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In the aftermath of the Civil War, the West is invaded by hordes of bold, dangerous men. And with the railroad coming to Black Creek, Kansas, the town becomes a magnet to every whore, tinhorn, outlaw, and killer in the territory. A gang of human vultures, led by the shadowy, murderous Harvey Kidd, has started a bloody guerrilla war with the Union Pacific Railroad, robbing payrolls, killing workers, and burning bridges. Black Creek is next on Kidd's list. Into this explosive mix rides human powder keg Dane Bowman, a mysterious stranger with a big iron on his hip. Lightning-fast and leather-tough, Bowman whipsaws outlaws and lawmen alike, taking on all comers, turning Black Creek into a corpse-strewn battleground. It all leads up to a showdown on Boot Hill that unleashes a bloody storm of lead destined to become a legend of the West....
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"The Fiction Collective" is a collection of 25 diverse indie short stories. From over 800+ submissions, these 25 short stories were handpicked to create this anthology. Aptly put, this book holds inside it not just a diverse collection of stories but also a wide range of emotions including love, loss, and nostalgia, that these authors want you to experience. 25 offbeat stories from 25 promising writers, this anthology is a must-have if you are looking for a quick getaway from your everyday hassles.
Though the world created in this novel is strikingly familiar--children play, couples fall in love--something is slightly different. Orr has lost his memory and an eye. Where he travels, who he meets, and what he discovers in his quest for revenge will change this strange world forever.
This is the story of a young man from a family from the hill country born into poverty with little or no chance of ever rising above it. He was born with few if any advantages that other young men would take as their natural right. In addition to being big in an awkward manner the Flatlanders found his manner of speech amusing and ridiculed him behind his back. As much as possible they avoided him and wouldn't even greet him civilly when they happened to meet; which was often. And yet in spite of all this he somehow had acquired a sense of decency and integrity. In the most important things in life he was honest, but in the families need to survive financially he and his father didn't always follow the rules. When faced with the somewhat traumatic decisions that all of us face at one time or another in life he was not found wanting; which, is more than can be said for many of those born with, "A golden spoon in their mouth." Of course Lother, like all men who have trod this earth, shared so many wonderful things that do not and have not cost a cent. He enjoyed things like the beauty of a sunrise, if one has the ambition to get out of bed early enough to see one; or the splendor of a breathtaking sunset as dusk begins to fall. Then there is always the occasional rain that cleanses the air and removes all the dust and grime from the trees and plants, leaving one with a feeling of renewal. In the spring the birds migrate north and drop down to feed on any seeds or hapless insect that happen to fall into their grasp. Then in the fall the migration again occurs only at that time the birds are heading south. To a small very curious boy these things are things of wonder. Also in the spring life renews itself with puppies waddling along behind their mothers; the bird eggs have hatched in the nest and soon the young birds begin to try their wings. Baby chicks, like little balls of fluff, try to hide themselves under their mothers wings or cheep as they peck at the food scattered on the ground nearby. Somehow, Lother had acquired a very strong sense of compassion for other creatures less fortunate. Perhaps it was a result of all the Coon Hunts he had participated in on those nights when there was a full moon. He had seen a seemingly endless succession of Coons up in a tree piteously mewing and cowering, while the pack of hounds below bayed and tried to climb the tree after the hapless creatures. Perhaps this influenced him. And so did Lother's family finally find the, "good life?" Did he conduct himself in a manner that he could be proud of? Did he find the right girl? Did he find happiness? Only by reading this story can anyone really find out.
Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius’s botanical and zoological emblem books, and also of the ‘applied’ emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.