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Based on the wildly successful figurines from Westland Giftware and the calendars and greeting cards from Ronnie Sellers Productions, Biddys and its phenomenal partner, Coots, are cleaning up in bookstores and gift shops across the country.
Everybody knows one and half of the population is destined to become one. Coots is a comprehensive and objective study of the habits and behavior of men who have reached the stage of life all men dread. Twenty years after the success of their book Humans (Simon & Schuster, 1984), Pat Welch and Mike Dowdall have rediscoverd Coots with an endearing study of the aging process.
Among Christian devotional works, My Utmost for His Highest stands head and shoulders above the rest, with more than 13 million copies sold. But most readers have no idea that Oswald Chambers's most famous work was not published until ten years after his death. The remarkable person behind its compilation and publication was his wife, Biddy. And her story of living her utmost for God's highest is one without parallel. Bestselling novelist Michelle Ule brings Biddy's story to life as she traces her upbringing in Victorian England to her experiences in a WWI YMCA camp in Egypt. Readers will marvel at this young woman's strength as she returns to post-war Britain a destitute widow with a toddler in tow. Refusing personal payment, Biddy proceeds to publish not just My Utmost for His Highest, but also 29 other books with her husband's name on the covers. All the while she raises a child alone, provides hospitality to a never-ending stream of visitors and missionaries, and nearly loses everything in the London Blitz during WWII. The inspiring story of a devoted woman ahead of her times will quickly become a favorite of those who love true stories of overcoming incredible odds, making a life out of nothing, and serving God's kingdom.
We cannot blame Charles Dickens for not meeting our national Arts treasure Philip P. Pirip, but: go blame yr rottern Fate; whos flushs beat yr faces straights It could be said, though, Dickens did lend his major characters to Philip P. Pirip, although ‘lend’ might not be the best word; rather freedom opened the door to its wide-open spaces to allow them to escape and give vent to their grievances with their famous author, seeing as to how he never once mentioned the fabulous Surnevv diamonds that they once had their hands on and now wanted back at whatever cost to literature. Fabulous royalties might have been Charles Dickens’s lot but the diamonds were the only avenue for riches beyond creative writing for Miss Haversham, Estella, Mister Jaggers, Compeyson, Orlick, Biddy and a whole cast of actors and naked ‘actrusses’ who now demanded their jewel dues and were willing to kill for them. That escape fell to them after ‘Great Expectations’ found its way onto one of the heaps in the rubbish tip that was beloved of Pirip and in fact the location of his Tiphome, a dump in itself. From that fact, it was only a short fictional distance for the Dickens’s characters to land on Pirip’s lap with a vengeance. They came to lap but I stukk out tongue, ‘take thapt’! How our hero struggles with them might not be in any universal history books but, in artistic circles, it set the standard for the license to cull.
I wrote these 100 letters in Broad Norfolk in honour of my dear friend, the late Sidney Grapes (author of The Boy John Letters, which were published in the Eastern Daily Press); and to celebrate the late Queen Mother's Centenary, to whom I sent the first copies.
Presents a collection of interpretations of Charles Dickens's novel, Great expectations.
Reproduction of the original.