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577 authentic Art Nouveau designs ranging in size from full-page illustrations to borders, headpieces, tailpieces, and initials. Designs include florals, landscapes, and figures, from artists such as Klimt, Bradley, Auriol, and Larcombe.
Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.
Why has jewellery and body adornment often been marginalized in studies of modernist art and design? This study explores the relationship between jewellery, modernism and modernity from the 'jazz age' to the second world war in order to challenge the view that these portable art forms have only a minor role to play in histories of modernism. From the masterworks of the Parisian jewellery houses to the film and photography of Man Ray, this study seeks to present jewellery in a new light, where issues of representation and display are considered to be as important in the creation of a modern 'jewellery culture' as the objects themselves. Drawing on material from museums, archives, contemporary journals, memoirs, literary and theoretical texts, this study shows how the emergence of modern jewellery began to seriously question conventional notions of body adornment.
L'orf?vrerie alg?rienne et tunisienne.
Art Deco was a major decorative style of the 1920s - the perfect expression of the extravagance of Paris during that decade. Renowned for its opulence and exclusiveness, Art Deco embraced every area of the decorative arts, including furniture, jewelry, painting and graphics, bookbinding, glass, and ceramics, and was the last coherent decorative style to emerge from Europe during this century. The 1925 Exposition des Arts Décoratifs et Industriels Moderne, from which the style took its name, united the work of the finest French artists in a dazzling display of luxury. Its creators were primarily painters and sculptors who employed highly skilled craftsmen to execute their designs in rare and exotic materials such as figured woods, precious tones and metals, glass and ivory, favoring strong and vibrant colors. This book offers a broad insight into the splendor of this most lavish of decorative styles, as seen in the work of its leading French exponents. Their elegant creations are brought together in this handsome and profusely illustrated volume, which includes much material not previously published. The author's intimate knowledge of many private collections around the world enables him to share a privileged insight into the finest hand-craftsmanship of the time. Also discussed are important Art Deco themes, including the animalier tradition and the cult of the beautiful sophisticated woman. In addition there is a special section of biographies of more than 120 artists.