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America's Missouri River may be the nation's longest and most historically significant river, encompassing many of America's natural wonders between Missouri and Montana, draining almost 600,000 square miles in ten states and part of Canada, and, after Lewis and Clark's expedition 200 years ago, opening the West to a frenzied rush of expansion. But the Missouri is also the site of a vast, politically driven drama. It tops a list of emerging big-stakes river wars around the country that pit conservation, development, farm, barge, American Indian, and government interests against one another in clashes made even more complicated by the scarcity of water in many river basin states. In Big Muddy Blues, veteran journalist Bill Lambrecht uses the bicentennial of Lewis and Clark's epic adventure west as a lens to show the other side of the story: what's been lost over 200 years. And the losses, on top of the 120 miles cut off the river by Army Corps stabilization efforts, aren't slight. Dependent on every word uttered in courtrooms and legislatures for their futures are more than 80 rare and endangered species, the family farms that require a stabilized river, the barges of shippers that require a heavier flow, and dozens if not hundreds of sacred Native American burial grounds. Running through it all is the water--more than 2,300 miles of it--that slakes the thirst of people in one-sixth of the nation and has, in the last few hundred years, been home to Native Americans, explorers, and settlers; river pirates, shipwrecks, and steamboats; and farmers, conservationists, and the Army. This is the story of "Big Muddy," of its influence on the formation and stability of our nation and of its place in the center of an escalating river war that will set the stage for water wars in the decades to come.
An Ezra Jack Keats Book Award Winner A New York Times Best Illustrated Book An NPR Best Book of the Year A Bulletin Blue Ribbon Book A Parents’ Choice Gold Award Winner A picture book celebration of the indomitable Muddy Waters, a blues musician whose fierce and electric sound laid the groundwork for what would become rock and roll. Muddy Waters was never good at doing what he was told. When Grandma Della said the blues wouldn’t put food on the table, Muddy didn’t listen. And when record producers told him no one wanted to listen to a country boy playing country blues, Muddy ignored them as well. This tenacious streak carried Muddy from the hardscrabble fields of Mississippi to the smoky juke joints of Chicago and finally to a recording studio where a landmark record was made. Soon the world fell in love with the tough spirit of Muddy Waters. In blues-infused prose and soulful illustrations, Michael Mahin and award-winning artist Evan Turk tell Muddy’s fascinating and inspiring story of struggle, determination, and hope.
A comprehensive dictionary of blues lyrics invites listeners to interpret what they hear in blues songs and blues culture, including excerpts from original interviews with Dr. John, Bonnie Raitt, Hubert Sumlin, Buddy Guy, and many others.
History.
Muddy Waters invented electric blues and created the template for the rock and roll band and its wild lifestyle. Gordon excavates Muddy's mysterious past and early career, taking us from Mississippi fields to postwar Chicago street corners.
He was one of the most celebrated blues artists of his era, a visionary Chicago singer-songwriter in the 1930s; his overseas tours in the 1950s ignited the British blues-rock explosion of the 1960s. But Big Bill Broonzy has been virtually forgotten by the popular culture he helped shape. Riesman details Big Bill's complicated personal saga, and provides a definitive account of his life and music.
"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
Locals know it, and newcomers learn it fast: we live in one of America's great cities. Beyond the obvious and outside your own daily routine, wouldn't it be great to have an insider's view into all the great neighborhoods around town? Finally, you can. With the arrival of "Finally! A Locally Produced Guidebook to St. Louis, By and For St. Louisans, Neighborhood By Neighborhood," you can get the skinny on exploring our town, from the Metro East to the urban core to daytrips worth the drive. Folks often say St. Louis is a city of neighborhoods, each with its own character (and characters!); let this be your handbook to the highlights and hidden treasures of them all. Our opinionated overview points out the best dining, dives, shopping and gawking, from just-so touches for the home to cool gifts for kids to the no-sign bars and restaurants no tourist would ever find. Tidbits of local lore are sprinkled throughout: want to see where a young Steve McQueen filmed one of his first breakout roles? Get contact caffeination from a district of coffee roasters? Partake of an absinthe cocktail, spiked milkshake or salt-therapy session? Catch a drag show? Eat cheap pizza? Finally, you've got an in-the-know best friend at your fingertips.
ON THE SEVENTH HOUR OF THE SEVENTH DAY,ONE-NOSE WILLIE HEARD PORKCHOP SAY:"THE GYPSY WOMAN TOLD ME'A CLOUD UP IN THE SKIESGON' PART JUST LIKE A CURTAINAND YOU WON'T BELIEVE YOUR EYES!'"And with the same rollin', rhymin' verse that's driven many a classic Blues song, "The Blues Parade" follows best buds Pork Chop and One Nose Willie's journey of discovery from the Mighty Tribes of Africa thru the Middle Passage, Emancipation, the Great Northern Migration and the British Invasion to the streets of Wang Dang Doodle City in a celebration of the language, legends and legacy of America's most resonant art form.Yes, the cloud DOES part like a curtain, revealing Captain Eddie Shaw's paper ship, from which, unrolling like a carpet, descends Beale Street. And down Beale Street, into the heart of a cheering Wang Dang Doodle City they roll: Howlin' Wolf, Lightnin' Hopkins, Muddy Waters, Bo Diddley?.WILD CATS WITH WILD NAMESGONE WILD ON GUITARS.LIKE A CIRCUS IN A GUMBOON A FERRIS WHEEL TO MARS.Grammy-Winner Terry Abrahamson draws on his life among the Blues greats to capture all the magic of the larger-than-life heroes who gave us Rock & Roll. Page after page, he weaves a broad and seamless tapestry rich with vibrant and engaging celebrations of history, Black studies, music, divergence of the English language, and Art as a Tool for Survival.WITNESS: Furry Lewis presented not just as a Blues singer/guitarist, but as a Memphis street sweeper, cueing a moment of reverent recognition forDr. King's involvement with the Memphis Sanitation Workers.WITNESS: Ruthie Foster's disrupting a plantation English class as the narrative explains:THE MIGHTY TRIBES OF AFRICATOOK EACH NEW WORD TO HEART.THEY'D LIST 'EM, THEN THEY'D TWIST 'EM,TURNIN' TALKIN' INTO ART."The Blues Parade" explodes with whimsy, color, music and a resonance that translates to virtually any medium, enlivens a cross-section of school curricula, and benefits from live interactive presentations of both "The Booksibition," - an art installation featuring blow-ups of the 32 pages, with read-along study guides.