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Big Pulp is your all-in-one magazine for pulp fiction, with every issue featuring the best in fantasy, mystery, horror, science fiction, adventure and romance fiction and poetry.
Chinese cuisine is so well-known in the world that even people who know little else about the country and its culture have heard about or tasted Chinese food. Origins of Chinese Cuisine showcases some of the most famous and best-relished dishes. Here you will learn about: * Unique characteristics of each regional cuisine * Fascinating stories behind these selected dishes * Their development into their present-day form * Some of the lavish and singular banquet styles The dishes introduced here, including 'Buddha Jumps Over the Wall' and 'Peking Roast Duck', are some of the most popular among scores of delicious and extraordinary dishes, and this entertaining account will no doubt delight fans of Chinese cuisine.
This history of American sports fiction traces depictions of baseball, basketball and football in works for all age levels from early dime novels through the 1960s. Chapters cover dime novel heroes Frank and Dick Merriwell; the explosion of sports novels before World War II and its influence on the authors who later wrote for baby boom readers; how sports novels persisted during the Great Depression; the rise and decline of sports pulps; why sports comics failed; postwar heroes Chip Hilton and Bronc Burnett; the lack of sports fiction for females; Duane Decker's Blue Sox books; and the classic John R. Tunis novels. Appendices list sports pulp titles and comic books featuring sports fiction.
This thought-provoking text offers many insights not generally perceived by ornithologist or botanist and is illustrated in masterly fashion by John Busby's lively drawings. The book's subtitle - A study of an ecological interaction - properly reflects the author's theme but may tend to hide the fact that the relationships between birds and berries can be much more than the simple, mutually advantageous systems ('eat my fruits, spread my seeds' ) they may seem at first to be. Therein lies the core of the book - the less obvious intricacies and implications of plant/bird associations, the co-evolution of species in some cases and the adaptation of a species (bird or plant) to further its own advantage. To complicate the scene, too, there are the 'exploiters', the pulp-predators and seed-predators that feed at the plant's expense. In Part I of the book the authors provide accounts by species of the trees and shrubs they observed over many years in their study area of southern England; similarly, Part 2 records the bird species they watched feeding, or attempting to feed, or preventing other birds from feeding, on the fruits. Part 3 ranges widely and is not confined to Britain and Europe. It investigates the strategies and adaptations evolved and employed by plants to ensure their success, and their attempts at defence against the bird 'predators'. It looks at the birds themselves, their foraging techniques and fruit preferences, the limitations of a fruit diet and adaptations to it, the time and energy budgets of fruit-eaters and, finally, the intriguing question of co-evolution of plants and birds.
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.