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The process of modernization has brought discontinuities in collective memory. This volume and its prequel provide an act of collective remembrance, knitting together many voices and stories. It shows the readers a world of the past before modernization began in the 1960s. Volume 2 covers the monumental architecture of dzongs (castles) and administration of the country, authority and power, cosmological concepts and beliefs, religions and rites, visualization and meditation, visual arts, and folk drama that affected the daily life of the people. Some chapters also dwell on monastic life and monkhood, and Guru Rinpoche's imprints on the land and its people.
The process of modernization has brought discontinuities in collective memory. This volume and its sequel provide an act of collective remembrance, knitting together many voices and stories. It shows the readers a world of the past before modernization began in the 1960s. Volume 1 unfolds accounts of births and rebirths in the household, making of houses and matrimony, rearing of children and livestock in a village, and husbandry of lands and forests. After sketching these fundamental aspects of existence, it details seasonable migration, backpack and caravan trade, and travel over different climatic and linguistic areas. Colours, sounds, and other sensory experiences of ordinary people are described before ending with the rhythm of the farming of major crops such as millet, rice, and wheat.
The process of modernization has brought discontinuities in collective memory. This volume and its sequel provide an act of collective remembrance, knitting together many voices and stories. It shows the readers a world of the past before modernization began in the 1960s. Volume 1 unfolds accounts of births and rebirths in the household, making of houses and matrimony, rearing of children and livestock in a village, and husbandry of lands and forests. After sketching these fundamental aspects of existence, it details seasonable migration, backpack and caravan trade, and travel over different climatic and linguistic areas. Colours, sounds, and other sensory experiences of ordinary people are described before ending with the rhythm of the farming of major crops such as millet, rice, and wheat.
Since the Global Financial Crisis, economics has been under greater public scrutiny, revealing a crisis in the discipline. This represented a potential turning point on how economics should be thought and taught. Heterodox economics has played a prominent role in these discussions revolving around new economics thinking and pluralism in economics. Yet, its identity, aspirations, and pedagogy remain underexplored, contested, and somewhat opaque. This volume brings together sixteen interviews with leading economists to understand what heterodox economics is. How and why does an economist become heterodox? In which way do heterodox economists see themselves as ‘different’ from mainstream economics? The interviews shed light on what problems heterodox economists perceive in the mainstream; elucidate the different contexts under which they operate in higher education; and provide insights on their ontology and methodology. The reader will also find answers to the following questions about the nature and state of heterodox economics: Do heterodox economists have particular intellectual journeys, motives and aspirations? Is this reflected in their teaching practices and strategies to achieve social change? What is the relation between heterodox economics and the humanities and arts? Appealing to a diverse audience, including philosophers, sociologists and historians of economic thought, the book will be of great interest to anyone keen to find out more about the internal discussions in the economics discipline.
An exploration of the daily lives of children living in Bhutan.
Author's personal memoirs, travelogue, history and folklore of Bhutan.
This explanatory training handbook of the traditional Indian physical training and defence art, Karlakattai, includes demonstrations and explanations of all its sixty-four rotations, along with their physical and mental health benefits. It is with pride that this book is released as the Tamils' traditional physical training manual for the first time.
A presentation on the Tibetan Buddhist path to enlightenment, through the lens of an artist's eye and experience. The sacred arts play an essential, intrinsic role in Tibetan Buddhist practice. Here, one of the great practitioners and master artists of our time presents a guide to the Tibetan Buddhist path, from preliminary practices through enlightenment, from the artist's perspective. With profound wisdom, he shows how visual representations of the sacred in paintings, sculptures, mandalas, and stupas can be an essential support to practice throughout the path. This work, based on the author's landmark Tibetan text, The Path to Liberation, includes basic Buddhist teachings and practices, clearly pointing out the relevance of these for both the sacred artist and the practitioner, along with an overview of the history and iconography of Buddhist art.