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Last Year at Betty and Bob's: A Novelty is the first in a series of novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB blue, is fashioned by thinking through the felt unthought of this between space. A fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders and phenotypes. Occurrences of lived "fact" elide with a hallucinatory real as speculation. In A Novelty, Bette B, an ageing quasi-academic artist researcher, and BØB, attuned urban rodent, are palindromic variants of a generic cast of Betty's and Bob's. The happenstance of their meeting on the super slick POMOC (PostOffice MotionCorridor) affects a trans-special contagion. These are the facts of the matter. The matters that come to concern both B's are more slippery and elusive
In 1932, at the height of the Great Depression, two young people meet and fall in love. Llewellyn Wright (Bob), Frank Lloyd Wright's youngest son, whose adolescence was marked by the public scandals surrounding his father's private life, is struggling to begin a private law practice in Chicago. Elizabeth Kehler (Betty), daughter of a Chicago artist who abandoned the family when she was still in the womb, is working as an intake counselor at the Milwaukee Vocational School. Their fervent correspondence over a 10-month courtship period is witty, sassy and poignant, as they grapple with their passionate feelings and try to create a financially stable marriage in the midst of the 20th century's most serious economic crisis. The couple's daughter, a scholar of French literature, has written an Introduction telling their story before and after the courtship. 35 illustrations, extensive footnotes and an Index illuminate the family and social history behind the letters.
Betty Bard MacDonald (1907–1958), the best-selling author of The Egg and I and the classic Mrs. Piggle-Wiggle children’s books, burst onto the literary scene shortly after the end of World War II. Readers embraced her memoir of her years as a young bride operating a chicken ranch on Washington’s Olympic Peninsula, and The Egg and I sold its first million copies in less than a year. The public was drawn to MacDonald’s vivacity, her offbeat humor, and her irreverent take on life. In 1947, the book was made into a movie starring Fred MacMurray and Claudette Colbert, and spawned a series of films featuring MacDonald's Ma and Pa Kettle characters. MacDonald followed up the success of The Egg and I with the creation of Mrs. Piggle-Wiggle, a magical woman who cures children of their bad habits, and with three additional memoirs: The Plague and I (chronicling her time in a tuberculosis sanitarium just outside Seattle), Anybody Can Do Anything (recounting her madcap attempts to find work during the Great Depression), and Onions in the Stew (about her life raising two teenage daughters on Vashon Island). Author Paula Becker was granted full access to Betty MacDonald’s archives, including materials never before seen by any researcher. Looking for Betty MacDonald, a biography of this endearing Northwest storyteller, reveals the story behind the memoirs and the difference between the real Betty MacDonald and her literary persona. Watch the book trailer: https://www.youtube.com/watch?v=_Lr6iVK4zWk
“background picture” What’s the Buzz About? Join Jamie on her adventure exploring the great outdoors with her new friends Bob and Betty Bumblebee. Together they teach Jamie what bees do for the world and why they are so helpful, though people may not always like their company. It is a brightly colored and fun-filled quest with friendly faces to guide the way.