Download Free Bindlestiff Book in PDF and EPUB Free Download. You can read online Bindlestiff and write the review.

His P.I. license reinstated, his old friend Eberhardt back on his feet, and things with his girlfriend Kerry patched up, Nameless is ready to roll again. On his first day back at work, he lands an assignment he would have thought went out with the Great Depression: tracking down a hobo.It's hard to imagine the prim Miss Arlene Bradford wanting to find a father thought to be living the life of a bindlestiff-riding the rails, sleeping in boxcars, eating mulligan stew. Nameless is even more surprised, though, when her pouty, Marilyn Monroe-like sister, Hannah, implores him to leave her father alone. Still, he's getting paid to find Charles Bradford, and Nameless follows his trail through the labyrinth of the Western Pacific hobo jungle straight to a tiny railway museum on the far side of town... a museum run by a man named Dallmeyer whose true identity is more sinister than it seems.
2036. In a ramshackle, backwater United States, Marine Corp vet Frank Dubois journeys from L.A. to Detroit, seeking redemption for a life lived off the rails, in a country derailed from its own manifest destiny. In present day Hollywood, a wannabe British film director hustles to get his movie 'Bindlestiff' off the ground starring 'Frank', a black Charlie Chaplin figure cast adrift in post-federal America. Weaving together prose and screenplay Bindlestiff explores the power and responsibility of storytelling, revealing what lies behind the voices we read and the characters we see on screen. We open with a simple image of a man mending a hole in his shoe using a cut off piece of rubber and a tube of glue. From there the story explodes into a broiling satire on race, identity, family, friendship, war, peace, sex, drugs but precious little rock and roll. Bindlestiff. "If it's broke, fix it."
Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London. The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.
The long-awaited follow-up to the Pulitzer Prize-winning The Sympathizer, which has sold more than one million copies worldwide, The Committed follows the man of two minds as he arrives in Paris in the early 1980s with his blood brother Bon. The pair try to overcome their pasts and ensure their futures by engaging in capitalism in one of its purest forms: drug dealing. Traumatized by his reeducation at the hands of his former best friend, Man, and struggling to assimilate into French culture, the Sympathizer finds Paris both seductive and disturbing. As he falls in with a group of left-wing intellectuals whom he meets at dinner parties given by his French Vietnamese “aunt,” he finds stimulation for his mind but also customers for his narcotic merchandise. But the new life he is making has perils he has not foreseen, whether the self-torture of addiction, the authoritarianism of a state locked in a colonial mindset, or the seeming paradox of how to reunite his two closest friends whose worldviews put them in absolute opposition. The Sympathizer will need all his wits, resourcefulness, and moral flexibility if he is to prevail. Both highly suspenseful and existential, The Committed is a blistering portrayal of commitment and betrayal that will cement Viet Thanh Nguyen’s position in the firmament of American letters.
A fascinating look into the history of the American sideshow and its performers. Learn what's real, what's fake, and what's just downright bizarre. You've probably heard of Tom Thumb. The Elephant Man. Perhaps even Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Or Prince Randian, the human torso? These were just a few of the many stars that shone during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities not just as sideshow performers but as people, delving into the lives they led and the ways they were able to triumph over and even benefit from their abnormalities. American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, technological advancements, and the wonderful world of body modification, abnormalities are being overcome, treated and even prevented: Siamese twins can now be separated, and in addition to this, tongues can be forked, horns surgically implanted, and earlobes removed. There are also, of course, modern-day giants, fire eaters, sword swallowers, glass eaters, human blockheads, and oh, so much more. These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately two hundred performers from the past one hundred and sixty years are featured, giving readers a comprehensive and sometimes astonishing look into the history of the American sideshow
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Bull Threshers and Bindlestiffs is a panorama on a continental canvas: the Great Plains of North America, stretching from Texas to Alberta. Onto this surface the author lays the large features of regional practice in the harvesting and threshing of wheat during the days before the combined harvester—harvesting with binder and header, threshing with bull thresher and steam engine. Into the picture he places the key figures who accomplished the task of gathering the grain--the farm men and women, the custom threshermen, and the bindlestiffs, or itinerant laborers. Affectionately he sketches the small details of folklife that comprised the everyday work and culture of the wheat belt—building shocks, loading racks, constructing stacks, pitching bundles into the separator, hauling water to the engine, drinking deep from the crockery water jug. Bull Threshers and Bindlestiffs is a profusely illustrated study of a complex, vigorous regional culture concerned with the production of wheat—a culture that centered around the annual harvest and declined with the advent of the combine. This is an examination of the interaction of culture, environment, and technology with import for the fields of agricultural history and regional history. More than that, with its grassroots research, its descriptions of tools and customs, and its lavish illustrations, it is a re-creation of a proud phase of regional life previously captured only in yellowed albumen photographs.
From the Hugo Award–winning author, the classic millennia-spanning epic in one volume: “A wholly new concept of the far future.” —The New York Times Originally published in four volumes, Cities in Flight brings together the famed “Okie novels” of science fiction master James Blish. Named after the migrant workers of America’s Dust Bowl, these novels convey Blish’s “history of the future,” a brilliant and bleak look at a world where cities roam the Galaxy looking for work and a sustainable way of life. In the first novel, They Shall Have Stars, humankind has thoroughly explored the solar system, yet the dream of going even farther seems to have died in all but one man. His battle to realize his dream results in two momentous discoveries: anti-gravity and the secret of immortality. In A Life for the Stars, it is centuries later and antigravity generations have enabled whole cities to lift off the surface of the earth to become galactic wanderers. In Earthman, Come Home, the nomadic cities revert to barbarism and marauding rogue cities begin to pose a threat to all civilized worlds. In the final novel, The Triumph of Time, history repeats itself as the cities once again journey back into space, making a terrifying discovery which could destroy the entire universe. A serious and haunting vision of our world and its limits, Cities in Flight marks a milestone in science fiction. “Compelling . . . If you haven’t read this yet, I envy you. Blish’s cities will fly through your dreams.” —Stephen Baxter “In a century that brimmed with human short-sightedness, James Blish was one of the very first genuine visionaries of a new millennium.” —David Brin
THE STORIES: In this curtain raiser, set in 1937, Bertha is a BINDLE STIFF, or hobo. She has come into the theater in search of someone she calls Perfessor (an empty chair in the audience). The Perfessor, a social scientist, hired her for his s