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As children, we are captivated by stories of huge fantastical creatures, such as the wooly mammoth and the pterodactyl. The prevailing wisdom is these species are long extinct, but new evidence uncovered by author Gerald McIsaac casts doubt on these widely held assumptions. McIsaac gathered stories from the elders of the First Nation—those who were formerly referred to as Indians, Native Americans, or Aboriginals. First Nation elders provided McIsaac with detailed descriptions of six species long thought to be extinct. These species include the Devil Bird, the Hairy Elephant, the Wilderness Wolf, the Rubber-Faced Bear, the Lake Monster, and Sasquatch. In Bird from Hell, McIsaac separates fact from fiction by comparing eyewitness accounts of these species with scientific opinion concerning their identity. His conclusion is that these huge species are not extinct, but he needs assistance in gathering evidence to substantiate this claim. By following the simple directions provided in Bird from Hell, you can help prove these various species still exist.
Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird, is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. This collection, which focusing on love, childish behaviours, 90's celebrity references and being a woman is sure to confirm all your worst suspicions and prejudices. In a recent comments section on the Guardian, her work was described as "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs," and "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs."
In this collection of essays and short stories, the Native American author explores reservation life through a range of genres and perspectives. In this moving collection, Gordon Lee Johnson (Cupeño/Cahuilla) distinguishes himself not only as a wry commentator on American Indian reservation life but also as a master of fiction writing. In Johnson’s stories, all of which are set on the fictional San Ignacio reservation in Southern California, we meet unforgettable characters like Plato Pena, the Stanford-bound geek who reads Kahlil Gibran during intertribal softball games; hardboiled investigator Roddy Foo; and Etta, whose motto is “early to bed, early to rise, work like hell, and advertise,” as they face down circumstances by turns ordinary and devastating. The nonfiction featured in Bird Songs Don’t Lie is equally revelatory in its exploration of complex connections between past and present. Whether examining his own conflicted feelings toward the missions as a source of both cultural damage and identity or sharing advice for cooking for eight dozen cowboys and -girls, Johnson plumbs the comedy, catastrophe, and beauty of his life on the Pala Reservation to thunderous effect.
Former police detective Lorimer Shenher's “inside account of the Pickton serial murders is both a horrifying and compelling read. "—Peter Vronsky, author of Serial Killers: The Method and Madness of Monsters In this searing personal account, ex-police detective Lori Shenher (who transitioned to in 2015, and is now known as Lorimer) describes his role in Vancouver's infamous Missing Women Investigation and unflinchingly reveals his years-long struggle with Post-Traumatic Stress Disorder as a result of working on the case. From his first assignment, in 1998, to investigate an increase in the number of missing women to the harrowing 2002 interrogation of convicted serial killer Robert Pickton, Shenher tells a story of massive police failure—failure of the police to use the information about Pickton available to them, failure to understand the dark world of drug addiction and sex work, and failure to save more women from their killer. That Lonely Section of Hell passionately pursues the deeper truths behind the causes of this tragedy and the myriad ways the system failed to protect vulnerable people.
Literary agent Joe Allston, the central character of Stegner's novel All the Little Live Things, is now retired and, in his own words, 'just killing time until time gets around to killing me.' His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, had not been his choice. He passes through life as a spectator. A postcard from an old friend causes Allston to return to the journals of a trip he and his wife had taken years before, a journey to his mother's birthplace, where he'd sought a link with the past. The memories of that trip, both grotesque and poignant, move through layers of time and meaning, and reveal that Joe Allston isn't quite spectator enough. Wallace Stegner was the author of, among other works of fiction, Remembering Laughter (1973); The Big Rock Candy Mountain (1943); Joe Hill (1950); All the Little Live Things (1967, Commonwealth Club Gold Medal); A Shooting Star (1961); Angle of Repose (1971, Pulitzer Prize); Recapitulation (1979); Crossing to Safety (1987); and Collected Stories (1990). His nonfiction includes Beyond the Hundredth Meridian (1954); Wolf Willow (1963); The Sound of Mountain Water (essays, 1969); The Uneasy Chair: A Biography of Bernard deVoto (1964); American Places (with Page Stegner, 1981); and Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (1992). Three short stories have won O.Henry prizes, and in 1980 he received the Robert Kirsch Award from the Los Angeles Times for his lifetime literary achievements.
'Bookended by tragedy, shot through with violence, ultimately uplifting' Guardian 'An insight into a singular artist' New Statesman 'Fierce, funny and indomitable' Observer 'My tears were relentlessly pricked by Tricky's memoir' Daily Telegraph Tricky is one of the most original music artists to emerge from the UK in the past 30 years. His signature sound, coupled with deep, questioning lyrics, took the UK by storm in the early 1990s and was part of the soundtrack that defined the post-rave generation. This unique, no-holds barred autobiography is not only a portrait of an incredible artist - it is also a gripping slice of social history packed with extraordinary anecdotes and voices from the margins of society. Tricky examines how his creativity has helped him find a different path to that of his relatives, some of whom were bare-knuckle fighters and gangsters, and how his mother's suicide has had a lifelong effect on him, both creatively and psychologically. With his unique heritage and experience, his story will be one of the most talked-about music autobiographies of the decade.
There can be no doubt that [Akutagawa] had more individuality than any other writer of his time and has left in Japanese literature a mass of artistic work, often grotesque and curious, that, while it undoubtedly angers the proletarian experimenters who now hold the stage and fight with lusty pens and a highly developed class consciousness against all that he stood for, will continue to live as long as men go on treasuring the fancies their fellows from time to time set down with care on paper.--Glen W. Shaw
The wartime exploits of the 501st Parachute Infantry Regiment are told here in the most vivid and appropriate way; by one of the men who experienced their battles firsthand – Captain Laurence Critchell. The author fought with the men of the Screaming Eagles from the tough training at camp Toccoa, Georgia to their hellish night drop on D-Day and all the way to the capture of Hitler’s mountain retreat at Berchtesgaden. During 1944-1945 the author and his comrades soldiers would be involved in some of the heaviest and bloodiest fighting in Europe, during the Operation Market Garden at Njimegen and the Battle of the Bulge at Bastogne. A gripping read of the Second World War as told by a decorated combat veteran. “It is fitting that the story of the 501st Parachute Regiment of the famed 101st Airborne Division should be told by a parachute captain.”—The New York Times “A personalized record, told in terms of the men of all ranks, of how they trained and fought and died... the story has an authentic ring.”—U.S. Quarterly “The greatest airborne operation of this or any other war.” —Lewis H. Brereton, Former Lt. General, First Allied Airborne Army, World War II
Twenty years ago, the mysterious death of his aunt left Aaron Holbrook orphaned and alone. He abandoned his rural Arkansas hometown vowing never to return, until his seven-year-old son died in an accident, plunging Aaron into a nightmare of addiction and grief. Desperate to reclaim a piece of himself, he returns to the hills of his childhood, to Holbrook House, where he hopes to find peace among the memories of his youth. But solace doesn't come easy and Aaron's arrival stirs a hornet's nest, both among his former friends in the town and in the supernatural force in the house, which has trained its wicked gaze on Aaron's fragile, damaged psyche.