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With its graceful silhouette and distinctive white bark, the birch tree has been important to people wherever it has grown. This book covers all aspects of the North's most versatile tree—from its biology and ecology to its different uses, craft applications, and legends. Some of the lore revealed includes birch's role as a Welsh token of love and its mysterious connection with witches' brooms. In addition to learning about how the wood is used in baskets, shoes, and wood coverings, readers can also make more than 15 craft projects from instructions in the book, including folded bark baskets, carved ornaments, and turned wooden bowls.
For centuries people have marveled over the beauty of plaited basketry; now readers can actually learn the skill and artistry of this craft in the comfort of their own homes. Scholar, artisan, and teacher Vladimir Yarish created all of the birch bark baskets for this book after scouring museums and archeological sites all around the world. This definitive guide focuses on the history and myriad traditional uses of birch bark, as well as general instructions for basket-making and plaiting. Get hands-on with 18 birch bark projects, both decorative and useful, including a rectangular tray, small basket with three-part braid, or an oval basket with curls. Finally, in the gallery section, take a look at plaited baskets by various artists using contemporary materials.
In Greenville, New Hampshire, a small town in the southern part of the state, Henri Vaillancourt makes birch-bark canoes in the same manner and with the same tools that the Indians used. The Survival of the Bark Canoe is the story of this ancient craft and of a 150-mile trip through the Maine woods in those graceful survivors of a prehistoric technology. It is a book squarely in the tradition of one written by the first tourist in these woods, Henry David Thoreau, whose The Maine Woods recounts similar journeys in similar vessel. As McPhee describes the expedition he made with Vaillancourt, he also traces the evolution of the bark canoe, from its beginnings through the development of the huge canoes used by the fur traders of the Canadian North Woods, where the bark canoe played the key role in opening up the wilderness. He discusses as well the differing types of bark canoes, whose construction varied from tribe to tribe, according to custom and available materials. In a style as pure and as effortless as the waters of Maine and the glide of a canoe, John McPhee has written one of his most fascinating books, one in which his talents as a journalist are on brilliant display.
In BUSHCRAFT SURVIVAL Ray Mears travels to some of the most remote and beautiful wildernesses in the world, and experiences first hand the survival techniques of different indigenous cultures. From the Hudson Bay in Canada, via Tanzania and the jungles of Venezuela, to the moors and highlands of Britain, BUSHCRAFT SURVIVAL explores a range of locations and techniques from indigenous peoples. Drawing on centuries of knowledge as well as his own experience, Ray demonstrates how our enjoyment of the wilderness comes through respect for our surroundings and the people, plants and animals that live there.
An illustrated monthly magazine in the interest of better art, better work and a better more reasonable way of living.
The bark canoes of the North American Indians, particularly those of birchbark, were among the most highly developed manually propelled primitive watercraft. Built with Stone Age tools from available materials, their design, size, and appearance were varied to suit the many requirements of their users. Even today, canoes are based on these ancient designs, and this fascinating guide combines historical background with instructions for constructing one. Author Edwin Tappan Adney, born in 1868, devoted his life to studying canoes and was practically the sole scholar in his field. His papers and research have been assembled by a curator at the Smithsonian Institution.
A guide to building birchbark canoes in the Algonquin style. Includes history, overview of construction methods and looks at the techniques used by 4 Algonquin craftsmen.
This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.