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In this edition there are three modern English translations along with the original Old English version that students and teachers can use to study and compare the original epic in all its glory! Now in larger print!
Features an introduction and a commentary that incorporates the scholarship on "Beowulf" that has appeared since 1950. This work includes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. It also addresses aids to pronunciation and advances in the study of the poem's language.
The first major poem in English literature, Beowulf tells the story of the life and death of the legendary hero Beowulf in his three great battles with supernatural monsters. The ideal Anglo-Saxon warrior-aristocrat, Beowulf is an example of the heroic spirit at its finest. Leading Beowulf scholar Howell D. Chickering, Jr.’s, fresh and lively translation, featuring the Old English on facing pages, allows the reader to encounter Beowulf as poetry. This edition incorporates recent scholarship and provides historical and literary context for the modern reader. It includes the following: an introduction a guide to reading aloud a chart of royal genealogies notes on the background of the poem critical commentary glosses on the eight most famous passages, for the student who wishes to translate from the original an extensive bibliography
The most important essay in the history of Beowulf scholarship, J.R.R. Tolkien's "Beowulf: the monsters and the critics" has been much studied and discussed. But scholars of both Beowulf and Tolkien have to this point been unaware that Tolkien's essay was a redaction of a much longer and more substantial work, Beowulf and the critics, which Tolkien wrote in the 1930s and probably delivered as a series of Oxford lectures. This critical edition of Beowulf and the critics presents both unpublished versions of Tolkien's lecture, each substantially different from the other and from the final, published essay. The edition included a description of the manuscript, complete textual and explanatory notes, and a detailed critical introduction that explains the place of Tolkien's Anglo-Saxon scholarship both in the history of Beowulf scholarship and in literary history.
Beowulf & Other Stories was first conceived in the belief that the study of Old English – and its close cousins, Old Icelandic and Anglo-Norman – can be a genuine delight, covering a period as replete with wonder, creativity and magic as any other in literature. Now in a fully revised second edition, the collection of essays written by leading academics in the field is set to build upon its established reputation as the standard introduction to the literatures of the time. Beowulf & Other Stories captures the fire and bloodlust of the great epic, Beowulf, and the sophistication and eroticism of the Exeter Riddles. Fresh interpretations give new life to the spiritual ecstasy of The Seafarer and to the imaginative dexterity of The Dream of the Rood, andprovide the student and general reader with all they might need to explore and enjoy this complex but rewarding field. The book sheds light, too, on the shadowy contexts of the period, with suggestive and highly readable essays on matters ranging from the dynamism of the Viking Age to Anglo-Saxon input into The Lord of the Rings, from the great religious prose works to the transition from Old to Middle English. It also branches out into related traditions, with expert introductions to the Icelandic Sagas, Viking Religion and Norse Mythology. Peter S. Baker provides an outstanding guide to taking your first steps in the Old English language, while David Crystal provides a crisp linguistic overview of the entire period. With a new chapter by Mike Bintley on Anglo-Saxon archaeology and a revised chapter by Stewart Brookes on the prose writers of the English Benedictine Reform, this updated second edition will be essential reading for students of the period.
New York Times bestselling author Maria Dahvana Headley presents a modern retelling of the literary classic Beowulf, set in American suburbia as two mothers—a housewife and a battle-hardened veteran—fight to protect those they love in The Mere Wife. This modern fantasy tale transports you from the ancient mead halls of the Geats to the picket-fenced, meticulously planned community of American suburbia, known as Herot Hall. In the expert hands of Maria Dahvana Headley, this vibrant retelling underscores the timeless struggle between the protected and the outsiders. Enter the confines of Herot Hall, a gated community sequestered from the wild surroundings by sophisticated security systems. Here, life is a series of cocktail hours and playdates for Willa, the charming wife of Herot's heir, and her son Dylan. Meanwhile, deep in a nearby mountain cave lives Dana, a hardened soldier and mother of Gren, a child of mysterious origin. Their worlds collide in a shocking turn of events when Gren breaks into Herot Hall and escapes with Dylan. A brilliant literary novel that effortlessly melds modern literature with ancient mythology, The Mere Wife is a captivating testament to unintended consequences, the brutality of PTSD, and the enduring power of motherhood.
Unique and beautiful, Beowulf brings to life a society of violence and honor, fierce warriors and bloody battles, deadly monsters and famous swords. Written by an unknown poet in about the eighth century, this masterpiece of Anglo-Saxton literature transforms legends, myth, history, and ancient songs into the richly colored tale of the hero Beowulf, the loathsome man-eater Grendel, his vengeful water-hag mother, and a treasure-hoarding dragon. The earliest surviving epic poem in any modern European language. Beowulf is a stirring portrait of a heroic world–somber, vast, and magnificent.
R.D. Fulk is Chancellor's Professor of English at Indiana University, Bloomington. --Book Jacket.
Readers of Beowulf have noted inconsistencies in Beowulf's depiction, as either heroic or reckless. Heroic Identity in the World of Beowulf resolves this tension by emphasizing Beowulf's identity as a foreign fighter seeking glory abroad. Such men resemble wreccan, "exiles" compelled to leave their homelands due to excessive violence. Beowulf may be potentially arrogant, therefore, but he learns prudence. This native wisdom highlights a king's duty to his warband, in expectation of Beowulf's future rule. The dragon fight later raises the same question of incompatible identities, hero versus king. In frequent reference to Greek epic and Icelandic saga, this revisionist approach to Beowulf offers new interpretations of flyting rhetoric, the custom of "men dying with their lord," and the poem's digressions.