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A debut collection of short fiction from this National Magazine Award in Fiction finalist. Set in a variety of Southern and Midwestern landscapes — from Missouri’s Ha Ha Tonka State Park to a crop circle at a Minnesotan farm — the stories in 'Between Here and the Yellow Sea' excavate the ambiguous terrain of the human heart. With a forceful and compassionate voice, Pizzolatto finds beauty in loneliness as his characters attempt to bridge the gulfs between themselves and others, past and present, and, sometimes, between their inner and outer selves. In this both heartbreaking and humorous collection, we meet a base-jumping, samurai park ranger who parachutes off the St. Louis Arch; a stained glass artist who struggles over his masterpiece and learns through great loss what his true subject will be; and a religious elementary school teacher who tries to understand her rebellious, militant son. In the title story, which first appeared in the Atlantic Monthly, an orphaned young man and his former high school football coach set out to kidnap the coach’s daughter from Los Angeles and bring her back to east Texas. With an assured, poignant voice, Pizzolatto places us at the crossroads of memory and desire, somewhere between here and the Yellow Sea.
Showcases the short stories of the creator of HBO's True detective, Nic Pizzolatto.
After being diagnosed with lung cancer, Roy Cady kills the men hired by his loan shark boss to kill him, and flees to Galveston, Texas, with a prostitute and her young sister, where they face more problems.
Blue Eyes On The Yellow Sea Welcome To Red China This book is fun yet serious — a true, courageous, entertaining adventure in which the author comes to China, initially on a mission to teach. Wide-ranging in scope, it addresses culture, history, people, politics, art, interesting facts, traditions, economics, philosophies, visa issues, in addition to experiences with work, travel and, of course, romance. A Featurettes section includes a China time line relative to world events, Mandarin language guide, conversion chart, among other things.Pictures help to tell the tale. Tad Miller offers the world a fresh, honest access to this ancient though modernizing place in a humorous style—a really great start for getting to know China—and human nature.
Journey made by special artist of the Illustrated London News including travels in Krasnoyarskiy Kray.
Twenty-five years after Jesus’ Son, a haunting new collection of short stories on mortality and transcendence, from National Book Award winner and two-time Pulitzer Prize finalist Denis Johnson NATIONAL BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY Dwight Garner, The New York Times • Maureen Corrigan, NPR’s Fresh Air • Chicago Tribune • Newsday • New York • AV Club • Publishers Weekly “Ranks with the best fiction published by any American writer during this short century.”—New York “A posthumous masterpiece.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • NPR • The Boston Globe • New York Public Library • Kirkus Reviews • Bloomberg The Largesse of the Sea Maiden is the long-awaited new story collection from Denis Johnson. Written in the luminous prose that made him one of the most beloved and important writers of his generation, this collection finds Johnson in new territory, contemplating the ghosts of the past and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death, this collection is the last word from a writer whose work will live on for many years to come. Praise for The Largesse of the Sea Maiden “An instant classic.”—Newsday “Exceptional luminosity . . . hits a powerful vein.”—The New York Times Book Review “Grace and oblivion are inextricably yoked in these transcendent stories. . . . [Johnson’s] gift is to extract the beauty in all that brokenness.”—The Wall Street Journal “Nobody ever wrote like Denis Johnson. Nobody ever came close. . . . We’re just left with this miraculous book, these perfect stories, the last words from one of the world’s greatest writers.”—NPR
In these prosaic days of the nineteenth century one hardly expects a revival of the adventurous expeditions which made the fame of England in the days of Frobisher and Drake. As a matter of fact, the world is almost too well known now for such adventures to be possible, even were the leaders forthcoming, and the “good old buccaneering days” are long past. Still, I could not help thinking, on the day we left Gravesend for the far North-East, bound for a region but little known, and with the uncertainty of ever reaching our destination, that it must have been under somewhat similar conditions that the adventurers of old started on their perilous journeys; with, however, this very great difference—ours was not a filibustering expedition, but a commonplace commercial enterprise, backed up by several well-to-do Englishmen, with absolutely nothing of the romantic about it beyond the fact of its having to traverse these wild and comparatively unknown regions before it could be successfully achieved. We started from the Thames on Friday, July 18, 1890, in the chartered Norwegian steamer Biscaya, eight hundred tons gross, bound for the Yenisei River with a nondescript tentative sort of cargo, consisting of a mixture of all sorts, from a steam sawmill down to the latest toy for children, our ultimate destination being the town of Yeniseisk, which is situated some fifteen hundred miles from the mouth of this mighty river. The object of the expedition was to endeavour to open a trade route between England and Siberia by means of the Kara Sea passage, which was discovered by Nordenskiold in 1875. Nothing of particular interest occurred during the first few days after we left the Thames. We were so closely packed that it required some careful arrangement to get us all comfortably stowed, so to speak. Imagine seven men jammed into a cabin just about large enough to accommodate four, and each man with the usual amount of superfluous luggage without which Englishmen could not possibly travel, this baggage also stowed in the cabin, and you will guess that we were packed like sardines. As, however, no doubt even sardines get used to being packed, after a time so did we; and, although the passage across the North Sea was about as uncomfortable a one as I ever experienced, we somehow managed to settle into our respective grooves long before we sighted the coast of Norway. Our party consisted of two representatives of the London Syndicate, two engineers, a master stevedore (to unload the ship on arrival), an experienced ice-master, who knew the Kara Sea thoroughly, the captain of the Biscaya, and your humble servant. I don’t think I ever was on board a more crowded ship. Even the decks were packed with all sorts of paraphernalia, including a large steam-launch and several pens of live stock; and, so as to obviate any fear of running short of coal in the outlandish parts we were going to, the fore and upper decks had over seventy tons of loose coal on them. We had a head wind and a heavy sea nearly the whole way after passing Harwich, where we dropped our pilot, thus bidding a last farewell to Old England. Off the Dogger Bank we went right through the fishing fleet which congregates there, and took advantage of the opportunity to get some fresh fish—a matter of no small difficulty, as the men had a preposterous idea of its value: they would not take money for it, but actually had the effrontery to want to swop a couple of small cod, a ling, and a pair of soles for two bottles of whiskey and a pound of tobacco! Fish is evidently dearer on the fishing-ground itself than in London. Whiskey, however, was far more valuable to us than fish, so, when the men saw we were not buyers on their terms, they eventually came down to 1½ lb. of ship tobacco (value 2s. 4d.) for the lot, which was reasonable enough. After passing the Dogger Bank the wind freshened very considerably towards evening, and added much to the discomfort of the crowded ship; in fact, so badly did she roll about that not only was all our party busy “feeding the fishes” most of the time, but our cook was also so ill that he could not attend to his duties, and we all had to lend a hand in the galley as well as we could. I had never been a long voyage in a wooden ship before, so could hardly sleep a wink all night, owing to the (to me) unusual noise caused by the groaning of her timbers as she pitched and tossed about. It sounded not unlike what I should imagine it would be sleeping near a lot of new leather portmanteaus which were being continually shifted. During the whole of the following day it was blowing big guns, and the sea was so heavy that the cabin was almost dangerous to remain in, owing to the sort of cannonade of packages from all sides, many things being damaged. There was absolutely nothing to do but sit down and wait events, and, meanwhile, make one’s self as comfortable as one could under the circumstances. By the next day the gale had moderated considerably, and during the morning we got our first glimpse of Norway—a high, rock-bound coast, with a dim vista of mountains in the background. Shortly after, a small pilot-boat hove in sight, evidently on the chance of a job, probably taking the Biscaya for a tourist steamer wishing to pass inside the islands, which is the most picturesque route, though somewhat longer. We had no time, however, to waste on scenery, so, although one of our party, who was suffering from an attack of dysentery, offered to pay the pilotage (about £15) out of his own pocket if the calm-water channel was followed, it was at once decided to keep outside the whole way up the coast, and thus get on as fast as possible, more especially as the weather showed signs of clearing up.
Throughout its limited run beginning in 2014, the HBO series True Detective has presented viewers with unique takes on the American crime drama on television, marked by literary and cinematic influences, heavyweight performances, and an experimental approach to the genre. At times celebrated and opposed, the series has ignited a range of ongoing critical conversations about representations of gender, depictions of place, and narrative forms. True Detective: Critical Essays on the HBO Series includes a breadth of scholarly chapters that cross disciplinary boundaries, interrogate a range of topics, and ultimately promise to further contribute to critical debates surrounding the series.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.