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We feel that to "better" American poetry is to jam dominant systems of taste to the best of our abilities, and to resignify the very phrase "American poetry" with the languages that it so desperately lacks. We intend to center voices of resistance, subjectivities that emerge from the radical margins, artists whose Americanness transcends nationalism and other borders, perspectives historically denied institutional backing--in short, poets and poetries that are urgent and necessary but do not get along nicely with Power. "Bettering American Poetry is a poetic battle cry for resistance. Comprised of captivating voices that transcend borders and defy the limits of our time, this anthology rattles readers awake with scintillating truth andtough love." -Jamia Wilson, Executive Director of the Feminist Press "Imagine this. A calling of our names, a murmuring of our ghosts, a shouting in our blood. Thank you, dear editors and poets, for burning through to bone, for acknowledging our cuts, for naming our skeletal struggles. Thank you for this edge of safety, for this bit of home." -Ching-In Chen, author of The Heart's Traffic and recombinant (winner of the 2018 Lambda Literary Award for Trans Poetry) "Here lives poetry that resembles a sticky dance floor. Poetry that is at once terraformed music and primal shout and wet kiss and sweaty palm. The "American" in Bettering American Poetry is a kind of ghoulish placeholder for whichever more rebellious, more enlivening world comes next. Pay close attention to the future maps and manifestos and mantras these poets have dreamed up. Join them in the club, in the brown/black/feminist/decolonial commons, in which everyone is where they are supposed to be." -Billy-Ray Belcourt, author of This Wound is a World, winner of the 2018 Canadian Griffin Poetry Prize "A world in which more than one anthology annually presents the poems their editors loved best is better than a world in which readers have to wait many years for the odd tome-like anthology to appear and attempt to define contemporary poetry. These anthologies help readers to understand what's happening in poetry, and they especially help beginning poets to recognize the community they are joining. Bettering American Poetry Vol. 3 includes work by some of the most exciting poets writing today, and-and this is of the utmost importance-it makes poetry's visible community larger." -Shane McCrae, author of The Gilded Auction Block and In the Language of My Captor
We feel that to "better" American poetry is to jam dominant systems of taste to the best of our abilities, and to resignify the very phrase "American poetry" with the languages that it so desperately lacks. We intend to center voices of resistance, subjectivities that emerge from the radical margins, artists whose Americanness transcends nationalism and other borders, perspectives historically denied institutional backing--in short, poets and poetries that are urgent and necessary but do not get along nicely with Power. "Bettering American Poetry is an explosive revelation of the arriving generation of American poets-arriving from every part of the landscape, bringing energies, gifts, and ways of seeing and saying of every kind. Plunge into its pages. See/ hear the news of who we are." --Jane Hirshfield, author of The Beauty "This anthology and its squad of editors better American poetry by gathering a diverse formation of poets who inspire us to read across difference, speak against power, and breathe through struggle." --Craig Santos Perez, author of from unincorporated territory [lukao] "Thank you, editors, thank you, authors for utterly rearranging my cells. This is the only anthology with the word "American" I want to be a part of. A series I will return to, giddy. How desperately I needed to experience how big a poem can be - what a gift you've given us - I'm beaming at you, poets - brutal and honey, whiplash and cry." --TC Tolbert, author of Gephyromania and co-editor of Troubling the Line: Trans and Genderqueer Poetry and Poetics "Some anthologies are important. Some are important and necessary. Resistance on every level to what is considered normal and acceptable is both important and necessary. It is the only way to breath. This gathering helps us breathe. We need all the help we can get." --John Yau, author The Wild Children of William Bake and Bijoux in the Dark.
In a landscape at once the brutal American South as it is the brutal mind, Boy with Thorn interrogates the genesis of all poetic creation—the imagination itself, questioning what role it plays in both our fascinations with and repulsion from a national history of racial and sexual violence. The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.
We feel that to "better" American poetry is to jam dominant systems of taste to the best of our abilities, and to resignify the very phrase "American poetry" with the languages that it so desperately lacks. We intend to center voices of resistance, subjectivities that emerge from the radical margins, artists whose Americanness transcends nationalism and other borders, perspectives historically denied institutional backing--in short, poets and poetries that are urgent and necessary but do not get along nicely with Power. "Soaring and raw, these poems 'better' American Poetry by battering down racial pieties of our white neoliberal nation. This anthology is an explosive Cri de Coeur of these times." - Cathy Park Hong "Resistance and action have always been key elements of progress, and I'm so encouraged that Bettering American Poetry exists and super humbled to be a part of it. We need this poetry, these voices, this perspective--and the poems are just really freaking good!" - Tommy Pico "Bettering American Poetry is verse of the most urgent kind. In this moment of rising fear and resentment these poets write with a deep regard for all peoples. This is the kind of work that will take us through the next 4 years and the next 100." - Nate Marshall
In this his fourth collection, award-winning poet Kyle Dargan examines the mechanics of the heart and mind as they are weathered by loss. Following a spate of deaths among family and friends, Dargan chooses to present not color-negative elegies but self-portraits that capture what of these departed figures remains within him. Amid this processing of mortality, it becomes clear that he has arrived at a turning point as a writer and a man. As the title suggests, Dargan aspires toward an unflinching honesty. These poems do not purport to possess life s answers or seek to employ language to mask what they do not know. Dargan confesses as a means of reaching out to the nomadic human soul and inviting it to accompany him on a walk toward the unknown."
Poetry. Women's Studies. LGBT Studies. Nothing that is complicated may ever be simplified, but rather catalogued, cherished, exposed. THE MISSING MUSEUM spans art, physics & the spiritual, including poems that converse with the sublime and ethereal. They act through ekphrasis, apostrophe & alchemical conjuring. They amass, pile, and occasionally flatten as matter is beaten into text. Here is a kind of directory of the world as it rushes into extinction, in order to preserve and transform it at once.
In this book, author Stephanie Katz, founding editor of the award-winning literary journal 805 Lit + Art, shares practical tools and advice for starting successful creative publishing projects. Publishing benefits libraries by providing high-quality content to patrons, showcasing local writers and faculty, and creating buzz for the library. These endeavors can be launched at any type and size of library, often for little to no cost. Libraries Publish teaches libraries how to publish literary magazines, book review blogs, local anthologies, picture books, library professional journals, and even novels. You'll learn how to run a writing contest or writer-in-residence program, form community partnerships with other literary organizations, find funding, navigate legal considerations, market your publication, and more. Each chapter contains detailed information on how to start your project, including comprehensive checklists, recommendations for free software, and legal considerations. Social media strategies as well as tips for facilitating student or teen-run projects are also covered. If your library wants to start a publishing project, this book will be your go-to resource!
The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.
Poetry. Middle Eastern Studies. Winner of the 2016 Michael Waters Poetry Prize. In Lebanon during the civil war, a teenage boy and his family witness leveled cities, displaced civilians, the aftermath of massacres. Resources are scarce and uncertainty is everywhere. What does it mean to survive? To leave behind a home torn apart by war? To carry the burden of what you've seen across an ocean? These poems follow a man in search of security as he leaves his country for America, falls in love, and becomes a single father to three daughters. Through the perspective of one man, his family, and even his country, SET TO MUSIC A WILDFIRE explores the violence of living, the guilt of surviving, the loneliness of faith, and the impossible task of belonging.
BAX 2020, guest-edited by Joyelle McSweeney and Carmen Maria Machado, is the sixth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of new and established authors—including Anne Boyer, Alice Notley, and Raquel Salas Rivera—BAX 2020 presents an expansive view of high-energy writing. from Okazaki Fragments by Kanika Agrawal These proceedings in nature These proceedings in cold biology These proceedings in chemical society These proceedings in physical communication We refer to the concentration of residues We observe that one sediments faster than the other We presume as fact that most of what we do is in growing incomplete short chains We further support the conclusion We indicate direction also by another method We are grateful to Drs.