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Beyond Tenebrae is about Christian humanism in all its breadth and depth, and the persons and groups best embodying it in the last century and a half. Readers who sense the greatness of the "Republic of Letters" that has endured for over two millennia will benefit from being introduced to the great men and women presented in these pages.
The papers in this second selection of articles by Professor Colish focus on thinkers of the patristic age, and relate to her three monographic studies in this area published over the last two decades. At the same time these papers look beyond the patristic period, both backward to these authors' appropriation of the classical and Christian traditions, and forward to their function as authorities in later medieval intellectual history, from the Carolingian Renaissance to Anselm of Canterbury, the scholastics, and Dante. Themes which these papers address include the transmission and use of Platonism and Stoicism, logic and linguistic theory, and the ethics of lying, moral indifference, and the salvation of the virtuous pagan.
Church Beyond Walls tells inspiring, informative and occasionally funny stories of how a group of people took Christian spirituality outside of church buildings to engage a world increasingly uninterested in religion, God and faith. From imaginative and wide-ranging experiments, it draws out principles to inspire local churches to express their faith in their communities, and it shares liturgical and other resources developed for these occasions. Based in Brighton and known as BEYOND, for over ten years this group of dreamers, artists and provocateurs have experimented with public art, created light shows and walking meditations, partnered with retailers to create spiritual shop window trails, celebrated the festivals of the church in secular spaces, used folk traditions and more to introduce people to the Christian faith. Their goal and the aim of this book is to help local churches create opportunities for epiphanies: moments when the divine can break into human experience.
In Off Key, Kay Dickinson offers a compelling study of how certain alliances of music and film are judged aesthetic failures. Based on a fascinating and wide-ranging body of film-music mismatches, and using contemporary reviews and histories of the turn to post-industrialization, the book expands the ways in which the union of the film and music businesses can be understood. Moving beyond the typical understanding of film music that privileges the score, Off Key also incorporates analyses of rock 'n' roll movies, composer biopics, and pop singers crossing over into acting. By doing this, it provides a fuller picture of how two successful entertainment sectors have sought out synergistic strategies, ones whose alleged "failures" have much to tell about the labor practices of the creative industries, as well as our own relationship to them and to work itself. A provocative and politically-conscious look at music-image relations, Off Key will appeal to students and scholars of film music, cinema studies, media studies, cultural studies, and labor history.
DIVCollection of essays on the impact that non-mainstream and middlebrow film genres have had on popular culture--including sexploitation, horror, cult, XXX, and indie films./div
British poetry is enjoying a period of exceptional richness and variety. This is exciting but it's also confusing, and throws up the need for an enthusiastic guide that can explain and celebrate the many parallel poetry projects now underway. Beyond the Lyric does just that. This is a book of enthusiasms: an intelligent and witty map of contemporary British poetry and a radical, accessible guide to living British poets, grouped for the first time according to the kind of poetry they write. In a series of groundbreaking new classifications, beginning with the bread-and-butter diction of the Plain Dealers and ending on the capacious generosity of the Exploded Lyric, it examines the broad range of contemporary tendencies – from the baroque swagger of the Dandies to the restrained elegance of the Oxford Elegists; from the layered, haunting verse of Mythopoesis to the inventive explorations of the New Formalists. By probing the cultural context from which these groups emerge and shifting the critical focus back to the work itself, Sampson’s astute analysis illuminates and demystifies each of these terms and asks the big questions about what makes a poem. The result is a celebration of poetry as a connected, responsive and above all communitarian form. Lively, engaging and inviting, this is the indispensible and authoritative guide for anyone who's ever wondered what's going on in British poetry today.
The world is burning. Rume is under attck. The Autumn Lords, rulers of the Tchinee empire, have had their true nature revealed. The Emperor descends into madness. And Fisk and Shoe - unlikely heroes, very likely mercenaries - must find their way to Fisk's wife and child, who he has never seen. There might be quite a lot in their way. A war, for one thing. But Livia is as determined as Fisk to be reunited. And Shoe may have a plan...
This page turner will thrill readers from 10 years old and up. A series of short stories with twists and turns that will keep them hooked. The characters in the stories have a common bond that they must discover together before it is too late. Along the way they learn the importance of faith, family, and sacrifice. Don't miss this exciting first installment that is sure to be a hit. It is Ashley’s first day of school in a new town. She loves her new school and has made great friends. The only problem is her teacher, Mrs. Yorp, seems a little strange. Is she hiding something? Still, Ashley is excited to return for her second day. Unfortunately, she can’t find any of her friends, and even Mrs. Yorp has disappeared. What happened to them all? The mysteries continue in three more stories. Luke is an exceptional baseball player. He struggles controlling his emotions. He misses his father and wishes his mother showed more interest in him. A new teammate shows up from out of town in the middle of the baseball season. Where did he come from and who is he really? Can he help Luke learn to control his emotions and have a successful season? Samantha is one of the coolest girls at school. Unfortunately for her, her cousin Brandon is moving in with her. Brandon talks to his imaginary friend and embarrasses Samantha at school, but he has a warning for Samantha. Will she listen? Grandpa loves playing pranks on his grandsons Ryan and Joe. One day he takes them up to his attic for a Halloween prank. They find an old book and an ancient mirror. Grandpa pretends not to know where they came from. It seems like great fun until bizarre things occur. What is the mirror’s secret? Why are Grandpa and Ryan acting differently now? Joe must convince his father that something is wrong. They enlist the help of their parish Priest Father Bob to help solve the mystery. What ties all of these people together? Who is Mrs. Yorp? Who is Father Bob? What is going on with the mirror? They must work together to solve these mysteries or their lives will be altered forever.
Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
Beyond Anger is a detailed literary analysis of the three poems which make up Juvenal's third book of Satires (i.e. Satires 7, 8 and 9). Dr Braund pays particular attention to the satiric techniques Juvenal employs in this book, arguing that in Book III Juvenal uses a new, ironic persona, which makes his satire more indirect, subtle and double-edged than does the angry approach found in the earlier books.