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A mysterious black aeroplane... and a dastardly plot. Forced down by thick fog, Biggles and Algy cut short a pleasure flight and land on a river in Norfolk to wait out the weather. Exploring the banks, they stumble across a wartime pillbox with papers written in German hidden inside! Shortly afterwards, a massive plane – painted black to camouflage it against the night sky – sets down on the water with a roar. Biggles investigates, boarding the craft to find it is a bomber of immense proportions. He quickly finds himself in trouble when, becoming trapped inside one of the plane’s compartments, he feels it take off with him still inside! Who is the mysterious ‘Blackbeard’? And why is he making secretive landings on the English coast? Biggles and Algy – and introducing ‘Ginger’ Hebblethwaite for the first time – must find out... Britain is under threat, and our heroes will answer her call.
Biggles of the Camel Squadron< is a collection of short stories covering the exploits of Biggles when he served as a Sopwith Camel pilot with 266 Squadron, Royal Flying Corps, at the front lines in France during World War I.
A veteran journalist and former member of Parliament, Kuldip Nayar is India’s most well known and widely syndicated journalist. He was born in Sialkot in 1923 and educated at Lahore University before migrating to Delhi with his family at he time of Partition. He began his career in the Urdu newspaper Anjam and after a spell in the USA worked as information officer of Lal Bahadur Shastri and Govind Ballabh Pant. He eventually became Resident Editor of the Statesman and managing editor of the Indian news agency UNI. He corresponded for the Times for twenty-five years and later served as Indian high commissioner to the UK during the V.P. Singh government. His stand for press freedom during the Emergency, when he was detained; his commitment to better relations between India and Pakistan, and his role as a human rights activist have won him respect and affection in both countries. Author of more than a dozen books, his weekly columns are read across South Asia.
On their way to Cape Town, Biggles and his friends are diverted into a search for the Lost Oasis in Egypt, rumoured to hide the lost army of Cambyses. However, one man does not want them to succeed, and takes steps to ensure their failure. The friends are captured by a lost tribe, and Biggles has to sing his way out of trouble.
This book addresses a variety of issues through the examination of heroic figures in children's popular literature, comics, film, and television.
This book considers the diversity of the experiences and legacies of the First World War, looking at the actions of those who fought, those who remained at home and those who returned from the arena of war. It examines Edwardian ideals of gender and how these shaped social expectations of the roles to be played by men and women with regards to the national cause. It looks at men’s experiences of combat and killing on the Western Front, exploring the ways in which masculine gender ideals and male social relationships moulded their experience of battle. It shows how the women of the controversial White Feather campaign exploited traditional ideas of heroism and male duty in war to embarrass men into volunteering for military service. The book also examines children’s toys and recreation, underlining how play helped to promote patriotic values in children and thus prepared boys and girls for the respective roles they might be called upon to make in war. A strong sense of British identity and a faith in the superiority of British values, customs and institutions underpinned the collective war effort. The book looks at how, even in captivity at the Ruhleben internment camp, the British gave expression to this identity. The book emphasises the extent to which this was a conflict in which Britain sought to defend and even extend its imperial dominion. It also discusses how different political and cultural agendas have shaped the way in which Britain has remembered the War. As such, the book reflects the diversity of popular experience in the War, both at home and in the empire. Britain’s entry into the War in 1914 helped to ensure that it became a truly global conflict. The contributors here draw attention to the significant social, cultural and political legacies for Britain and her empire of a conflict which, one hundred years later, continues to be the subject of considerable controversy.
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.