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This book offers a practical guide to the everyday actions and decisions that anyone can take to promote gender equality and social justice in their own life and the world around them. Beyond Burning Bras: Feminist Activism for Everyone is an antidote to the poison of shock jocks who caricature the women's movement as a radical fringe of man-haters and paint activists as spoiled hooligans. Two real-life feminist activists, Laura Finley and Emily Stringer focus on the mainstream of everyday feminism, explaining what feminism is really all about and fanning out a spectrum of simple, imaginative, user-friendly ways in which ordinary readers can promote gender equality and social equity in their own lives and in the world around them. Beyond Burning Bras taps the life stories and first-person accounts of 50 ordinary individuals of every age, sex, sexuality, class, nationality, race, ethnicity, and learning style. All of them tell how they found within themselves the courage to take a stand on the front lines of feminist activism, whether in subtle private ways or in life-changing public ways. After a survey of the history of feminism in the United States, the authors and contributors show in successive chapters how feminism today meshes with other forms of activism relating to the workplace, sexual violence, the environment, politics, human bodies, the arts, youth, empowerment, and mothering.
The authors focus on the mainstream of everyday feminism, explaining what feminism is really all about and fanning out a spectrum of simple, imaginative, user-friendly ways in which people can promote gender equality and social equity in their own lives and in the world around them. It looks at first-person accounts of 50 ordinary individuals of every age, sex, sexuality, class, nationality, race, ethnicity, and learning style. All of them tell how they found within themselves the courage to take a stand on the front lines of feminist activism, whether in subtle private ways or in life-changing public ways. After a survey of the history of feminism in the United States, the authors and contributors show how feminism today meshes with other forms of activism relating to the workplace, sexual violence, the environment, politics, human bodies, the arts, youth, empowerment, and mothering.
The term women's liberation remains charged and divisive decades after it first entered political and cultural discourse around 1970. In Feeling Women's Liberation, Victoria Hesford mines the archive of that highly contested era to reassess how it has been represented and remembered. Hesford refocuses debates about the movement’s history and influence. Rather than interpreting women's liberation in terms of success or failure, she approaches the movement as a range of rhetorical strategies that were used to persuade and enact a new political constituency and, ultimately, to bring a new world into being. Hesford focuses on rhetoric, tracking the production and deployment of particular phrases and figures in both the mainstream press and movement writings, including the work of Kate Millett. She charts the emergence of the feminist-as-lesbian as a persistent "image-memory" of women's liberation, and she demonstrates how the trope has obscured the complexity of the women's movement and its lasting impact on feminism.
In this concise book, feminist thought is made accessible and relevant to both students and management practitioners. An empowering introduction to an often-overlooked key idea, this book illuminates how feminist thinking can liberate our understanding of work and management. Feminism: A Key Idea for Business and Society boldly challenges assumptions about both feminism and business. It offers a primer on feminism for business and explains feminist interventions including adding women’s voices, pushing for equality, and practicing feminist values to make businesses more successful and more just. It analyzes the obstacles organizations and individuals face in their efforts to address gender inequality, and demonstrates how feminist interventions have changed the terms of business conversations around topics such as defining work, centering the economy around care, how jobs work and wages are gendered, violence in the workplace, horizontal and peer-to-peer organizational structures that don’t depend on dominance, enlightened leadership models, and power. As this book demonstrates, feminism has already had a profound impact on business, with many of its key tenets incorporated into business thinking. As one of the first books to offer feminist insights and critiques of business to the practicing manager, business student, and non-academic, this book offers a fresh, positive vision that is remarkably relevant.
The United States is obsessed with virginity - from the media to schools to government agencies. This panic is ensuring that young women's ability to be moral agents is absolutely dependent on their sexuality. Jessica Valenti, executive editor of Feministing.com and author of Full Frontal Feminism and Yes Means Yes, addresses this poignant issue in her latest book, The Purity Myth. Valenti argues that the country's intense focus on chastity is extremely damaging to young women. Through in depth analysis of cultural stereotypes and media messages, Valenti reveals that powerful messages - ranging from abstinence curriculum to ''Girls Gone Wild'' commercials - place a young woman's worth entirely on her sexuality. Morals are therefore linked purely to sexual behavior, as opposed to values like honesty, kindness, and altruism. Valenti approaches the topic head-on, shedding light on chastity in a historical context, abstinence-only education, pornography, and public punishments for those who dare to have sex, among other critical issues. She also offers solutions that pave the way for a future without a damaging emphasis on virginity, including a call to rethink male sexuality and reframing the idea of ''losing it.'' With Valenti's usual balance of intelligence and wit, The Purity Myth presents a powerful and revolutionary argument that girls and women, even in this day and age, are overly valued for their sexuality, and that this needs to stop.
Reframing feminism for the twenty-first century, this bold and essential history stands up against "bland corporate manifestos" (Sarah Leonard). Eschewing the conventional wisdom that places the origins of the American women’s movement in the nostalgic glow of the late 1960s, Feminism Unfinished traces the beginnings of this seminal American social movement to the 1920s, in the process creating an expanded, historical narrative that dramatically rewrites a century of American women’s history. Also challenging the contemporary “lean-in,” trickle-down feminist philosophy and asserting that women’s histories all too often depoliticize politics, labor issues, and divergent economic circumstances, Dorothy Sue Cobble, Linda Gordon, and Astrid Henry demonstrate that the post-Suffrage women’s movement focused on exploitation of women in the workplace as well as on inherent sexual rights. The authors carefully revise our “wave” vision of feminism, which previously suggested that there were clear breaks and sharp divisions within these media-driven “waves.” Showing how history books have obscured the notable activism by working-class and minority women in the past, Feminism Unfinished provides a much-needed corrective.
Almost as long as cinema has existed, vampires have appeared on screen. Symbolizing an unholy union between sex and death, the vampire—male or female—has represented the libido, a “repressed force” that consumed its victims. Early iconic representations of male vampires were seen in Nosferatu (1922) and Dracula (1931), but not until Dracula’s Daughter in 1936 did a female “sex vampire” assume the lead. Other female vampires followed, perhaps most provocatively in the Hammer films of the 1950s, ’60s, and ’70s. Later incarnations, in such films as Near Dark (1987) and From Dusk till Dawn (1996), offered modern takes on this now iconic figure. In Dracula’s Daughters: The Female Vampire on Film, Douglas Brode and Leah Deyneka have assembled a varied collection of essays that explore this cinematic type that simultaneously frightens and seduces viewers. These essays address a number of issues raised by the female vampire film, such as violence perpetrated on and by women; reactions to the genre from feminists, antifeminists, and postfeminists; the implications of female vampire films for audiences both gay and straight; and how films reflected the period during which they were created. Other topics include female vampire films in relationship to vampire fiction, particularly by women such as Anne Rice; the relationship of the vampire myth to sexually transmitted diseases like AIDS; issues of race and misogyny; and the unique phenomenon of teen vampires in young adult books and films such as Twilight. Featuring more than thirty photos spanning several decades, this collection offers a compelling assessment of an archetypal figure—an enduring representation of dark desires—that continues to captivate audiences. This book will appeal not only to scholars and students but also to any lover of transgressive cinema.
"If daily journalism constitutes history's first rough draft, then "Getting it Wrong" certainly reveals how rough that draft can be. Joseph Campbell is a dogged and first-rate scholar."--Neil Henry, Dean, University of California, Berkeley Graduate School of Journalism "Dr. Campbell has done meticulous research that examines ten media myths in context. This book rightfully calls us to rethink some significant errors that have become a part of our history and our collective memories. It is just downright interesting reading."--Wallace B. Eberhard, recipient of the American Journalism Historians Association Kobre Award for Lifetime Achievement
Anna Deveare Smith's award-winning one-woman shows were borne of her uniquely brilliant ability to listen. In Talk to Me she applies her rare talent to the language of political power in America. Believing that character and language are inextricably bound, Smith sets out to discern the essence of America by listening to its people and trying to capture its politics. To that end she travels to some of America's most conspicuous places, like the presidential conventions of 1996, and some of its darkest corners, like a women's prison in Maryland. And along the way she interviews everyone from janitors to murderers to Bill Clinton himself. Memoir, social commentary, meditation on language, this book is as vastly ambitious as it is compellingly unique.