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Jazz trombonist Jack Teagarden once referred to Ruby Braff as the “Ivy League'sLouis Armstrong.” That legacy of great trumpet performance and recording is brought to readers in Thomas Hustad’s Born to Play: The Ruby Braff Discography and Directory of Performances. Braff’s uncompromising standards, musical taste, and creative imagination informed his consummate artistry in creating music beautifully played. He achieved swiftly what few musicians accomplish in a lifetime by developing a unique and immediately recognizable style. For a reminder of that we need but play any of the more than 150 released recordings on which he appears. These records span a total of 54 years, from 1949 to 2002, a feat almost unmatched in jazz recording. This was five years longer than even Louis Armstrong. Although prepared in discographical style, capturing information about both commercial recordings and previously undocumented performances, Born to Play serves as a biography of the artist, detailing the path he paved as a performer and featuring personal recollections of his musical career with commentary from other figures. Images over the course of his half century of playing fill out this comprehensive survey of Braff's performing and recording career. This bio-discography of the man who jazz drumming legend Buddy Rich declared “one of my favorite trumpeters” and singing giant Tony Bennett described as “my great friend who now holds the reigning position of the best cornet player in the world” is sure to be of interest to jazz fans and scholars alike.
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
An essential work for rock fans and scholars, Before Elvis: The Prehistory of Rock 'n' Roll surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Unlike other histories of rock, Before Elvis offers a far broader and deeper analysis of the influences on rock music. Dispelling common misconceptions, it examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This unique study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music till then played only by and for black audiences. In Before Elvis, Birnbaum daringly argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and rhythm-and-blues--a melange that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into rhythm-and-blues. Written in an easy style, Before Elvis presents a bold argument about rock's origins and required reading for fans and scholars of rock 'n' roll history.
For fans of musicals, singing, Hollywood history, and the lives of stars, no other work equals this new three-volume reference to the on- and off-camera careers of more than 100 performers who made major contributions to the American screen musical. From June Allyson to Mae West, Hollwood Songsters provides a detailed narrative-ranging from 2,000 to 5000 words each-of the lives and careers of stars forever etched in our memories. Each entry includes a filmography, discography (of both albums and CDs), Broadway appearances, radio work, television appearances and series, and a full-page photo of the subject. This is the ideal reference work for everyone one from the mildly curious to the devoted fan.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
From boogie-woogie to bebop and beyond, the sounds and rhythms of Jazz is mercurial- always creative, seldom static, frequently cultish and often contentious. The latest edition of The Virgin Encyclopedia of Jazz is the essential companion to making an acquaintance with Jazz. It will inform you and it will not talk down to you. There are over 3,500 entries detailing every artist who has had an impact on the development of jazz since it headed out from New Orleans and spread to New York, London, Paris, Montreux, Munich and way beyond. Here are all the legends whose genius is evoked in a single name - Ella, Duke, Satchimo, Bird, Miles, Trane, the Hawk, Monk and Diz - together with all the younger talent - Brad mehidau, jacky terrasson, Nicholas Payton and the youngest phenomenon of them all, Norah Jones. They line up with modern-day giants of the genre such as John Schofield, Dave Holland, Joe Lovano and Keith Jarrett. All entries have a detailed album chronology, together with a five-star rating system.The text is non-pompous, non-judgemental yet friendly and constructive. All the text has been taken from the gigantic database of The Encyclopedia of Popular Music, first published in 1992. the EPM and its spin-off series swiftly and firmly established itself as the undisputed champion of all contemporary-music reference books.