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In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
Harriet Cavalli, internationally recognized as one of the most talented and experienced specialists in the art of music for dancers and dance teachers, presents here the definitive book on accompaniment, as well as her personal - often humorous - look behind the scenes at the world of dance. The text is enhanced by diagrams and 83 complete musical examples, providing a wealth of repertoire choices.
(Woodwind Solo). Contents: The Entertainer * Scott Joplin's New Rag * The Easy Winners * Pleasant Moments * The Cascades.
(Educational Piano Library). Piano Practice Games presents imaginative ways to introduce pieces in Piano Lessons by coordinating technique, concepts, and creativity with the actual music in the Piano Lessons books. These preparation activities help focus learning by 'playing with' each lesson piece aurally, visually, and physically. Whether used in individual or group lessons, Piano Practice Games are all designed to make music. Many activities include accompaniments that can be added by the teacher or by using the CD or GM disk from the corresponding Piano Lessons book.
Ragtime: An Encyclopedia, Discography, and Sheetography is the definitive reference work for this important popular form of music that flourished from the 1890s through the 1920s, and was one of the key predecessors of jazz. It collects for the first time entries on all the important composers and performers, and descriptions of their works; a complete listing of all known published ragtime compositions, even those self-published and known only in single copies; and a complete discography from the cylinder era to today. It also represents the culmination of a lifetime’s research for its author, considered to be the foremost scholar of ragtime and early twentiethh-century popular music. Rare photographs accompany most entries, taken from the original sheets, newspapers, and other archival sources.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Ragtime, the jaunty, toe-tapping music that captivated American society from the 1890s through World War I, forms the roots of America’s popular musical expression. But the understanding of ragtime and its era has been clouded by a history of murky impressions, half-truths, and inventive fictions. Ragtime: A Musical and Cultural History cuts through the murkiness. A methodical survey of thousands of rags along with an examination of then-contemporary opinions in magazines and newspapers demonstrate how the music evolved, and how America responded to it.
Chosen from the four stylistic periods of piano repertoire and presented in their original form, the 100 pieces in this collection have been favorites of pianists throughout the years. To help in performance, the editors have realized ornaments and added editorial markings such as phrasing, expression marks, and dynamics where appropriate. Titles: Little Prelude in C Major, BVW 939 (J. S. Bach) * Teasing Song, from For Children (Bartók) * Ecossaise in G Major (Beethoven) * Sonatina in C Major, Op. 36, No. 1 (Clementi) * Waltz in C Major (Diabelli) * Spinning Song, Op. 14, No. 4 (Ellmenreich) * The Chase, Op. 117, No. 5 (Gurlitt) * Minuet in G Major (Haydn) * Prelude in G Major (Kuhnau) * Minuet in F Major, K. 2 (Mozart) * Minuet in A Minor (Purcell) * Minuet in C Major, K. 73b; L. 217 (D. Scarlatti) * The Happy Farmer, from Album for the Young, Op. 68 (Schumann) * Italian Song, No. 15 (Tchaikovsky) * and more.