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The second edition of the Historical Dictionary of Marxism covers of the basics of Karl Marx’s thought, the philosophical contributions of later Marxist theorists, and the extensive real-world political organizations and structures his work inspired—that is, the myriad political parties, organizations, countries, and leaders who subscribed to Marxism as a creed. This text includes a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important personalities, both thinkers and doers; political parties and movements; and major communist or ex-communist countries. This book is an excellent access point for students, researchers, and anyone wanting to know more about Marxism.
Karl Marx Dictionary is another in a series of dictionary-type books that cover the works of thinkers of historical significance. The captivating and detailed entries of this volume, put forward in clearly understandable terms, extract the essential ideals of Marx from his voluminous and historically important works. The main source of Marxian doctrine is found, of course, in the three volumes of Das Kapital; every significant and definitive passage from this masterwork is isolated for reference and scrutiny. In addition, many other sources from the vast body of Marx’s writings are exploited. The user of this volume can learn practically all there is to know of the philosophy of Marxism.
Featuring over 1,800 concise definitions of key terms, the Dictionary of the Social Sciences is the most comprehensive, authoritative single-volume work of its kind. With coverage on the vocabularies of anthropology, sociology, political science, economics, human geography, cultural studies, and Marxism, the Dictionary is an integrated, easy-to-use, A-to-Z reference tool. Designed for students and non-specialists, it examines classic and contemporary scholarship including basic terms, concepts, theories, schools of thought, methodologies, issues, and controversies. As a true dictionary, it also contains concise, jargon-free definitions that explain the rich, sometimes complex language of these increasingly visible fields.
An encyclopedic guide to 20th-century communism around the world The first book of its kind to appear since the end of the Cold War, this indispensable reference provides encyclopedic coverage of communism and its impact throughout the world in the 20th century. With the opening of archives in former communist states, scholars have found new material that has expanded and sometimes altered the understanding of communism as an ideological and political force. A Dictionary of 20th-Century Communism brings this scholarship to students, teachers, and scholars in related fields. In more than 400 concise entries, the book explains what communism was, the forms it took, and the enormous role it played in world history from the Russian Revolution through the collapse of the Soviet Union and beyond. Examines the political, intellectual, and social influences of communism around the globe Features contributions from an international team of 160 scholars Includes more than 400 entries on major topics, such as: Figures: Lenin, Mao, Stalin, Ho Chi Minh, Pol Pot, Castro, Gorbachev Events: Cold War, Prague Spring, Cultural Revolution, Sandinista Revolution Ideas and concepts: Marxism-Leninism, cult of personality, labor Organizations and movements: KGB, Comintern, Gulag, Khmer Rouge Related topics: totalitarianism, nationalism, antifascism, anticommunism, McCarthyism Guides readers to further research through bibliographies, cross-references, and an index
This Dictionary comprehensively surveys major twentieth-century neo-Marxian (non-orthodox) thinkers and activists throughout the world. This thorough research aid contains over 200 biographical essays which include pertinent biographical details; a summary of the entrant's significant and unique contributions to neo-Marxian theory and practice; and a bibliography of relevant primary and secondary works. The essays are prepared by a wide range of qualified and internationally recognized Marxian scholars. Special emphasis is placed on terms, concepts, and perspectives associated with each entrant. In addition to the biographical essays, ten entries concerning groups, movements, and journals judged as crucial to understanding the evolution of Neo-Marxism in a particular country or the West in general are included. The volume contains an appendix that lists the entrants by nationality, and a comprehensive index that lists all names, organizations, parties, journals, etc. Finally, the editor has included an introductory essay wherein he highlights Marx's own contribution to the subsequent proliferation of Marxian theories, by emphasizing the potentially incompatible theoretical premises he embraced.
In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of black people and black communities as agents of change and resistance. Black radicalism must be linked to the traditions of Africa and the unique experiences of blacks on western continents, Robinson argues, and any analyses of African American history need to acknowledge this. To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright.
As part of its effort to expose Communist infiltration in the United States and eliminate Communist influence on movies, from 1947–1953 the House Committee on Un-American Activities subpoenaed hundreds of movie industry employees suspected of membership in the Communist Party. Most of them, including screenwriter Paul Jarrico (1915–1997), invoked the Fifth Amendment and refused to answer questions about their political associations. They were all blacklisted. In The Marxist and the Movies, Larry Ceplair narrates the life, movie career, and political activities of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick and Harry (1941) and the producer of Salt of the Earth (1954), one of the most politically besieged films in the history of the United States. Though Jarrico did not reach the upper eschelon of screenwriting, he worked steadily in Hollywood until his blacklisting. He was one of the movie industry's most engaged Communists, working on behalf of dozens of social and political causes. Song of Russia (1944) was one of the few assignments that allowed him to express his political beliefs through his screenwriting craft. Though MGM planned the film as a conventional means of boosting domestic support for the USSR, a wartime ally of the United States, it came under attack by a host of anti-Communists. Jarrico fought the blacklist in many ways, and his greatest battle involved the making of Salt of the Earth. Jarrico, other blacklisted individuals, and the families of the miners who were the subject of the film created a landmark film in motion picture history. As did others on the blacklist, Jarrico decided that Europe offered a freer atmosphere than that of the cold war United States. Although he continued to support political causes while living abroad, he found it difficult to find remunerative black market screenwriting assignments. On the scripts he did complete, he had to use a pseudonym or allow the producers to give screen credit to others. Upon returning to the United States in 1977, he led the fight to restore screen credits to the blacklisted writers who, like himself, had been denied screen credit from the late 1940s to the mid-1960s. Despite all the obstacles he encountered, Jarrico never lost his faith in the progressive potential of movies and the possibility of a socialist future. The Marxist and the Movies details the relationship between a screenwriter’s work and his Communist beliefs. From Jarrico’s immense archive, interviews with him and those who knew him best, and a host of other sources, Ceplair has crafted an insider’s view of Paul Jarrico’s life and work, placing both in the context of U.S. cultural history.
A concise and accessible dictionary of the key terms and concepts in Marx's writings, his major works and influences, from a philosophical perspective.