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The world has become obsessed with the Western notions of progress, development, and globalization, the latter a form of human and economic homogenization. These processes, through the aegis of the United Nations, are comparatively monitored. Those nations deemed to be ‘lagging behind’ are then provided with foreign aid and developmental assistance. For nearly seventy years, India has sought its place in this global endeavour; yet, even today, abject poverty and backwardness can be observed in districts in almost every state; with the highest concentration of such districts found in the state of Bihar and a cultural enclave, known as Mithila. Development in India has been elusive because it is difficult to define; and because the Western concepts of development and progress have no absolute equivalents within many non-Western settings. As a consequence, development programmes often fail because they are unable to ask the right questions, but equally important is the political economy derived from foreign aid. For politicians, there is no long-term benefit to be derived from successful development. In general, foreign aid only serves to corrupt governments and politicians and, in the end, does very little for those who need help. The struggling states of Bihar and Mithila serve as extreme examples of India‘s problems. Development here has been thwarted by a hereditary landed aristocracy supported by religion, casteism, custom, social stratification, tradition, and patterns of behaviour that can be traced back millennia. In turn, all these have been masterfully manipulated by co-opted politicians, who have turned politics into a veritable art form as this volume comprehensively demonstrates.
The struggling states of Bihar and Mithila serve as extreme examples of India‘s problems. Development here has been thwarted by a hereditary landed aristocracy supported by religion, casteism, custom, social stratification, tradition, and patterns of behaviour that can be traced back millennia. In turn, all these have been masterfully manipulated by co-opted politicians, who have turned politics into a veritable art form as this volume comprehensively demonstrates. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Afghanistan, Nepal, Bhutan, Bangladesh and Sri Lanka
"Waterlife features Mithila art, a vibrant delicate art form of folk painting from Bihar in eastern India. The artist Rambharos Jha grew up on the banks of the legendary river Ganga and developed a fascination for water and water life. In this book he creates an unusual artist's journal, adapting the motifs of the Mithila style to express his own vision. He frames his art with a playful text that evokes both childhood memory and folk legend."--Back cover.
Moving beyond the existing scholarship on language politics in north India which mainly focuses on Hindi–Urdu debates, Language Politics and Public Sphere in North India examines the formation of Maithili movement in the context of expansion of Hindi as the ‘national’ language. It revisits the dynamic hierarchy through which a distinction is produced between ‘major’ and ‘minor’ languages. The movement for recognition of Maithili as an independent language has grown assertive even when the authority of Hindi is resolutely reinforced. The book also examines increasing politicization of the Maithili movement — from Hindi–Maithili ambiguities and antagonisms, to territorial consciousness, and subsequently to separate statehood demand, along with the persistent popular indifference. Mithilesh Jha examines such processes historically, tracing the formation of Maithili movement from mid-nineteenth century until its inclusion into the eighth schedule of the Indian constitution in 2003.
The present work contains a brief study of the various facets of Mithila folk-arts and paintings, which are unique in character having few parallels. Of late there has been great talk about this painting, the central inspiration of which revolves round popular religious themes and natural surroundings. They reflect the self-control and serenity of Maithila life and the definite theocratic and aristocratic organizations of Maithila society. The women painters of Mithila aimed at giving clear and edifying expression to certain intuitions, which formed part of their religion. The different forms of floor-drawings (Aripana) and walk-paintings (bhitti-citra) provide information on customs and costumes and rituals and religion which otherwise may remain unnoticed. The volume further explains in detail the religious and spiritual significance of the folk-arts and paintings of Mithila by means of copious references to Sanskrit texts, both sacred and secular. The paintings, as they are, constitute not merely a heap of drawings but a visible symbol of aspirations of pious ladies, and the throbbings of their hearts in religious fervour. A work of inestimable interest both for the specialist and for the connisseur interested in the study of Indian paintings, this comprehensive and authoritative volume on Madhubani painting and other folk-arts of Mithila will prove of immense help to students of Indian culture.
Multilinguality gained a new impetus in North India with the influx of West Asian Muslim communities around the thirteenth century. Over a period of time, it entered everyday life as well as creative and scholarly pursuits. The fifteenth century, in particular, saw unprecedented vitality for literary practice, and the poet-scholar Vidyapati from Mithila was one of the many luminaries of the time. This volume encompasses an intimate linguistic, literary, and historical study of three of Vidyapati’s major works: a Sanskrit treatise on writing (Likhanāvalī); a celebratory biography in Apabhraṃśa (Kīrttilatā); and a collection of mythohistorical tales in Sanskrit (Puruṣaparīkṣā ). Through this examination, the author reveals a world that is marked by a range of ideas, expertise, literary tropes, ethical regimes, and historical consciousness, drawn eclectically from sources that belong to ‘diverse’ politico-cultural traditions. Using Vidyapati’s narratives, A Political History of Literature illustrates that many ideals extolled in fifteenth century literary cultures were associated with an imperial state—a state that was a century away from coming into being—and testifies that ideas incubate and get actualized in realpolitik only in the long duration.
The End-Century Edition Of The Who'S Who Of Indian Writers, Is An Invaluable Work Of Reference For Writers, Publishers, Readers And Students Of Literary History. For Ease Of Use, The Entries Are Arranged Alphabetically By Surname Or Part Of The Name Preferred By The Writers Themselves. A Large Number Of Cross- References Are Provided To Facilitate The Location And Identification Of The Writers.
This tract looks at the politics of language in India through a study of the history of one language Hindi. It traces the tragic metamorphosis of this language over the last century, from a creative, dynamic, popular language to a dead, Sanskritised, dePersianised language manufactured by a self-serving upper caste North Indian elite, nurturing hegemonic ambitions. From being a symbol of collective imagination it became a signifier of narrow sectarianism and regional chauvinism. The tract shows how this trans- formation of the language was tied up with the politics of communalism and regionalism.
The region of Bihar is one of the great foci of Indian history. From before the days of Buddha it was a major centre of Indian Political life and the most significant cultural centres, especially in respect of Buddhism. Hitherto the student of Ancient India has been rather badly provided with geographical and topographical studies. Dr. M.S. Pandey has made a very significance contribution to the subject. The author has ransacked a very large range of sources for information and has produced a survey of the subject which may in many respects serve as a model to students working on other regions of India. The chapter helps in understanding the geographical forces behind historical events of the state. The author has dealt very scholarly the Historical outlines; mountain systems; river systems, regions & districts, place-names, communications etc. The book is written with scholarly acumen and clarity and is very evidently the work of a man with a deep affection for his native land.
This book is recognized as a classic study both of the politics of language and religion in India and of ethnic and nationalist movements in general. It received overwhelmingly favorable reviews across disciplinary and international boundaries at first publication, characterized as "a masterly conceptual analysis of language, religion, ethnic groups, and nationhood", "a monumental work", "of interest to all political scientists", one that "should be required reading for any politically concerned person" in the United Kingdom (from a TLS review), a work whose "value and importance can scarcely be overstated", with "no competitor in the same class".