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Beowulf & Beyond is the first and only poetic translation to include not only Beowulf but all the best-known works of Anglo-Saxon literature in one convenient volume. Previously, students have had to buy a separate book to read essential works like "The Seafarer," required reading in all courses of early English literature. And even these may miss some of the greatest delights of this period: the wonderful stories from Bede, the charms, sayings, spells and riddles that inspire students to delve deeper into this strange and magical world. These translations, which derive their power from cleaving "close to the bone" of the original Anglo-Saxon, capture the power and punch of the original in a supple verse that sweeps the reader onward irresistibly.
Beowulf, the oldest saga in the English language, ends with Beowulf's death and premonitions of disaster as his people face their enemies alone. For over a thousand years, the world has waited to hear what happened next. Beyond Beowulf provides the answer. Author Christopher L. Webber provides a flashback to one of Beowulf's adventures in a voyage to the New World and an epic battle with a sea monster. In search of security, Beowulf's people embark on a sea voyage that leads to encounters with trolls and hostile tribes as well as a peaceful reception by monastic communities along the English coast. But this is more than an adventure yarn; along the way the text also confronts us with the very modern problem of refugees and puts forward a poignant appeal for peace.
The image of a giant sword melting stands at the structural and thematic heart of the Old English heroic poem Beowulf. This meticulously researched book investigates the nature and significance of this golden-hilted weapon and its likely relatives within Beowulf and beyond, drawing on the fields of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and comparative mythology. In Part I, Pettit explores the complex of connotations surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may function as a visual motif in which pre-Christian Germanic concepts and prominent Christian symbols coalesce. In Part II, Pettit investigates the broader Germanic background to this image, especially in relation to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across time. Drawing on an eclectic range of narrative and linguistic evidence from Northern European texts, and on archaeological discoveries, Pettit suggests that the image of the giant sword, and the characters and events associated with it, may reflect an elemental struggle between the sun and the moon, articulated through an underlying myth about the theft and repossession of sunlight. The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' is a welcome contribution to the overlapping fields of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the craft of the Beowulf-poet and inform our understanding of the poem’s major episodes and themes; it further highlights the merits of adopting an interdisciplinary approach alongside a comparative vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists.
A selection of papers from the Medieval Symposium held at the University of Munich in 2001 to accompany the main conference of the International Association of University Professors of English.
The celebrated heroic epic poem is brought to the the big screen with a script that envisions the trials and tribulations of the noble Beowulf. Thrilling, frightening, and truly epic, Gaiman and Avary have crafted an amazing script with all the adventure of the original that illuminates one of the all-time greatest tales. In this legend, the outcast monster Grendel attacks Hrothgar’s great hall, devouring many warriors. When the news of Grendel’s onslaught reaches the Geats tribe, their greatest warrior, Beowulf, leaves his homeland to aid those plagued by the monster. But beyond Grendel lie even greater foes and dark secrets that imperil the kingdom. This epic visualization of Beowulf’s combats with Grendel and later, Grendel’s revenge-crazed mother, merges science fiction and fantastic story-telling, bringing to life the most enduring tale of all time.
Read an updated translation of the classic English epic poem, and discover what happens next in the two exciting sequels, all collected here in one edition. About one and a half millennia ago, an anonymous author gave the world Beowulf, the first great epic written in what would become the English language. The poem follows the adventures of Beowulf, hero of the Geats, as he battles the monstrous Grendel, Grendel’s fearsome mother, and a deadly dragon. After the hero meets his death, readers are left with the question: What will happen now? Without their champion, hero, and king, the Geats are defenseless against their enemies. With The Beowulf Trilogy, author Christopher L. Webber shares his own translation of the original epic and also answers the question of what happens next with two epic poems of his own. In Beyond Beowulf, follow the Geats as they welcome a new leader, Wiglaf, the young warrior who aided Beowulf in his encounter with the dragon. He helps the tribe search or a new home while contending with threats from storms, trolls, and the Saxon army. Then, in Yrfa’s Tale, Webber looks beyond the warrior’s viewpoint to give a perspective from Wiglaf’s wife and family, and the emotional toll of their struggle. In The Beowulf Trilogy, Webber gives readers a complete picture of Beowulf’s world, a somber and magical land full of adventure and turmoil. Praise for The Beowulf Trilogy “[Webber’s] translation’s clean, musical lines are excellent for reading aloud. The two sequels also maintain the original’s language and narrative style. . . . Succeeds in both respecting and enriching the venerable original.” —Kirkus Reviews
Werewolves, witches, vampires, demons, gods, zombies, and shape-shifters; these are just a few examples of the monstrous that society is confronted with. Most people have some knowledge about these creatures, and have had fleeting contact with ghosts, fairies, vampires and goblins, either in their imagination, or while reading, watching, or interacting with other people (whether in reality or the online world). From Beowulf and Buffy, to Freddy Krueger and Frankenstein’s Monster, this collection highlights different aspects of the monstrous, and discusses various ways in which they can be read, discussed, and understood. What does the mother in Beowulf really represent? How can the character of Zoey Redbird really be understood? What is the importance of memories in Buffy the Vampire Slayer? And what should we make of Terry Pratchett’s undead creatures? And what role does the children-friendly vampire play? Beyond the Night offers a range of insights into these topics, as well as many more. It presents the reader with a vast array of old and new creatures in popular culture, analysing the significance they have for wider society. This collection will also help readers to understand their favourite monsters better in relation to questions concerning sexuality, gender, social change, and otherness.
"The North" is simultaneously a location, a direction, and a mystical concept. Although this concept has ancient roots in mythology, folklore, and fairy tales, it continues to resonate today within modern culture. McIntosh leads readers, chapter by chapter, through the magical and spiritual history of the North, as well as its modern manifestations, as documented through physical records, such as runestones and megaliths, but also through mythology and lore. This mythic conception of a unique, powerful, and mysterious Northern civilization was known to the Greeks as "Hyberborea"--the "Land Beyond the North Wind"--which they considered to be the true origin place of their god, Apollo, bringer of civilization. Through the Greeks, this concept of the mythic North would spread throughout Western civilization. In addition, McIntosh discusses Russian Hyperboreanism, which he describes as among "the most influential of the new religions and quasi-religious movements that have sprung up in Russia since the fall of Communism" and which is currently almost unknown in the West.
This anthology presents the results of the Second International Colloquium of the Narratology Research Group (Hamburg University). It engages in the exploration of approaches that broaden Narratology's realm. The contributions illustrate the transcendence of traditional models common to Narratology. They also reflect on the relevance of such a 'going beyond' as seen in more general terms: What interrelation can be observed between re-definition of object domain and re-definition of method? What potential interfaces with other methods and disciplines does the proposed innovation offer? Finally, what are the repercussions of the proposed innovation in terms of Narratology's self-definition? The innovative volume facilitates the inter-methodological debate between Narratology and other disciplines, enabling the conceptualization of a Narratology beyond traditional Literary Criticism.