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Thoughts on a war: ignorant armies clash by night / Edward W. Said -- Portent of a new century / Eqbal Ahmad -- Iraq: years of turbulence / Michel Moushabeck -- From regionalism to nation-state: a short history of Kuwait / Hala Fattah -- The crisis in the Gulf: why Iraq invaded Kuwait / Bishara A. Bahbah -- the battle is joined / Steve Niva -- After the cold war: U.S. Middle East policy / Noam Chomsky -- The Panama paradigm / Barbara Ehrenreich -- Countdown for a decade: the U.S. build-up for war in the Gulf / Sheila Ryan -- U.S. aid to Israel: funding occupation in the aftermath of the Gulf War / Jeanne Butterfield -- False consensus: George Bush's United Nations / Phyllis Bennis -- The warrior culture / Barbara Ehrenreich -- Peacetime militarism: an epidemic disorder / Jack O'Dell -- The storm at home: the U.S. anti-war movement / Max Elbaum -- Restricting reality: media mind-games and the war / Laura Flanders -- The Arab world in the "new world order" / Clovis Maksoud -- The Kurds: an old crisis at a new moment / Clovis Maksoud.
Gives an quthoritative, full-color chronicle of the Gulf War.
Integrating interviews with individuals ranging from senior policymakers to frontline soldiers, a look at the Persian Gulf War shows how the conflict transformed modern warfare.
In a provocative analysis written during the unfolding drama of 1992, Baudrillard draws on his concepts of simulation and the hyperreal to argue that the Gulf War did not take place but was a carefully scripted media event--a "virtual" war. Patton's introduction argues that Baudrillard, more than any other critic of the Gulf War, correctly identified the stakes involved in the gestation of the New World Order.
FROST (Copy 1): From the John Holmes Library Collection.
The remarkable hardcover success of Triumph Without Victory was evidence of the public's need for a three-dimensional behind-the-scenes account of the Gulf War. Now this acclaimed work is available in trade paperback, published to coincide with the war's second anniversary. 15 maps.
Osprey's examination of US troops during the Persian Gulf War (1990-1991). Besides continuing a long history of world-wide peacekeeping, the commitment of US troops to the Gulf reunified the country and restored a national pride lost in the aftermath of Vietnam. It also proved that the US armed forces were again the most capable military force in the world. This volume by veteran Osprey author Gordon L. Rottman focuses on the structure, equipment, effectiveness, and employment of the 680,000 coalition troops which fought in the Gulf War, covering not only the US forces, but also those of Britain, France, the Arab League and Iraq.
Whether Thersites in Homer’s Iliad, Wilfred Owen in “Dulce et Decorum Est,” or Allen Ginsberg in “Wichita Vortex Sutra,” poets have long given solitary voice against the brutality of war. The hasty cancellation of the 2003 White House symposium “Poetry and the American Voice” in the face of protests by Sam Hamill and other invited guests against the coming “shock and awe” campaign in Iraq reminded us that poetry and poets still have the power to challenge the powerful. Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet’s relationship to dissenting political movements and the nation. In his elegant study, Metres examines the ways in which war resistance is registered not only in terms of its content but also at the level of the lyric. He proposes that protest poetry constitutes a subgenre that—by virtue of its preoccupation with politics, history, and trauma—probes the limits of American lyric poetry. Thus, war resistance poetry—and the role of what Shelley calls unacknowledged legislators—is a crucial, though largely unexamined, body of writing that stands at the center of dissident political movements.
Saudi Arabia has changed beyond all recognition in the past few decades, and the country's writers have been pre-eminent in grappling with the dilemmas, the cultural jarring and the identity problems thrown up by such an accelerated pace of change. "Beyond The Dunes" opens up for the first time the diversity and richness of contemporary Saudi Arabian literature to an English-speaking audience in this uniquely accessible book. Mansour al Hazimi, Salma Khadra Jayyusi and Ezzat Khattab have put together a varied selection of poetry, short stories, novel extracts, personal accounts, drama and essays which provide a fascinating insight into the challenges and tensions of a culture that is striving to balance globalisation and modernity with highly cherished traditional values. The social dislocation experienced by Saudi Arabians finds vivid formal expression in the dramas included in this volume, which may surprise many Western readers with their bold experimentalism and surrealist elements. Novelist Ahmad al Siba'I, a more traditional writer, offers a reflective, humanistic response to the world, whilst poets such as Ghassan al-Khunaizi, Ahmad al Mulla and Huda al Daghfaq reflect both the rich stylistic heritage of Saudi literature and the new techniques and outlook of modern Arabic poetry. Even when they are harking back to the vanished world of pre-modern Saudi Arabia, many of these writers reflect generational dialogues and an awareness of contemporary resonances. "Beyond the Dunes" places women's voices firmly in the centre of the Saudi literary canon for the first time, reflecting the increasing pre-eminence of writers such as Raja' 'Alem, Qumasha al-Ulayyan, Noura al-Ghamidi and Fawziyya Abu Khalid. This ground-breaking book provides an indispensable introduction to the thoughts, forms and expressions of one of the most complex and fascinating of world literatures at a moment of pivotal transformation.