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Learn to live beyond your natural limitations Are you yearning for a life of true significance? Are doubts about your qualifications holding you back? Javan Smith, Bible teacher and international speaker, invites you to discover the power of the "overshadowed life," in which God's divine wisdom overshadows your inadequacies. In the Bible, there is a unique example of an often-overlooked man who embodied the "overshadowed life." Meet Bezalel—the craftsman whom God selected by name to make the Ark of the Covenant and Israel's Tabernacle of Meeting. To this day, Bezalel’s work is widely studied, though few could identify his name. Despite his lack of recognition, however, it is impossible to overstate the magnitude of Bezalel’s impact. Because the Spirit of the Lord overshadowed his human frailties, Bezalel was empowered to accomplish a task that far transcended his natural capacity, intellect, and talent. If you apply the principles contained in this book, the same will one day be said about you! Do you want to know more? With practical teaching, the message in this book will prepare you to: Fulfill your God-given assignment, even when it seems beyond your reach. Identify and appropriate God’s abundant supply to bring vision to reality. Avoid the pitfalls of the comparison trap and live free from the need for external validation. Exchange your limitations for God’s limitless power and step into a life of fulfillment, purpose, and success in Christ!
In the Shadow of Bezalel offers new insights and proposals in the areas of Aramaic language, paleography, onomastica and lexicography; ancient Near Eastern legal traditions, Hebrew Bible, and social history of the Persian period.
Art is a gift from God, and never has this been more true than with Bezalel, the artist called by God to build the Tabernacle. God called Bezalel and transformed his natural artistic gifts into supernatural ones and him into a wise artist at heart. In the same way, God calls all artists to transform their natural talents into supernatural so that they can become wise-hearted like Bezalel.As related in Exodus, after the Israelites left Egypt, they eventually came to Mount Sinai. There, the Lord not only gave Moses tablets of stone with His laws and commandments, but He also instructed that offerings be made and a sanctuary built so that He might dwell among his people. This sanctuary was the Tabernacle-a visible manifestation of the presence of God among his people. But it was not Moses who designed the Tabernacle. Instead, the Lord gave him detailed instructions for its construction, including its dimensions, the specific materials to be used, and even the colors. These instructions were to be followed explicitly-as the Lord said, "According to what I show you, you will do." This approach to art serves as a model for contemporary art projects: God provides the design and instructions, and artists have only to implement them to create works that will impact nations.Though Moses would supervise, the construction of the Tabernacle would fall to the artisan Bezalel, whom the Lord called by name. Bezalel means "shadow of God," and as biblical scholar and artist Edward Ephraim Kalish explains, a man created in the image of God is a man with the ability and the need to create. As a result of this similarity, the artist must reflect the glory of God. In other words, only the artist who loves God and respects His laws can fulfill the commitment to create art for the glory of God. The Lord called others to help Bezalel, including Oholiab and both men and women who were "wise hearted," experts with special abilities, people with great artistic capacity and an artistic spirit filled with wisdom.The first gift that God gave to Bezalel was to fill him with the Spirit of God. The Spirit of God enriched the natural capabilities in Bezalel and transformed them into extraordinary ones. The Lord also gave Bezalel wisdom, the complete vision of the project; understanding, or comprehension of the information, distinguishing or discerning between what is true or false; and knowledge, or the information itself. The fifth gift God gave Bezalel was that of art, or that touch of excellence of the Spirit of God and virtuosity, giving him the ability to do his task with "honor and beauty," and the sixth was that of teaching. When combined with Bezalel's obedience and submission to God's instructions, these gifts were used to build the Tabernacle with a high level of excellence, and the Lord was glorified. The story of the Tabernacle does not end with Bezalel and its construction. The rituals established have transcended generations with a primary purpose: to point to Jesus as the mediator of a new covenant. Ultimately, the story of Bezalel includes the foundation of a possible theology of art, one that proclaims that art is God's will and a gift to humanity, that artists are creators, chosen and called by the Lord. Artists reflect the greatness of God, and consequently, they need to shine and reflect His glory.
Young Bezalel is different from the other Israelite slaves in Egypt. He loves to collect stones, bugs, bits of string—these all seem beautiful to him. He keeps everything in his Beautiful Things Box and takes it with him everywhere. As the Israelites wander in the desert, God asks them to build a very special house—and Bezalel may be the only one who can create something beautiful enough to honor God.
When God died, art was born. With Christ’s crucifixion, resurrection, and ascension, the human imagination began to be remade. In Bezalel’s Body: The Death of God and the Birth of Art, Harvard-trained art historian Katie Kresser locates the historical roots of the thing we call art. She weaves together centuries of art history, philosophy, theology, psychology, and art theory to uncover the deep spiritual foundations of this cultural form. Why do some people pay hundreds of millions of dollars for a single painting? Why are art museums almost like modern temples? The answer lies in Christian theology and the earliest forms of Christian image making. By examining how cutting-edge art trends reveal age-old spiritual dynamics, Kresser helps recover an ancient tradition with vital relevance for today.
Art permeates our culture, yet many have lost all criteria for making aesthetic judgments. This resource chronicles biblical foundations of art as well as the role of Christians in the artistic arena.
Jesusis the Icon.And if we are filled and overflowinglike Bezalel,we begin to be etched and transformed,as a work of art.And when we look in the mirror,Paul sayswe should see the Icon.We should see Jesus,because the Holy Spirithas removedall the layers of paint,and dust,and sin,and brokenness,and we have become a True Image.Living Icons, of the Master Icon.We have discovered our True Identity,and become bearers of glory,just like in the beginning.
This landmark contribution to ongoing debates about perceptions of the Jews in antiquity examines the attitudes of Greek writers of the Hellenistic period toward the Jewish people. Among the leading Greek intellectuals who devoted special attention to the Jews were Theophrastus (the successor of Aristotle), Hecataeus of Abdera (the father of "scientific" ethnography), and Apollonius Molon (probably the greatest rhetorician of the Hellenistic world). Bezalel Bar-Kochva examines the references of these writers and others to the Jews in light of their literary output and personal background; their religious, social, and political views; their literary and stylistic methods; ethnographic stereotypes current at the time; and more.