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Afghan women have faced an exhaustive struggle in the battle to change their status and improve their situation. Emadi takes a long look at the role of development and modernization policies implemented by the state in the pre- and post-Soviet eras, under the Taliban, and beyond. He finds that such policies have failed to bring about much- needed change and improvement for women. Modernization strategies benefited only a small segment of urban women and left the plight of rural women unchanged. Although a small segment of middle- and upper-class women organized themselves and fought to bring about changes in their status and to end gender inequality, their efforts alone did not meet with much success. Islamic orthodoxy and orthopraxy in the Taliban era restricted women's freedom of movement, access to education, and medical care. Using personal accounts not readily available to researchers or scholars, Emadi explores the diverse factors that contributed to women's oppression both at home and in society. This study provides a detailed analysis of state policies toward women's emancipation within the context of a traditional Islamic society. It chronicles the course of the women's movement and women's organizations still active in the political arena and puts forth an alternative plan to involve women in the reconstruction process in both urban and rural areas.
This book examines how dependent development and struggles for power within and outside the state apparatus led to formation of alliances with imperial powers and how the latter used these alliances to manipulate political development in Afghanistan to their own advantage.
Through years of neglect, deliberate modernization, and the effect of decades of war, Kabul’s architectural history has virtually disappeared. By meticulous use of all available records including written works, photographs, films, and oral reminiscences, Kabul: A History 1773-1948 provides a remarkably complete and unsurpassed account of the city’s history as seen through its built environment, from the pleasure gardens of the 16th and 17th century Mughals to the efforts of the Saduza’i and Muhammadza’i rulers of the 18th-20th centuries to turn this one-time resort town into a thriving capital city at the center of a country of enormous diversity. Thoroughly documented and well-illustrated, the book reveals the rich cultural legacy of a city of global importance.
The compelling and insightful account of a New York Times reporter's abduction by the Taliban, and his wife's struggle to free him. In November 2008, David Rohde, a Pulitzer Prize-winning correspondent for The New York Times, was kidnapped by the Taliban and held captive for seven months in the tribal areas of Pakistan. In the process, Rohde became the first American to witness how Pakistan's powerful military turns a blind eye toward a Taliban ministate thriving inside its borders. In New York, David's wife Kristen Mulvihill, together with his family, kept the kidnapping secret for David's safety and struggled to navigate a labyrinth of conflicting agendas, misinformation, and lies. Part memoir, part work of journalism, A Rope and a Prayer is a story of duplicity, faith, resilience, and love.
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters. Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture. Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.