Download Free Bergson In Britain Book in PDF and EPUB Free Download. You can read online Bergson In Britain and write the review.

Focusing on the work of T.E. Hulme, the Men of 1914, the Bloomsbury Group, T.S. Eliot, and John Middleton Murry, Gillies convincingly demonstrates that Bergson's theories underlie the literary aesthetics of the period that forms the intellectual basis of modern literature. She then turns her critical eye to five major modernist writers - T.S. Eliot, Virginia Woolf, James Joyce, Dorothy Richardson, and Joseph Conrad - and provides insightful and detailed Bergsonian readings of their major works. Drawing on material not previously available, Gillies persuasively argues that Bergson was a major intellectual force in British literature during the first thirty years of the twentieth century.
Mary Ann Gillies shows that French philosopher Henri Bergson played a central role in the development of British literary modernism. While Bergson's influence on modernism has long been debated, this is the first thorough, current examination of the ways
Henri Bergson (1859-1941) was one of the most celebrated and influential philosophers of the twentieth century. He was awarded in 1928 the Nobel prize for literature for his philosophical work, and his controversial ideas about time, memory and life shaped generations of thinkers, writers and artists. In this clear and engaging introduction, Mark Sinclair examines the full range of Bergson's work. The book sheds new light on familiar aspects of Bergson’s thought, but also examines often ignored aspects of his work, such as his philosophy of art, his philosophy of technology and the relation of his philosophical doctrines to his political commitments. After an illuminating overview of his life and work, chapters are devoted to the following topics: the experience of time as duration the experience of freedom memory mind and body laughter and humour knowledge art and creativity the élan vital as a theory of biological life ethics, religion, war and modern technology With a final chapter on his legacy, Bergson is an outstanding guide to one of the great philosophers. Including chapter summaries, annotated further reading and a glossary, it is essential reading for those interested in metaphysics, time, free will, aesthetics, the philosophy of biology, continental philosophy and the role of European intellectuals in World War I.
Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the 21st century, so much so that, perhaps, our Bergson is Deleuze's Bergson. Despite renewed interest in Bergson, his influence remains understudied and consequently undervalued. While books examining the impact of Freud and James on Modernism abound, Bergson's impact, though widely acknowledged, has been closely examined much more rarely. Understanding Bergson, Understanding Modernism remedies this deficiency in three ways. First, it offers close readings and critiques of six pivotal texts. Second, it reassesses Bergson's impact on Modernism while also tracing his continuing importance to literature, media, and philosophy throughout the twentieth and into the 21st century. In its final section it provides an extended glossary of Bergsonian terms, complete with extensive examples and citations of their use across his texts. The glossary also maps the influence of Bergson's work by including entries on related writers, all of whom Bergson either corresponded with or critiqued.
This introductory study looks at Bergson's use of philosophical form itself and aims to dispel the view that Bergson ever stuck to one type of philosophy at all, be it vitalism or phenomenology.
This collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson's work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice.
Smith takes an in-depth look at the question of free will through the prism of different disciplines in the late nineteenth and early twentieth centuries.
Henri Bergson (1859–1941) is widely regarded as one of the most original and important philosophers of the twentieth century. His work explored a rich panoply of subjects, including time, memory, free will and humour and we owe the popular term élan vital to a fundamental insight of Bergson’s. His books provoked responses from some of the leading thinkers and philosophers of his time, including Albert Einstein, William James and Bertrand Russell, and he is acknowledged as a fundamental influence on Marcel Proust. The Bergsonian Mind is an outstanding, wide-ranging volume covering the major aspects of Bergson’s thought, from his early influences to his continued relevance and legacy. Thirty-six chapters by an international team of leading Bergson scholars are divided into five clear parts: Sources and Scene Mind and World Ethics and Politics Reception Bergson and Contemporary Thought. In these sections fundamental topics are examined, including time, freedom and determinism, memory, perception, evolutionary theory, pragmatism and art. Bergson’s impact beyond philosophy is also explored in chapters on Bergson and spiritualism, physics, biology, cinema and post-colonial thought. An indispensable resource for anyone in Philosophy studying and researching Bergson’s work, The Bergsonian Mind will also interest those in related disciplines, such as Literature, Religion, Sociology and French Studies.
Various schools of philosophy have tried to position the thought of Henri Bergson over the last eighty years. In France he has been regarded primarily as an early form of phenomenologist, in the United States and Britain he is still regarded as a vitalist philosopher. This introductory study looks instead at Bergson's use of philosophical form itself and aims to dispel the view that Bergson ever stuck to one type of philosophy at all, be it vitalism or phenomenology. The claim of any one form of thought to the title of 'first philosophy' is challenged by the idea of a Bergsonian metaphilosophy which states that, in a universe with no static foundations, there can never be first philosophies. In other words, if everything is changing, then this must be no less true of philosophy. In pursuit of this approach, John Mullarkey explores each of Bergson's seven major works from a metaphilosophical perspective. Taking each book in chronological order of publication, the first four chapters are devoted to examining one of Bergson's works against the background of current debate within its respective field - the metaphysics of space and time, the philosophy of mind, the philosophy of biology, and sociobiology. The remaining four chapters take a problem-based approach examining the role of ethics, ontology, methodology and metaphilosophy in Bergson's thought. This book is an important and lucid reassessment of an influential philosopher which sets his work in philosophical contexts appropriate to his thought.Key Features* Covers all major aspects of Bergson's thought and all his philosophical writings.* Places Bergson's work in its proper philosophical context between Continental and Analytical traditions.* Relates Bergson's ideas to contemporary philosophical debate, showingthe importance of his work to Thomas Nagel, Gilles Deleuze, Emmanuel Levinas, philosophy of mind, biology and ethics.* Written in a clear style which assumes no prior knowledge of
Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought. Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.