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This fascinating collection of over 200 picture postcards provides a nostalgic insight into the changing history of Birmingham during the period 1900-1945. For over a quarter of this time Britain was at war and the political and social changes experienced were immense, not least in Birmingham, a major industrial city. Each image is accompanied by a detailed caption, bringing the past alive and describing many aspects of life in the city, including chapters on wartime, work, sport, shopping, entertainment and celebrations, providing a vital record of vanished vistas and past practices. This book will appeal to anyone with an interest in the history of the area, and also awaken memories of a bygone time for those who worked or lived in the "Second City".
This new, factually rich and visually stunning publication is the first major history of Birmingham for more than four decades.
An examination of how religious identity changed in twentieth-century England, using Birmingham as a case-study to illuminate wider trends. The ongoing debate about secularisation and religious change in twentieth-century Britain has paid little attention to the experience of those who swam against the cultural tide and continued to attend church. This study, based on extensive original archive and oral history research, redresses this imbalance with an exploration of church-based Christianity in post-war Birmingham, examining how churchgoers interpreted and responded to the changes that theysaw in family, congregation, neighbourhood and wider society. One important theme is the significance of age and generational identity to patterns of religiosity amidst profound change in attitudes to youth, age and parenting andgrowing evidence of a widening "generation gap" in Christian belief and practice. In addition to offering a new and distinctive perspective on the changing religious identity of late twentieth-century English society, the book also provides a rare case-study in the significance of age and generation in the social and cultural history of modern Britain. Ian Jones is the Director of the Saltley Trust (an educational charity), Birmingham.
Dan J. Puckett's In the Shadow of Hitler explores and documents how Alabama Jews became aware of and responded to the coming of the Second World War and the Nazi persecution of European Jews.
Birmingham served as the stage for some of the most dramatic and important moments in the history of the civil rights struggle. In this vivid narrative account, Glenn Eskew traces the evolution of nonviolent protest in the city, focusing particularly on the sometimes problematic intersection of the local and national movements. Eskew describes the changing face of Birmingham's civil rights campaign, from the politics of accommodation practiced by the city's black bourgeoisie in the 1950s to local pastor Fred L. Shuttlesworth's groundbreaking use of nonviolent direct action to challenge segregation during the late 1950s and early 1960s. In 1963, the national movement, in the person of Martin Luther King Jr., turned to Birmingham. The national uproar that followed on Police Commissioner Bull Connor's use of dogs and fire hoses against the demonstrators provided the impetus behind passage of the watershed Civil Rights Act of 1964. Paradoxically, though, the larger victory won in the streets of Birmingham did little for many of the city's black citizens, argues Eskew. The cancellation of protest marches before any clear-cut gains had been made left Shuttlesworth feeling betrayed even as King claimed a personal victory. While African Americans were admitted to the leadership of the city, the way power was exercised--and for whom--remained fundamentally unchanged.
The book explores how Churchill was portrayed in the UK press during the Second World War, comparing his depictions in Scottish, Welsh, Northern Irish, and provincial English newspapers. By using a variety of newspapers from these areas, it examines local opinions about Churchill at the time he was the wartime prime minister. It analyses how Churchill was received and depicted by newspapers in the UK and why differences in these depictions emerged in each area. It contributes to the study of public opinion in the war and of Churchill’s reputation, of the British media, as well as to the study of the notion of Britishness, focusing on local perspectives.
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.