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From the examination of the historiography of finishing work in wood for architecture from the medieval to modern period, it is clear that this field of research is the poor relation of historical and archaeological studies, with the lion's share focusing on the structural work of carpentry. It is on the basis of this observation that the present work has been produced, which results from a conference held in Brussels in 2013. The work demonstrates first the real interest in an approach to finishing work for the study of ancient buildings and the establishment of a precise chronology for their phases of layout as well as in obtaining better understanding of material cultures and ways of living. Second, it reiterates that the limit between carpentry and joinery was often porous, sometimes artificial. Finally, the work stresses that an overall approach to the use of wood is crucial to comprehensively address the organisation of a building, the logic of its construction and its 'utilisation', and more generally, the complex history of the buildings studied. This work, which thus represents a first step toward an overall approach of 'wood material' in European architecture, includes thirteen contributions divided into two thematic sections in keeping with current research practices. The first addresses the divide between structural and finishing work via the question of flooring, ceiling and roofing techniques. The second focuses intrinsically on finishing work by examining the contribution of this craft domain to the organisation, comfort and ornamentation of houses.
This book provides the apprentice or trainee carpenter and joiner with the basic technical knowledge necessary to complete the first half of a City and Guilds Course in Carpentry and Joinery. It will also be a useful reference to any persons studying for examinations, or simply wishing to further their knowledge in one of the associated areas, such as wood machining, cabinet making or general building construction. Dealing with the basic skills and techniques employed in the present day construction industry, the text assumes little prior knowledge of the subject, but lays before the reader a simple, straight forward and readable out of the skills, tools, materials and methods likely to be used or encountered in the workshop, on site or during studies at home or in college.
Cassell's Carpentry and Joinery' is a practical work on practical handicrafts, and it was first published in the confident belief that it was by far the most exhaustive book on these subjects hitherto produced. This text is a comprehensive guide on carpentry, compromising notes on materials, processes, principles and practice, and including about 1,800 engravings. A great book for carpenters of all levels, this book is not to be missed by discerning woodworkers and constitutes a great addition to collections of woodworking literature. The chapters of this book include: 'Hand Tools and appliances', 'Timber', 'Joints', 'Floors', 'Timber Partitions', 'Timber Roofs', 'Framework of Dormer Windows', 'Half-Timber Constructions', 'Arch Canterings', 'Joiners' Rods', 'Door and Door Frames', 'Window Sashes and Casements', 'Mouldings: Working and Setting-Out', et cetera. We are proud to republish this text here complete with a new introduction on woodworking.
Complementing Book 1of the same title, this text takes the student up to the City and Guilds full Craft Certificate level. All aspects of the course are dealt with, along with the associated scientific background, mathematical calculations and drawings required. Although prior knowledge of the subject as provided in Book 1 is assumed , important principles are repeated so that this book can be read independently of the companion volume. Extensively illustrated, each chapter begins with clearly defined objectives and concludes with a series or questions and assignments. The text will prove invaluable as a general workbook for those following advanced woodworking courses, including CITB students and self-employed carpenters, joiner and builders. It is useful supplementary reading for those taking courses in brickwork and cabinetmaking, for trainee woodworking machinists and construction technicians as well as for students of City and Guilds Foundation courses.
This edition on circular work of single and double curvature will be of use to both amateurs and professionals and has been re-annotated with numerous drawings to illustrate the entire field of curved work
The Joint Book features illustrated instructions for over 70 joints—providing easy-to-follow step-by-step directions for creating edge and scarf joints, lapped and housed joints, mortise and tenon joints, miters and bevels, dovetails, dowels and biscuits, and detailed descriptions of fasteners, hardware, and knockdown joints. This book is the perfect companion for any woodworker interested in improving their joint-making skills. This hardcover book with internal spiral binding is 6.5" × 8", the perfect size for carpenters and woodworkers to keep near their workbench or toolbox for quick access.The design of this book allows it to lay open flat for easy and frequent reference. The interior photographs, illustrations, and diagrams make the learning process simple and fun for beginners, while advanced readers will gain insight from the book's useful tips. Within, you'll find: Step-by-step illustrated instructions for making all the basic joints in every joint family—mortise and tenon, dovetails, miters, and more—and their variations. Both hand tool methods and power tool techniques, plus a variety of easy-to-build jigs. How the nature of wood and its properties affect joinery, glue, and furniture design. The Joint Book is the ultimate workshop reference, providing woodworkers with the knowledge to choose the right joint for the job.
Joinery, Joists and Gender: A History of Woodworking for the 21st Century is the first publication of its kind to survey the long and rich histories of women and gender non-conforming persons who work in wood. Written for craft practitioners, design students, and readers interested in the intersections of gender and labor history—with 200 full-color images, both historical and contemporary—this book provides an accessible and insightful entry into the histories, practices, and lived experiences of women and nonbinary makers in woodworking. In the first half the author presents a woodworking history primarily in Europe and the United States that highlights the practical and philosophical issues that have marked women’s participation in the field. Research focuses on a diverse range of practitioners from Lady Yun to Adina White. This is followed by sixteen in-depth profiles of contemporary woodworkers, all of whom identify fine woodworking as their principal vocation. Through studio visits, interviews, and photographs of space and process, the book uncovers the varied practices and contributions these diverse artisans make to the understanding of wood as a medium to engage spatial, material, aesthetic, and even existential challenges. Beautifully illustrated profiles include Wendy Maruyama, one of the first women to earn an MFA in woodworking in the US; Sarah Marriage, founder of Baltimore’s A Workshop of Our Own, a woodshop and educational space specifically for women and gender non-conforming makers; Yuri Kobayashi, whose sublime work blurs boundaries between the worlds of art and craft, sculpture, and furniture; and Folayemi Wilson, whose work draws equally on African American history and Afrofuturism to explore and illuminate the ways that furniture and wood traditions shape social relations.
The only books split to cover the essential knowledge and practical activities for Carpentry and Joinery at Levels 2 and 3. Written by experienced author Peter Brett, this full-colour edition provides comprehensive coverage of the practical skills required to pass the work-based competence element of the NVQ.