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A publishing phenomenon in Spain: a moving, lyrical, far-ranging meditation on the deep joys of confronting oneself through silence by a Spanish priest and Zen disciple. With silence increasingly becoming a stranger to us, one man set out to become its intimate: Pablo d'Ors, a Catholic priest whose life was changed by Zen meditation. With disarming honesty and directness, as well as a striking clarity of language, d'Ors shares his struggles as a beginning meditator: the tedium, restlessness, and distraction. But, persevering, the author discovers not only a deep peace and understanding of his true nature, but also that silence, rather than being a retreat from life, offers us an intense engagement with life just as it is. Imbued with a rare beauty, Biography of Silence shows us the deep joy of silence that is available to us all.
"A terrific, detailed look at Van Morrison's life. . . A must for anyone who enjoys tales of tortured stars behaving badly."--"Entertainment Weekly." 13 photos.
A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and he soon began the experiments with sound and percussion instruments that would develop into his signature work with prepared piano, radio static, random noise, and silence. Cage’s unorthodox methods still influence artists in a wide range of genres and media. Silverman concurrently follows Cage’s rich personal life, from his early marriage to his lifelong personal and professional partnership with choreographer Merce Cunningham, as well as his friendships over the years with other composers, artists, philosophers, and writers. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. !--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /--
(Amadeus). Few singers have touched as many hearts as has Andrea Bocelli. This golden-voiced tenor has sung to sold-out audiences all over the world, and his legions of admirers have included popes, presidents, and monarchs as well as some of the greatest stars of classical and popular music. In The Music of Silence , Bocelli tells his own story in the form of an autobiographical novel, naming his alter ego "Amos Bardi." He writes of a loving family that encouraged his musical gifts from an early age, and of the dedication that led to his professional breakthrough and his meteoric rise to stardom. The first edition of Bocelli's memoir was published in 1999 and focused on the success and difficulties at the beginnings of his astonishing career. This newly revised and updated edition is an even deeper and more intimate analysis of his life, loves, and losses the result of wisdom gained from the increased personal and artistic maturity gained in the subsequent decade of his life. This book will touch and captivate all Bocelli fans and those who admire perseverance in the face of great challenges.
Shouting Down the Silence presents the first complete biography of Stanley Elkin, a preeminent novelist who consistently won high marks from critics but whose complexities of style seemed destined to elude the popular acclaim he hoped to attain. From the publication of his second novel, A Bad Man, in 1967 to his death in 1995, Elkin was tormented by the desire for both material and artistic success. Elkin's novels were taught in colleges and universities, his fiction received high praise from critics and reviewers (two of his novels won National Book Critics Circle Awards), and his short stories were widely anthologized--and yet he was unable to achieve renown beyond the avant-garde, or to escape the stigma of being an "academic writer." He wanted to be Faulkner, but he had trouble being Elkin. Drawing on personal interviews and an intimate knowledge of Elkins's life and works, David C. Dougherty captures Elkin's early life as the son of a charismatic, intimidating, and remarkably successful Jewish immigrant from Russia, as well as his later career at Washington University in St. Louis. A frequent participant at the annual Bread Loaf Writers' conference, he was the friend--and sometime antagonist--of other important writers, particularly Saul Bellow, William Gass, Howard Nemerov, and Robert Coover. Despite failed attempts to bridge the gap from his academic post to wide popular success, Elkin continued to write essays, stories, and novels that garnered unerring praise. His was a classic dilemma of an intellectual aesthete loath to make use of the common devices of popular appeal. The book details the ambition, the success, the friction, and the foibles of a writer who won fame, but not the fame he wanted.
A SPECTATOR, NEW STATESMAN AND THE TIMES BOOK OF THE YEAR 'The best biography I have read in years' Philippe Sands 'Spectacular' Observer 'A remarkable portrait' Guardian W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.
Hugh Brody is renowned for his work with indigenous peoples. In the 80s he was engaged in a lawsuit brought by the Inuit people of the Arctic against the Canadian government. Brody lived with the Inuit, learned their language, recorded all their stories, which were then used as evidence in the court case - which the Inuit won. In his new book, he returns to the Arctic and is confronted by the deterioration of the situation there. The Inuit now possess the land, but the government has pressured them into living in settlements rather than out on the land. Their children are forced to go to school where they learn to speak English, losing their own language, which is the element that ties them to their land. Sexual abuse by the treachers intimidates the children into a silence that results in widespread suicide among the young. This silence ties in with Brody's own story - a mother hounded out of her home in Vienna by the Nazis, causing her to retreat into the same kind of silence that Tom Stoppard experienced from his mother, who also fled from the Nazis. As a writer and anthropologist, Brody's concern has always been with the human condition, arguing for the need to safeguard the most vulnerable from the depredations of the modern word.
From the French Abbey of St Wandrille to the abandoned and awesome Rock Monasteries of Cappadocia in Turkey, the celebrated travel writer Patrick Leigh Fermor studies the rigorous contemplative lives of the monks and the timeless beauty of their monastic surroundings. In his occasional retreats, the peaceful solitude and the calm enchantment of the monasteries was passed on as a kind of 'supernatural windfall' which A Time to Keep Silence so effortlessly records.
The life of escape artist, fortune-teller, author and raconteur “Ironfoot Jack,” aka Jack Rudolph Neave (1881–1959), the self-styled “King of the Bohemians” in London's Soho. “I became acquainted with gipsies, with show people, with buskers, with people who entertained the public by performing in the city, on fair grounds and market places…and with a variety of “fiddles”—that is, some dubious methods of obtaining the means of life. I became a member of this fraternity.” —from The Surrender of Silence Escape artist, fortune-teller, author, and raconteur “Ironfoot Jack,” aka Jack Rudolph Neave (1881–1959), the self-styled “King of the Bohemians,” was a well-known Soho character in pre- and postwar London. His rich and enthralling story of a lifestyle now gone forever was dictated as his portrait was being painted by the artist Timothy Whidborne in 1956. It was then entrusted to a Soho acquaintance, the author Colin Wilson whose first book The Outsider, had been a success in the same year. Despite his efforts, Wilson failed to find a publisher and, after his death, the manuscript was discovered among his papers by his bibliographer Colin Stanley, who assembled the text, which is accompanied by a contextual introduction by cultural historian Phil Baker. Jack wrote that The Surrender of Silence was “the outcome of years of struggle to survive; of solving the problem of existence by various and curious methods… Most of the people I am talking about led a precarious life and obtained their livelihood from day to day…. They worked to live; they did not live to work.” This Strange Attractor Press edition is the first publication of this legendary work.