follow a classic blues trajectory: praising and professing undying devotion (“To watch you walk / cross the room in your black / corduroys is to see / civilization start”), only to end up lamenting the loss of love (“No use driving / like rain, past / where you at”). As Young conquers the sorrow left on his doorstep, the poems broaden to embrace not just the wisdom that comes with heartbreak but the bittersweet wonder of triumphing over adversity at all. Sexy and tart, playfully blending an African American idiom with traditional lyric diction, Young’s voice is pure American: joyous in its individualism and singing of the self at its strongest.