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Beware the Cat (1533) is the earliest original piece of long prose fiction in English. It has the distinction of being the first English "novel," far surpassing in narrative sophistication such immediate predecessors as Elyot's Image of Governance or Borde's Scoggin's Jests. This edition, besides providing a modernized text of the novel, also identifies the pseudonymous author of Beware the Cat as William Baldwin, better known as editor and principal author of the enormously popular Mirror for Magistrates (1559). The development of early English prose fiction is thoroughly documented in two informative and wide-ranging appendices. William Baldwin's place in this tradition, as well as his innovative narrative art, is discussed in the introduction, which also provides biographical information on the author, historical background to his novel, and insight into the political and religious turmoil of the middle years of the sixteenth century.
Mrs Papadopoulos deceives her new neighbours with a sign on her gate. Includes notes for parents and teachers. Suggested level: junior.
The Oxford Handbook of English Prose 1500-1640 is the only current overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. It covers a vast range of material vital for the understanding of the period: from jestbooks, newsbooks, and popular romance to the translation of the classics and the pioneering collections of scientific writing and travel writing; from diaries, tracts on witchcraft, and domestic conduct books to rhetorical treatises designed for a courtly audience; from little known works such as William Baldwin's Beware the Cat, probably the first novel in English, to The Bible, The Book of Common Prayer and Richard Hooker's eloquent statement of Anglican belief, The Laws of Ecclesiastical Polity. The work not only deals with the range and variety of the substance and types of English prose, but also analyses the forms and styles of writing adopted in the early modern period, ranging from the Euphuistic nature of prose fiction inaugurated by John Lyly's mannered novel, to the aggressive polemic of the Marprelate controversy; from the scatological humour of comic writing to the careful modulations of the most significant sermons of the age; and from the pithy and concise English essays of Francis Bacon to the ornate and meandering style of John Florio's translation of Montaigne's famous collection. Each essay provides an overview as well as comment on key passages, and a select guide to further reading.
Spanning the different phases of the English Reformation from William Tyndale's 1525 translation of the Bible to the death of Elizabeth I in 1603, John King's magisterial anthology brings together a range of texts inaccessible in standard collections of early modern works. The readings demonstrate how Reformation ideas and concerns pervade well-known writings by Spenser, Shakespeare, Sidney, and Marlowe and help foreground such issues as the relationship between church and state, the status of women, and resistance to unjust authority. Plays, dialogues, and satires in which clever laypersons outwit ignorant clerics counterbalance texts documenting the controversy over the permissibility of theatrical performance. Moving biographical and autobiographical narratives from John Foxe's Book of Martyrs and other sources document the experience of Protestants such as Anne Askew and Hugh Latimer, both burned at the stake, of recusants, Jesuit missionaries, and many others. In this splendid collection, the voices ring forth from a unique moment when the course of British history was altered by the fate and religious convictions of the five queens: Catherine Parr, Lady Jane Grey, Mary I, Mary Queen of Scots, and Elizabeth I.
This diet-guide parody shows "extra furry" cats how to get svelte with kitty-specific versions of popular weight-loss and fitness regimes like the Zone, South Beach, Mayo Clinic, and French Women Don't Get Fat (But Their Cats Do). Americans own more than 86 million cats, and the wild popularity of cat videos--from YouTube to the Internet Cat Video Film Festival--proves that cat-lovers can't get enough kitty humor. This book pokes fun at tubby tabbies--the world's cutest (and surliest) fat creatures--with laugh-out-loud details that will tickle the funnybone of anyone "owned" by a cat. Lampooning trendy weight-loss regimes and health gurus, this book will also make people feel better about their own battle of the bulge in comparison to cats' insatiable appetites and lazy lifestyles. By eating right for their blood type, sourcing raw and living foods, joining Weight Stalkers, avoiding toxic treats, and exercising while lying down, felines of every shape (round) and size (round) will soon be motivated to ditch the fifth serving of Beef Morsels in Gravy for fresh, local options like that vole in the backyard.
With humor and depth, letter carrier Wyckoff reveals the rhythms, secrets, and surprises of the thriving community that comprises his postal route.
For fans of We Were Liars, A Good Girl's Guide to Murder, Two Can Keep a Secret, and If He Had Been With Me comes a powerful psychological thriller with a gripping pace and Hitchcockian twists. Set against the backdrop of New York City, this compelling novel delves into the dysfunctional yet mesmerizing world of the mega-wealthy elite and will keep readers guessing until the very last page. The Haves. The Have-Nots. Kate O’Brien appears to be a Have-Not. Her whole life has been a series of setbacks she’s had to snake her way out of—some more sinister than others. But she’s determined to change all that. She’s book-smart. She’s street-smart. And she’s also a masterful liar. As the scholarship student at the elite Waverly School in NYC, Kate has her work cut out for her: her plan is to climb the social ranks and land a spot at Yale. She’s already found her “people” among the senior-class “it” girls—specifically in the cosseted, mega-wealthy yet deeply damaged Olivia Sumner. As for Olivia, she considers Kate the best friend she’s always needed, the sister she never had. When the handsome and whip-smart Mark Redkin joins the Waverly administration as head of fund-raising, he immediately charms his way into the faculty’s and students’ lives, becoming especially close to Olivia, a fact she’s intent on keeping to herself. It becomes increasingly obvious that Redkin poses a threat to Kate, too, in a way she can’t reveal—and can’t afford to ignore. Mark has his own plan for a bright future and never doubts that he can pull it off. How close can Kate and Olivia get to him without having to share their dark pasts? “Combines a Gossip Girl milieu with the unsettled psychological terrain of Gone Girl.” —PW “It’s smart, dark, entertaining, and unpredictable.” —Quill & Quire, Starred
A gorgeous gift edition, dedicated to the mystery, grace, and charm of the cat Across the ages, cats have provided their adopted humans with companionship, affection, mystery, and innumerable metaphors; cats cast a mirror on their beholders; cats endlessly captivate and hypnotize, frustrate and delight. And to poets, in particular, these enigmatic creatures are the most delightful and beguiling of muses (Charles Baudelaire: “the sole source of amusement in one’s lodgings”) as they go about purring, prowling, hunting, playing, meowing, and napping, often oblivious to their so-called masters (Jorge Luis Borges: “you live in other time, lord of your realm—a world as closed and separate as a dream”). Cat Poems offers a litter of odes to our beloved felines by Charles Baudelaire, Stevie Smith, Christopher Smart, Denise Levertov, Lawrence Ferlinghetti, Rainer Maria Rilke, Muriel Spark, William Carlos Williams, Ezra Pound, and many others.
A 2018 Caldecott Honor book There was a cat who lived alone. Until the day a new cat came . . . And so a story of friendship begins, following the two cats through their days, months, and years until one day, the older cat has to go. And he doesn’t come back. This is a poignant story, told in measured text and bold black-and-white illustrations about the act of moving on.