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For The Benny Carter Lover. This book is your ultimate resource for Benny Carter. Here you will find the most up-to-date 219 Success Facts, Information, and much more. In easy to read chapters, with extensive references and links to get you to know all there is to know about Benny Carter's Early life, Career and Personal life right away. A quick look inside: Grammy Award for Best Instrumental Composition - 1990s, Benny Carter - Return to Harlem and a move to Los Angeles, Cozy Cole, 37th Grammy Awards - Jazz, Doc Cheatham - Working with the name bands, Billy Eckstine - Biography, Kennedy Center Honors - 1990s, Carmen McRae - Biography, Phil Woods - As leader, Helen Merrill - Later career, Metronome Magazine - Metronome All-Stars Band, George Russell (composer) - Early life, Louis Metcalf, All That Jazz (Ella Fitzgerald album) - Track listing, The Lonely Hours, Taking a Chance On Love - Recorded versions, All That Jazz (Ella Fitzgerald album) - Personnel, Dicky Wells, Ruth Olay - Career, Heebie Jeebies (composition), Frank Wess - Biography, Mundell Lowe - As sideman, Billy Eckstine - Discography, Carter, Gillespie Inc., I Hear a Rhapsody, Wardell Gray - Arrival on the West Coast, A Classy Pair - Reception, Monterey Jazz Festival - Performers, Lady Day: The Complete Billie Holiday on Columbia 1933-1944 - Select collective personnel, Cool jazz - Background, Fletcher Henderson - Biography, Honeysuckle Rose (song) - Notable Recordings, Art Pepper - Career, Stormy Weather (song) - Other versions, Far Away Places - Recorded versions, Sid Catlett - Biography, Larry Gales, Benny Carter - Compilation albums, List of Jo Stafford compilation albums (1955-1999) - Big Band Sound, and much more...
"Both as a person and as a musician, he was number one in my book." --Benny Carter Bassist George Duvivier (1920-1985) was one of the most universally respected musicians in jazz. His impeccable musicianship graced the big bands in the 1940s and led to musical associations with virtually every important jazz and popular artist. His prolific recording career spanned all styles of music, from Eubie Blake to Eric Dolphy, Billie Holiday to Barry Manilow. Duvivier was a most astute and articulate observer of the musical scene. A large part of this book is devoted to his own reflections on growing up in Harlem in the 1920s and 1930s, the evolution of the bass, life in the commercial studios, and his memories of close associates--Coleman Hawkins, Jimmie Lunceford, Bud Powell, Lena Horne, and many others. In addition, twenty of Duvivier's colleagues, including Louie Bellson, Ron Carter, Milt Hinton, Ed Shaughnessy, Arthur Taylor, and Joe Wilder, have contributed, covering a variety of musical and social issues, as well as providing a loving portrait of an extraordinary artist. Duvivier's musical style is discussed by David Chevan, who has included transcriptions of several solos. An extensive discography/solography traces Duvivier's incredibly diverse recording career. With dozens of previously unpublished photos.
"Floyd Levin's half-century collection of reportage, reviews and recollections are an irreplaceable and totally enjoyable trove of writing about the vibrancy, past and still-present, of traditional American jazz."—Charles Champlin, author of Back There Where the Past Was "I've known Floyd and his wife Lucille for more than fifty years. Floyd's book is a colorful, intimate account of his lifelong love affair with jazz. I'm especially fascinated when he writes about his personal encounters with some of the jazz legends of the Century. This book is essential reading for anyone concerned about jazz - its present, its past, and his evolution."—Milt Hinton "Floyd Levin's dedicated and unselfish life-long work for the cause of jazz has illuminated many a corner that would otherwise have remained in the dark. All who care about the music are in his debt. Classic Jazz, like Floyd himself, is a classic."—Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University "What a rich, passionate and human book this is! Drawing on fifty years of devotion to classic, New Orleans jazz and the artists who performed it, Floyd Levin brilliantly weaves anecdotal material, primary research, intimate personal observations, and analyses to create an historical goldmine of the music's evolution in New Orleans and on the West Coast. In rendering portraits of legendary musicians in such a beautifully moving, honest way, he offers not just standard history, but a strong sense of the emotional core of the music as well."—Steve Isoardi, co-author of Central Avenue Sounds
For a half century, Ben Webster, one of the "big three" of swing tenors-along with Coleman Hawkins and Lester Young-was one of the best-known and most popular saxophonists. Early in his career, Webster worked with many of the greatest orchestras of the time, including those led by Willie Bryant, Cab Calloway, Benny Carter, Fletcher Henderson, Andy Kirk, Bennie Moten, and Teddy Wilson. In 1940 Webster became Duke Ellington's first major tenor soloist, and during the next three years he played on many famous recordings, including "Cotton Tail." Someone to Watch Over Me tells, for the first time, the complete story of Ben Webster's brilliant and troubled career. For this comprehensive study of Webster, author Frank Büchmann-Møller interviewed more than fifty people in the United States and Europe, and he includes numerous translated excerpts from European periodicals and newspapers, none previously available in English. In addition, the author studies every known Webster recording and film, including many private recordings from Webster's home collection not available to the public. Exhaustively researched, this is a much needed and long overdue study of the life and music of one of jazz's most important artists.
Louis 'Satchmo' Armstrong was not only jazz's greatest musician and innovator, but also arguably its most famous entertainer and the frontal figure in the development of contemporary popular music. Overcoming social and political obstacles, he created a long and impressive career and an enormous musical output. Now, his ground breaking musical career is amassed and detailed in this discography of all his works, from professionally made commercial releases, to amateur and unissued recordings. All of Me is a comprehensive, chronological discography born out of love and admiration for Louis Armstrong, and devotion to years of collecting his musical accomplishments. Author Jos Willems has meticulously compiled all of Satchmo's known recordings_both studio and live performances_and with assistance from internationally renowned specialists, has assembled an impressively detailed, accurate, and complete listing. This volume is superbly formatted and presented, logically organized, and thoroughly indexed by song title and individual. Researchers, collectors, and enthusiasts can easily look up any detail of a recording: issues and releases of particular songs; publishing companies; producers; catalog numbers; dates, times, and locations of recordings; musicians Armstrong played with; and format, be it 78 or 45 RPM records, LPs, CDs, or media appearances. Every detail of Armstrong's career is listed in this impressive volume, shedding light on the enormity of his impact on jazz and popular culture. This is the ultimate reference guide for the complete works of Louis Armstrong.
For this new edition, Edward Berger has brought the unparalleled Carter saga into the new millennium, adding insider accounts of tours, major concerts, recordings, and other special events. The accompanying annotated discography, one of the most comprehensive ever devoted to the work of a single musician, has been thoroughly revised and updated.
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life, is much more than a jazz book--it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.