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Leadbetter's book offers behind-the-scenes information in a, here-to-fore, unpublished history from the Office of Associate General Counsel for the University of Tennessee. All events discussed come from his personal knowledge and years of meticious notetaking covering a period from 1967 to the present. The book, over 600 pages in length, takes readers through the years of his life that Leadbetter lived to the fullest. Beginning with his role as a student leader of conservative orientation during the tumultuous years of the late 1960s and early '70s, the book moves to Leadbetter's surprising hire by the University as its first law clerk in the Office of General Counsel, only days after completion of litigation brought against the University by Leadbetter to obtain in-state classification.
Our culture is addicted to weather: hourly forecasts, apps, radio, TV channels, alerts, warnings, and watches. And understandably—our food, clothing, livelihoods, and, increasingly, safety are tied directly to the weather and climate change. In The Big Cloud, photographer Camille Seaman stands in front of tornados, at the edges of lightning storms, and in pelting hail under pitch-black skies to capture supercells and mammatus clouds in their often sublime and terrifying splendor. In these awe-inspiring photographs, Seaman's work is a potent reminder that there is no art more dramatic, in scale or emotion, than that created by nature. Big Cloud includes an introduction by award-winning New Yorker science writer and author Alan Burdick (Out of Eden, Why Time Flies).
With this stunning and original debut, Ian Irvine begins the saga of The View from the Mirror, a brilliant epic fantasy that rivals the works of Robert Jordan and J. V. Jones. "Once there were three worlds, each with its own human race. Then, fleeing from out of the void came a fourth race, the Charon. Desperate, on the edge of extinction, they changed the balance between the worlds forever..." The Tale of the Forbidding In ancient times the Way Between the Worlds was shattered, leaving bands of Aachim, Faellem, and Charon trapped with the old humans of Santhenar. Now Llian, a Chronicler of the Great Tales, uncovers a 3,000-year-old secret too deadly to be revealed-while Karan, a young sensitive, is compelled by honor to undertake a perilous mission. Neither can imagine they will soon meet as hunted fugitives, snared in the machinations of immortals, the vengeance of warlords, and the magics of powerful mancers. For the swelling deluge of a millennial war is rising, terrible as a tsunami, ready to cast torrents of sorcery and devastation across the land...
A haunted thief-girl. A vengeful sorcerer. If she fails, she dies. Karan, a sensitive whose family is cursed by madness, is compelled by honour to steal an ancient magical device and take it to the Magister. But it’s the treacherous Mirror of Aachan, and hidden within it is a deadly secret. Llian, a brilliant but naïve Tale-spinner, uncovers a 3,000-year-old mystery too dangerous to be revealed and is expelled from his college. Thrown together by fate as they struggle to get to safety, Karan and Llian are ensnared in the machinations of immortals, the vengeance of feuding warlords and the magic of all-powerful wizards. Magic that could break Karan’s fragile mind, and corrupt Llian as he pries into the riddles of the mirror. And if they fail the two-faced mirror will spark a millennial war, terrible as a tsunami, that will deluge the land in forbidden magic, tear nations apart, and threaten the very survival of humanity. You won’t want to miss this truly epic fantasy series by a million-selling author. More than 2,850 five-star ratings on Goodreads. What reviewers say about the Three Worlds books “A compelling adventure in a landscape full of wonders.” – Locus “A page-turner of the highest order … Formidable!” – SFX on Geomancer “It is the most engrossing book I’ve read in years.” – Van Ikin, Sydney Morning Herald “Readers of Eddings, Goodkind and Jordan will lap this one up.” – Starlog “Utterly absorbing.” Stephen Davenport, Independent Weekly “For sheer excitement, there’s just no one like Irvine.” SFX on The Destiny of the Dead “As good as anything I have read in the fantasy genre.” – Adelaide Advertiser Reviews and Honours for A Shadow on the Glass Shortlisted for the 1998 Aurealis Award, Best Fantasy Novel. US edition listed in Sciencefiction.com’s Best of 2001. "In a world full of epic fantasy clones, this stands out as a world-building labour of love with some truly original touches." – Locus. “A grand-scale epic fantasy that features a pair of unusual heroes and a complex world rich in history and variety.” Library Journal “Those who like quests will enjoy A Shadow on the Glass. A recurring theme of betrayal - of people, places, and ideas - heightens the tension and increases the plot's emotional grip.” Starburst, UK “Ian Irvine is a great find! He writes beautifully about a vast and intricate world that seems utterly real. His characters are as well drawn as any I’ve come across in fantasy.” – Kate Elliott, author of King’s Dragon “Irvine has built a history and wonderful culture for his vivid world. His first novel vibrates with originality.” – The West Australian
Since these words appeared in 2003, Rene Gutteridge has published almost twenty novels and gathered a growing and enthusiastic following. This story follows Macey Steigel, an ambitious urbanite who has returned home to Kansas for her father's funeral after many years away. She intends to return to her big-city career as soon as possible and leave the dismal past buried along with her dad. But the sight of the old farmhouse triggers a wave of memories--and recollections of a painful secret--that she thought she's left behind long ago. A story of love, healing and renewal.
Goldststein, Koffka, Khler, Lewin and Wertheimer were scientists who, at the turn of the 20th century, founded the gestalt approach in psychology. Fritz Perls (1944) recognized the potential of the gestalt approach in psychotherapy and founded what is now the widespread system of gestalt therapy. Perls understanding of gestalt theory was broadened by Zinker with recognition of stages of development of each gestalt so that what is now termed the Cleveland cycle of experience was recognized. Ray Edwards has proposed two innovations. First, it is shown that completion and grounding of the gestalt cycle of events facilitates re-energization of depressed people. Second, attention to Gendlins felt-senses, aided by use of David Groves clean subset of language, facilitates freeing post-trauma patients from the effect of recurrent nightmares and/or fl ash-backs. The relevant felt-senses are termed proto-fi gures and are usually phenomena like butterfl ies in the stomach, lumps in the stomach or throat and/or clouds are hanging over me. This present book sets these innovations in full historical context and reveals the gestalt system to be scientific in character. Malcolm Parlett, Ph,D. First Editor of the British Gestalt Journal commented on an earlier version of this book This is a thought-provoking read, a quirky and vividly argued alternative version of gestalt therapy that challenges most of the assumptions of contemporary Gestalt psychotherapy and will send many a reader fl ying to a computer to type a rebuttal. But Ray Edwards book is defi nitely worth a look at, not least for its acerbic criticisms and references to our past traditions. I recommend the self-published manuscript by an impressive maverick octagenarian gestalt thinker with strong opinions, complete with its copious spelling errors and other forgiveable selfi ndulgences.
When one great author engages another, as Andrei Bely so brilliantly does in Gogol’s Artistry, the result is inevitably a telling portrait of both writers. So it is in Gogol’s Artistry. Translated into English for the first time, this idiosyncratic, exhaustive critical study is as interesting for what it tells us about Bely’s thought and method as it is for its insights into the oeuvre of his literary predecessor. Bely’s argument in this book is that Gogol’s earlier writing should be given more consideration than most critics have granted. Employing what might be called a scientific perspective, Bely considers how often certain colors appear; he diagrams sentences and discusses Gogol’s prose in terms of mathematical equations. The result, as strange and engaging as Bely’s best fiction, is also an innovative, thorough, and remarkably revealing work of criticism.