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Celebrate Bill Cunningham—the iconic New York Times photographer who chronicled society and fashion—with his images of the vibrant events of spring and summer. Bill Cunningham (1929-2016) embraced the colors, carefree beauty, and escapism of spring outings and summer parties as both a photographer and an astute fashion documentarian. His camera captured the showstopping hats and dresses worn by society ladies at the annual Central Park Conservancy luncheons, the gorgeous gowns sweeping the dance floors of tented galas in Newport and the Hamptons, and the authentic vintage outfits sported by young attendees at summertime jazz and swing-dance festivals. For decades, Cunningham's two weekly columns for the Times remained at the top of every fashionista's go-to list, presenting not only a comprehensive chronicle of the looks of the day but also an insider's view of the glamorous parties and philanthropic events that are part of the social whirl. This celebration of Cunningham's genius for capturing magical moments with extraordinary style provides a heartfelt insiders' tribute to one of photojournalism's greatest legends.
NEW YORK TIMES BESTSELLER • The first published collection of photographs by the icon of street style, bringing together favorites published in The New York Times alongside never-before-seen work across five decades. “A dazzling kaleidoscope from the gaze of an artist who saw beauty at every turn.”—André Leon Talley Bill Cunningham’s photography captured the evolution of style, of trends, and of the everyday, both in New York City and in Paris. But his work also shows that street style is not only about fashion; it’s about the people and the changing culture. These photographs—many never before seen, others having originally appeared in The New York Times and elsewhere—move from decade to decade, beginning in the 1970s and continuing until Cunningham’s death in 2016. Here you’ll find Cunningham’s distinctive chronicling of the 1980s transit strike, the rise of 1990s casual Fridays, the sadness that fell over the city following 9/11, Inauguration Day 2009, the onset of selfies, and many other significant moments. This enduring portfolio is enriched by essays that provide a revealing portrait of Cunningham and a few of his many fascinations and influences, contributed by Cathy Horyn, Tiina Loite, Vanessa Friedman, Ruth La Ferla, Guy Trebay, Penelope Green, Jacob Bernstein, and a much favored subject, Anna Wintour. More than anything, On the Street is a timeless representation of Cunningham’s commitment to capturing the here and now. “An absolute delight.”—People
Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Cunningham dreamed of a life dedicated to fashion. When he arrived in New York in 1948, he reveled in people-watching. He became a photographer for The New York Times, and after two style mavens took Cunningham under their wing he made a name for himself as a designer. Taking on the alias William J.-- because designing under his family's name would have been a disgrace to his parents--he became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away until after his death in 2016 -- adapted from jacket.
"Beautifully rendered and told, the book brings to life the work of a gifted 20th-century artist whose creative vision will always be in vogue." Kirkus Reviews, Starred review This is a moving and impassioned picture book about the iconic fashion photographer Bill Cunningham that will inspire young readers to go discover their own ideas of beauty and embolden the world with their own creativity! He found "sheer poetry" in the drape of an evening dress, delight in the swoosh of a knife-pleated skirt, and sartorial splendor in Jazz Age garb. Every day, Bill Cunningham pedaled his bike through New York City searching for beauty. As he took picture after picture, Bill found beauty not in people, but in their clothes. Drawn to bold and creative choices, Bill's photos captured the attention of the New York Times. He traveled to Paris for Fashion Week, and admiration for his work grew. With his sense of creativity and daringness, his own personal style of photography came to be known as street art photography. His photos left a lasting impression on all those who came across his work and they continue to inspire creativity today. This is the story of the legend who created street fashion photography and left behind a legacy of glorious pictures. Bill Cunningham used his passion and talent to capture the beauty he saw in fashion and the ultimate freedom that it represents to each and every person. This is an inspiring picture book about finding your path and being creative.
This memoir by a former president of the University of Texas at Austin and chancellor of the University of Texas System cogently explains how money, power, politics, and ambition all play roles in the business of running the state's premier university sys
*A Financial Times Book of the Year 2018* *The New York Times Bestseller* 'I took to New York life like a star shooting through the heavens...' Bill Cunningham's first love was fashion but the big city came a close second. He left for New York aged nineteen, losing his family's support but enjoying the infinite luxury of freedom. Living on a scoop of Ovaltine a day, he would run down to Fifth Avenue to feed on the spectacular sights of the window displays - then run back to his tiny studio to work all night. Working as 'William J' (to spare his parents' blushes), Bill became one of the most celebrated hat designers of the 1950s, creating elegant town hats for movie stars and playful beach hats for the summer set. Bill's mission was to bring happiness by making beautiful things - even if it meant pawning his bike to fund fancy-dress outfits for all his friends. When women stopped wearing hats and his business was forced to close, Bill worked as a fashion journalist, touring the couture houses of Europe. But New York remained his home, and it was as a street photographer of the fashions of the city that he became well known, in a job that would last almost forty years. Fashion Climbing is the enchanting memoir he left behind, capturing the madcap times of his early career and the fashion scene of the mid-century. Written with the spark and wit of Holly Golightly, and brimming over with Bill's infectious joy for life, it is a gift to all who seek beauty, whatever our style or status.
New Mexico's 555,000-acre Gila Wilderness is a vast untrammeled patchwork of virtually unlimited forest types, climatic conditions, and wildlife.
A unique case study in exploitation filmmaking, DEATH KISS: THE BOOK OF THE MOVIE explores the elements that must go into the making of a low budget movie by using specific examples and resources from the movie. Death Kiss is a "throwback" to 70's and 80's exploitation classics and stars Robert Kovacs aka "Bronzi" whose close resemblance to classic actor Charles Bronson provided the motif for the movie's production. We explore the rules of pulp filmmaking; review the screenplay by writer-director Rene Perez; interview and provide bios for the major cast including Daniel Baldwin (John Carpenter's Vampires), Richard Tyson (Kindergarten Cop), Eva Hamilton (Ouija House) and Stormi Maya Alvarado (Amazon's Cattle - The Cult); and go behind the scenes with dozens of color photos . All assembled to guide you toward making your own pulp movies today! If you like exploitation action movies and filmmaking; if you want to know how you can get started conceiving and producing your own pulp movies, then you're going to want to get DEATH KISS: THE BOOK OF THE MOVIE!