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Berlin lies more than 100 miles behind the Iron Curtain within the Soviet-occupied zone of Germany. It is not, however, part of that zone. It is a separate political entity for which the four major allies of the war against Nazi tyranny are jointly responsible. Its special status stems from the fact that it was the capital not only of Hitler's Third Reich but of the German nation formed in the latter half of the 19th century. In essence, the four major allies agreed to hold Berlin, as the traditional capital, in trust for a democratic and united Germany. United States, Department of State Berlin-I96I (1961) The division of Germany, and with it the bifurcation of its one-time capital - Berlin - has produced one of the foremost political contro versies of the mid-twentieth century. There has long been a "German problem," and volumes have been written concerning the history and culture of the country, the Nazi era and World War II, the Allied occupation, and recent political and economic developments in Ger many. Yet, the "Berlin problem" - as part of the broader German question - is historically of the current era.
Berlin is poised to emerge as one of the world's most exciting centers of contemporary art. As artists from different countries flock to the new capital of re-unified Germany, its major museums are undergoing a massive renovation while grant programmes and inexpensive studio space are giving new talents the chance to create and display their art. Published in conjunction with a major exhibition at the Phoenix Museum of Art, this catalogue is the first comprehensive survey of the artistic renaissance of post-wall Berlin. Many of the works - which include paintings, sculpture, photography, film, installation sound and performance art - were completed in this century. In addition to colour illustrations of each of the works, this volume includes essays on the Berlin art scene, the city's recent architecture, and what the future may hold for this exciting nexus of creativity.
For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions. Berlin Contemporary explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.
Besides New York, Berlin has the highest concentration of art galleries in the world-- well over 400 venues for contemporary art. In this second edition of the successful Berlin gallery guide, a selection of galleries--showing work by international artists like Neo Rauch, Thomas Demand and Dash Snow--are presented with profiles.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Located in the geographical center of Berlin, the neighboring boroughs of Friedrichshain and Kreuzberg shared a history and identity until their fortunes diverged dramatically following the construction of the Berlin Wall, which placed them within opposing political systems. This revealing account of the two municipal districts before, during and after the Cold War takes a microhistorical approach to investigate the broader historical trajectories of East and West Berlin, with particular attention to housing, religion, and leisure. Merged in 2001, they now comprise a single neighborhood that bears the traces of these complex histories and serves as an illuminating case study of urban renewal, gentrification, and other social processes that continue to reshape Berlin.
"Each topic is very thoroughly documented, weaving together historical information and current political debates surrounding memorial sites ... Highly valuable as a chronicle of the politics of memory. ... Recommended."---Choice, March 2009 --
This transdisciplinary study scientifically reports the way the established contemporary dance sector in Europe operates from a micro-perspective. It provides a dance scholarly and sociological interpretation of its mechanisms by coupling qualitative data (interview material, observations, logbooks, and dance performances) to theoretical insights. The book uncovers the sometimes contradicting mechanisms related to the precarious project-oriented labor and art market that determine the working and living conditions of contemporary dance artists in Europe’s dance capitals Brussels and Berlin. In addition, it examines how these working and living conditions affect the work process and outcome. From a sociological perspective, the book engages with the relevant contemporary social issue of precarity and this within the much-at-risk professional group of contemporary dance artists. In this regard, the research brings novelty within the subject area, particularly by employing a unique methodological approach. Although the research is initially set up in a specific geographical context and within a specific research population, the book offers insights into issues that affect our neoliberal society at large. The research findings show potential to make a relevant contribution with regards to precarity within dance studies and performance studies, but also labor studies and cultural sociology.