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The British poet states his belief in that philosophy is the basis of criticism.
First published in 1817, Biographia Literaria is a seminal work of literary criticism and autobiography. Written by the influential Romantic poet Samuel Taylor Coleridge, the book includes biographical sketches of Coleridge's contemporaries, as well as extensive discussions of literary theory and criticism. This edition, edited and expanded by Coleridge's nephew Henry Nelson Coleridge, provides valuable insight into the intellectual and cultural milieu of the late 18th and early 19th centuries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This new edition of the Biographia supersedes all previous editions. Crucially, it takes into consideration 3 decades of research and scholarship on Coleridge and includes all Coleridge's references and allusions. In tracing all unattributed references, Adam Roberts has in some cases opened up whole new avenues of interpretation for the text, materially altering or changing the way we read this classic work. This new scholarly edition for a 21st-century readership includes a detailed Critical Introduction, a Textual Introduction, the text of the Biographia Literaria, including Coleridge's notes and editorial footnotes; Endnotes; and a Bibliography. It is likely to stand as the definitive textual edition for many years to come. Key Features:. The first edition of the Biographia in 3 decades and the first ever to identify all of Coleridge's many allusions and quotations Draws on the most up-to-date scholarship on the text Fully explains the genesis, the poetic and philosophical contexts and debates surrounding the text Provides the chance to revitalise Romanticism studies more generally
Excerpt from Biographia Literaria, or Biographical Sketches of My Literary Life and Opinions, Vol. 2 of 2 Agreeing as I do with these remarks in the main, I venture to observe that in my mind they ascribe too much influence upon the early fate of Mr. W.'s poems to the E. Review. That those poems were not generally admired from the first, was, in my opinion, their own fault, that is to say, arose principally from their being works of great genius, and consequently, though old as the world itself, in one way, yet In another, a new thing under the sun. Novelty is delightful when it is understood at once, when it is but the old familiar matters newly set forth; but here was a new world presented to the reader which was also a strange world, and most of those who had grown to middle age acquainted with the old world only, and chiefly with that part of it which was least like Wordsworth's - the hither part, out of sight of Chaucer and Spenser and the old English Poets in general, could never learn their way, or find themselves at home there. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Catalog of the author's library of 1st editions of the famous English poets and dramatists from Elizabethan times until the present.
This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
This is the first volume in a three-volume collection of primary sources which examines philosophy and literature in nineteenth-century Britain. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of British Literature and Philosophy.
The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.