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One Percenter Revolution: Riding Free in the 21st Century finishes the trilogy started by best-selling author and editor of Easyriders magazine Dave Nichols, following a new generation of outlaw motorcyclists.
This book combines more than 45 years of the author's riding experiences with data collected over five years of systematic observation and extensive ethnographic interviews with over 200 male and female riders. Much has been written about hardcore bikers, but there has been little scholarly research on the much larger segment of the population more aptly called motorcycle enthusiasts. This book focuses on them--the hard working plumbers, truck drivers, and other blue collar workers as well as the white collar executives, doctors and other professionals who are mostly married, have mortgages, pay their bills, obey the law, and on weekends and holidays participate in a favorite pastime, riding motorcycles.
A feminist history of bicycling for sport and adventure spans a century of women who changed the world from two wheels. This vivacious tale, peppered with fascinating details from primary sources, shows how women were sometimes the stars of bicycle races and exhibitions, and other times had to overcome sexism, exclusion, and economic inequalities in order to ride. From the almost burlesque show races and creative performances of the 19th century to the evolution of cycling as a modern sport and form of transportation, April Streeter brings her exuberant eye for character, fashion, and story to convey the evolving emotional resonance of bicycling for women and their communities. Interweaving pedal-powered history with profiles of bicyclists who made their mark, like Katharine Hepburn, Annie Londonderry, Kittie Knox, Dorothy Lawrence, Louise Armaindo, and more.
In the medical reports she transcribes for a living, Nancy Anne Nash would be identified as a athin white female in no acute distress.a In reality, she is in moderate distress and leading a troubled life, loving unsuitable men for all the wrong reasons. At work for Seattle-based Professional Dictation, she shines and is a leader in her field, while back home her life is complicated by boyfriend Tim, an alcoholic, twice-divorced father of two whom Nancy becomes determined to afix.a Along the way she enlists the aid of Timas daughter, Angela. Unfortunately, the emotional scars left from a childhood of chaos and instability prove too powerful to fix, and Nancy slowly self-destructs in a vortex of poor choices, good drugs, and very bad people, among them a self-absorbed female boss who destroys the one place where Nancy finds strength. Despite the odds, will she triumph and learns along the way that love isnat love if it hurts?
Each year’s poem describes the physical growth, emotions, feelings and action of human and its impact on our society. The poetry focus on family and cultural values that leads human to true welfare, supreme good, and lasting happiness. Another aspect of the poetry evolve around behavior of mutual love, honoring each other’s individual freedom in such a way that our social atmosphere may become an ideal ground for nurturing the new generations. In the end of each year’s poem, there is a spiritual message and I hope that this book may bring more people towards the God.
A small child somehow survived her fall from the heavens into a remote mountainous area of a dense rain-forest in North America. Fate did not cause the fall, but it did pick the place of her survival. It was here in this region of giant cedars and moss-covered valleys that an odd couple would find and raise her to adult-hood. One was an old man that had lost the love of his life and a will to live. The other was a curious Bigfoot named, Gary.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
What if you found out you had just died? Where do you go when you die? Who would you find on the other side of life?