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Many young Bible scholars are passionate for the Scriptures. But is passion enough? Randolph Richards and Joseph Dodson encourage students of the Bible with wisdom from years of experience. Full of warmth, humor, and an infectious love for Scripture, this book invites a new generation of young scholars to dig into the complex, captivating world of the Bible.
Edited by Bruce Manning Metzger and Roland E. Murphy Detailed, updated annotations Extensive essays and book introductions Outlines Textual notes Footnotes Larger pages with wide margins 36 pages of full-color maps with Index Essay by Metzger on how to use Annotated Bible Imprintable Smyth-sewn 7 x 9 3/8 % Font size: 10
Creating the first truly global Bible for children of all nationalities, Desmond Tutu retells more than fifty of his most beloved Bible stories in Children of God Storybook Bible. Many of the finest artists from around the world—such as Jago, E.B. Lewis, Javaka Steptoe, and Xiao Xin—have illustrated these favorite Bible stories from Desmond Tutu, connecting Scripture with the multitude of ethnicities across the globe. The Children of God Storybook Bible: Is perfect for readers ages 4 to 8 Shows how God works through history, ending each biblical story with a short prayer, personalizing the message for each reader’s own life Features Archbishop Desmond Tutu retelling 50 of his most beloved Bible stories Is perfect for thoughtful gifting at birthdays, Christmas, baptisms, or anytime. Through the stunning illustrations and Tutu’s delightful words, readers will experience the Bible stories as if they were there, with Adam and Eve in the garden, with Noah on the ark, with Abraham in the desert, and with Jesus on the mountaintop.
For years, The Picture Bible has delighted young and old. Now updated with interesting new features, including "Did you know?" fact pages, time line, story listing, maps, and more, kids will love the great stories and action pictures of the newly revised Picture Bible. God's Word will come alive for hours of family reading enjoyment. Newly designed with a fresh cover, text, and maps, this Scripture makes an ideal first Bible for young readers. Though the full text for 233 stories is provided, children can follow the colorful pictures and storyline without having to read every word. A perennial best-seller, The Picture Bible is loved by young and old, and has proved to be an excellent way to improve children's reading skills.
The first major translation of the Christian Scriptures from the originallanguages to be undertaken since the King James Version (1611), the RevisedStandard Version debuted in 1952 to simultaneous acclaim and condemnation fromAmerican Christians. Mainline Protestants and Roman Catholics lauded the newtranslation, while many evangelicals villified it.The RSV dramatically shaped the course of English Bible translation work in thelatter half of the Twentieth Century, and it remains the Bible of choice formany people. This Anniversary Edition features a clear new type setting thatreaders are certain to appreciate.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this highly innovative study, Ian Green examines the complete array of Protestant titles published in England from the 1530s to the 1720s. These range from the large specialist volumes at the top to cheap tracts at the bottom, from radical on one wing to conservative on the other, and from instructive and devotional manuals to edifying-cum-entertaining works such as religious verse and cautionary tales. Wherever possible the author adopts a statistical approach to permit a focus on those works which sold most copies over a number of years, and in an annotated Appendix provides a brief description of over seven hundred best selling or steady selling religious titles of the period. A close study of these texts and the forms in which they were offered to the public suggests a rapid diversification of both the types of work published and of the readerships at which they were targeted. It also demonstrates shrewd publishers' frequent attempts to plug gaps in a rapidly expanding market. Where previous studies of print have tended to focus on the polemical and the sensational, this one highlights the didactic, devotional, and consensual elements found in most steady selling works. It is also suggested that in these works there were at least three Protestantisms on offer an orthodox, clerical version, a moralistic, rational version favoured by the educated laity, and a popular version that was barely Protestant at all and that the impact of these probably varied both within and between different readerships. These conclusions shed much light not only on the means by which English Protestantism was disseminated, but also on the doctrinally and culturally diffused nature of English Protestantism by the end of the Stuart period. Both the text and the appendix should prove invaluable to anyone interested in the history of the Reformation or in printing as a medium of education and communication in early modern England.