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Will Sampson was most recognized for his unforgettable role as Chief Bromden in One Flew Over the Cuckoo's Nest. He entertained and moved audiences in eleven films fourteen TV shows, and two stage plays. He holds a special place in American history, but his most important role was the role he played his entire life-that of Creek Indian cowboy and artist. A full-blood Muscogee Creek Indian from Okmulgee, Oklahoma, Will Sampson's work in the fine arts has yet to receive the recognition it richly deserves. His works have been exhibited at the Library of Congress, the Amon Carter Museum, the Gilcrease Museum, the Philbrook Art Center, the Creek Council House, and the Chieftains Art Gallery in Okmulgee. Will was a Western cowboy Indian artist, painting in the style of Charles Russell, but with his own sense of what it was to be a Native American, taking as his subjects his ancestors, the land, the hard days, and opportunities seen by a Creek Indian in twentieth-century America.
An international bestseller and the basis for the hugely successful film, Ken Kesey's One Flew Over the Cuckoo's Nest is one of the defining works of the 1960s. In this classic novel, Ken Kesey’s hero is Randle Patrick McMurphy, a boisterous, brawling, fun-loving rebel who swaggers into the world of a mental hospital and takes over. A lusty, life-affirming fighter, McMurphy rallies the other patients around him by challenging the dictatorship of Nurse Ratched. He promotes gambling in the ward, smuggles in wine and women, and openly defies the rules at every turn. But this defiance, which starts as a sport, soon develops into a grim struggle, an all-out war between two relentless opponents: Nurse Ratched, backed by the full power of authority, and McMurphy, who has only his own indomitable will. What happens when Nurse Ratched uses her ultimate weapon against McMurphy provides the story’s shocking climax. “BRILLIANT!”—Time “A SMASHING ACHIEVEMENT...A TRULY ORIGINAL NOVEL!”—Mark Schorer “Mr. Kesey has created a world that is convincing, alive and glowing within its own boundaries...His is a large, robust talent, and he has written a large, robust book.”—Saturday Review
The magnificent second novel from the legendary author of One Flew Over the Cuckoo's Nest Following the astonishing success of his first novel, One Flew Over the Cuckoo's Nest, Ken Kesey wrote what Charles Bowden calls "one of the few essential books written by an American in the last half century." This wild-spirited tale tells of a bitter strike that rages through a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers. Out of the Stamper family's rivalries and betrayals Ken Kesey has crafted a novel with the mythic impact of Greek tragedy. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more “If you’re looking for a superb novel, look no further.” —The Washington Post From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times Book Review). Among the most celebrated and beloved novels of recent times, Cloud Cuckoo Land is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope, and a book. In the 15th century, an orphan named Anna lives inside the formidable walls of Constantinople. She learns to read, and in this ancient city, famous for its libraries, she finds what might be the last copy of a centuries-old book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. Outside the walls is Omeir, a village boy, conscripted with his beloved oxen into the army that will lay siege to the city. His path and Anna’s will cross. In the present day, in a library in Idaho, octogenarian Zeno rehearses children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. Anna, Omeir, Seymour, Zeno, and Konstance are dreamers and outsiders whose lives are gloriously intertwined. Doerr’s dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own.
Hard Candy is an American tragedy. It is a human portrayal of an uncommon nature, and no one thing contributes more to its value than its authenticity, It gives you a glimpse into the protected world of institutional"bad players,"administrators, monitors, and teachers who stood side by side with idiots and madmen and committed atrocities that caused many children to flee into an unconventional brand of protection because there was no legitimate protection for them. It also shines a light on children forced to remain in darkened basements, drained of their childhood vigor, rocking on sore tailbones alone and afraid, who were later released into the community to carry their emotional wounds for the rest of their lives, which was the coup de grAcentsce of the state's final blow. This true story is about human triumph and courage; how two brothers cared for each other when no one else would; how they understood each other when no one else did; and how they desperately clung to the needed components of love and friendship to survive, together, their ultimate victory from systemic governmental and bureaucratic misconduct
WINNER OF THE BIRDWATCH BOOK OF THE YEAR 2012 This authoritative handbook, part of the Helm Identification Guides series, looks in detail at the world's cuckoos, couas and anis - it is the ultimate reference to the cuckoos of the world. Famed as brood-parasites of other birds, the cuckoos include a diverse range of species, from the roadrunners of North America to the spectacular malkohas of southern Asia. This book discusses the biology and identification of these birds on a species-by-species basis, bringing together the very latest research with accurate range maps, more than 600 stunning colour photographs that illuminate age and racial plumage differences, and 36 superb plates by a team of internationally renowned artists.
This book explores how the notion of the responsible university manifests itself at various levels within Nordic higher education. As the impetus of the knowledge society has catapulted the higher education sector to the forefront of policy agendas, universities and other types of higher education institutions face increasing scrutiny, assessment and accountability. This book examines this phenomenon using the Nordic countries as cases in point, given the strong public commitment towards widening participation and public research investments. The editors and contributors analyse the history and current transformations of the idea of the responsible university, investigate new innovations in the educational landscape and look into how universities have begun to organise themselves to become more responsible. Drawing together scholars from the humanities and the social sciences, this interdisciplinary collection will be of interest and value to students and scholars of the role and nature of the modern university, in addition to practitioners and policy makers tasked with finding solutions to address the competing and often contradictory demands posed by a responsibility agenda. .
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
How is madness experienced, treated, and represented? How might art think around – and beyond – psychiatric definitions of illness and wellbeing? Madness, Art, and Society engages with artistic practices from theatre and live art to graphic fiction, charting a multiplicity of ways of thinking critically with, rather than about, non-normative psychological experience. It is organised into two parts: ‘Structures: psychiatrists, institutions, treatments’, illuminates the environments, figures and primary models of psychiatric care, reconsidering their history and contemporary manifestations through case studies including David Edgar’s Mary Barnes and Milos Forman’s One Flew Over the Cuckoo’s Nest. ‘Experiences: realities, bodies, moods’, promblematises diagnostic categories and proposes more radically open models of thinking in relation to experiences of madness, touching upon works such as Richard Kelly’s Donnie Darko and Duncan Macmillan’s People, Places, and Things. Reading its case studies as a counter-discourse to orthodox psychiatry, Madness, Art, and Society seeks a more nuanced understanding of the plurality of madness in society, and in so doing, offers an outstanding resource for students and scholars alike.