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Bialosky plans a wonderful Christmas party and spends all day preparing for it, but he forgets to do one important thing.
“It is so nice to be happy. It always gives me a good feeling to see other people happy. . . . It is so easy to achieve.” —Kim’s journal entry, May 3, 1988 On the night of April 15, 1990, Jill Bialosky’s twenty-one-year-old sister Kim came home from a bar in downtown Cleveland. She argued with her boyfriend on the phone. Then she took her mother’s car keys, went into the garage, closed the garage door. She climbed into the car, turned on the ignition, and fell asleep. Her body was found the next morning by the neighborhood boy her mother hired to cut the grass. Those are the simple facts, but the act of suicide is anything but simple. For twenty years, Bialosky has lived with the grief, guilt, questions, and confusion unleashed by Kim’s suicide. Now, in a remarkable work of literary nonfiction, she re-creates with unsparing honesty her sister’s inner life, the events and emotions that led her to take her life on this particular night. In doing so, she opens a window on the nature of suicide itself, our own reactions and responses to it—especially the impact a suicide has on those who remain behind. Combining Kim’s diaries with family history and memoir, drawing on the works of doctors and psychologists as well as writers from Melville and Dickinson to Sylvia Plath and Wallace Stevens, Bialosky gives us a stunning exploration of human fragility and strength. She juxtaposes the story of Kim’s death with the challenges of becoming a mother and her own exuberant experience of raising a son. This is a book that explores all aspects of our familial relationships—between mothers and sons, fathers and daughters—but particularly the tender and enduring bonds between sisters. History of a Suicide brings a crucial and all too rarely discussed subject out of the shadows, and in doing so gives readers the courage to face their own losses, no matter what those may be. This searing and compassionate work reminds us of the preciousness of life and of the ways in which those we love are inextricably bound to us.
A teddy bear demonstrates how to use good manners in a variety of sticky situations.
A teddy bear demonstrates how to use good manners in a variety of sticky situations.
In his latest masterwork of psychological suspense, the New York Times bestselling author of The Program, Warning Signs, and The Best Revenge peers into a troubled marriage to craft a shattering tale of secrecy, eroticism, betrayal, and murder. Psychologist Alan Gregory is juggling his responsibilities as a father, a husband, and doctor when a beautiful woman walks into his office with an astounding admission. Gibbs Storey believes that her husband may have murdered a woman. Then, Gibbs stuns Alan again with another revelation: She thinks there are other victims…and her husband is not finished killing yet.
In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page. Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury. Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures.
A chance encounter with Stephen, a childhood friend with whom she has shared a complicated relationship, forces Eleanor Cahn, a literature professor and wife of a leading cardiac surgeon, to reevaluate her life, her erotic past, and the passionate woman she suppressed for years.
Harriet Levin is a wonderfully courageous and exacting poet. . . . [Her] poems will attract many readers. —from the Introduction by Eavan Boland Beginning with the stunning title poem about her younger sister's brutal rape, Harriet Levin juxtaposes the ordinary with the terrible in this powerful collection.
Family traditions become established, sometimes quite by accident and sometimes because "we've always done it that way." But the best family traditions are thoughtfully cultivated. With Hallelujah: Cultivating Advent Traditions With Handel's Messiah, Cindy Rollins leads the way in building a rich Advent tradition for you and your family. Inside you will find: Weekly Scripture passages, hymns, and poems, Daily Messiah listening schedule with background information from Greg Wilbur An overview of the church calendar by Thomas Banks Advent, Christmas, and Epiphany recipes, and Suggestions for celebrating the Advent feasts of St. Nicholas and St. Lucia. Cindy also invited four of her friends to share how they celebrate Advent with their own families.
First you marry a man who does not want children. He cheats and you divorce him. Then you marry the love of your life and find out he does not want to have children with you either. The three he has are more than enough. Although you always wanted to be a mother, you decide he is worth the sacrifice, expecting to have a long happy life together. But that's not what happens. This is the story of how a woman becomes childless by marriage and how it affects every aspect of her life. This is the book of my heart, the one I had to write. Ever since I realized I was not going to have children, I have felt recurring grief and an emptiness in my heart. I am different from most women, but I have found that I am not alone. There are many of us childless women, and I think it's important to share our stories about what it's like when you don't have children in a world where most girls grow up to become mothers. I hope this book offers comfort to those who are childless and understanding to those who are not. If it makes you smile here and there, even better.