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Prof. Mubanga E. Kashoki deals with a subject that is often neglected in linguistics - lexical borrowings, and how they enrich a language that adopts them. The study is organised into four parts, Introduction; Glossary of Lexical Adoptives in Icibemba; The Sociocultural Context of Lexical Adoptives in Icibemba; and Phonological and Morphological incorporation in processes involved in lexical adoption in Icibemba.
Muhidin Maalim Gurumo and Hassan Rehani Bitchuka are two of Tanzania’s most well-known singers in the popular music genre known as muziki wa dansi (literally, 'music for dancing'), a variation of the Cuban-based rhumba idiom that has been enormously impactful throughout central, eastern, and western Africa in the contemporary era. This interview-based dual biography investigates the lives and careers of these two men from an ethnomusicological and historical perspective. Gurumo had a career spanning fifty years before his death in 2014. Bitchuka has been singing professionally for forty-five years. The two singers, affectionately called mapacha (“the twins”) by their colleagues, worked together as partners for thirty years from 1973-2003. This study situates these exemplary individuals as creative agents in a local cultural context, showcasing interviews, narratives, and nostalgic reminiscences about musical life lived under Colonialism, state Socialism, and current politics in the global neoliberal democratic milieu. The book adds to a growing body of work about popular music in Dar es Salaam and shines a light on these artists’ creative processes, the choices they have made regarding rare resources, their styles and efficacy in conflict resolution, and their own memories regarding the musical art they have created.
Manja, sengal, tidak tahu membuat kerja rumah dan suka menyuruh orang mendenda diri sendiri, itulah Nurul. Jangankan hendak buat kerja, makan pun kadang-kadang masih bersuap! Bagi mengelak dikecewakan oleh Fadzley, Nurul telah telah dipaksa bernikah dengan Fandi yang digelarnya ‘Keropok masuk angin’. Penampilan Fandi memang selebet, tetapi ada sesuatu yang menarik cuba disembunyikan. Bila Nurul cuba membuat kerja, banyak perkara yang tidak diingini berlaku. Gosok baju, baju boleh terbakar. Bila memasak, terpercik minyak. Bahkan menjerang air pun sampai penuh satu cerek. Nurul yang malas bangun pagi begitu menguji kesabaran Fandi. Namun, dia terpaksa hadapi kerana berpegang pada amanah.
Language and the construction of multiple identities in the Nigerian novel examines the multifaceted relation between people and the various identities they construct for themselves and for others through the context-specific ways they use language. Specifically, this book pays attention to how forms of identities – ethnic, cultural, national and gender – are constructed through the use of language in select novels of Adichie, Atta and Betiang. Employing an interdisciplinary approach, this book draws analytical insights from critical discourse analysis, literary discourse analysis and socio-ethno-linguistic analysis. This approach enables the author to engage with the novels, to illuminate the link between the ways Nigerians use language and the identities they construct. Being a context-driven analysis, this book critically scrutinises literary language beyond stylistic borders by interrogating the micro and macro levels of language use, a core analytical paradigm frequently used by discourse analysts who engage in critical discourse analysis.
This series trails the Winslow family through generations of American history, depicting key moments from the eyes of characters experiencing them firsthand. Collection II includes books 11- 20. 11 The Union Belle 12 The Final Adversary 13 The Crossed Sabres 14 The Valiant Gunman 15 The Gallant Outlaw 16 The Jeweled Spur 17 The Yukon Queen 18 The Rough Rider 19 The Iron Lady 20 The Silver Star