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In the tin mines of Cornwall during the first decades of the nineteenth century, death is the constant companion of the working man. Ben Retallick has grown to sturdy manhood among the miners and fisherfolk, through the hard and hungry years when blood was often the price of bread. When cruel fate steals away Jesse, his dark-eyed love, Ben searches the hiring fairs to find her again, knowing nothing of her parentage and caring only for the day he'll make her his wife.
Josh Retallick and his wife Miriam take on an exciting new challenge as owners of Ruddlemoor china clay works on the outskirts of St Austell. But a family tragedy forces Josh to leave almost immediately. When he returns he knows that his youngest grandson will one day follow him. So it is that several years later Ben Retallick journeys to Cornwall. His arrival rocks the local community - labourers are wary of this strapping young lad; rival clay owners see him as an unwelcome threat; and Ben's charm sets many a girl's heart aflutter. Deirdre Tresillian, a member of the landed gentry, takes advantage of Ben's naivety; Jo, a poverty-stricken young widow, brings out his protective instincts; Tess considers any man fair game; but it is Lily, Ben's distant cousin, who loves him the most. But what would the future owner of Ruddlemoor see in a humble maid like Lily? As Ruddlemoor enters troubled times, Ben proves that in business no challenge is too great; and in love only one girl can win his heart.
Josh and Miriam Retallick and their grandson Ben seem almost part of the wild and rugged Cornish landscape of 1913. Yet a revolutionary spirit of change is sweeping across the country - and the whole of Europe - with terrifying haste. Even before the outbreak of the Great War, with strike action compromising his position in the community and threatening the future of the China clay industry, Ben is unsettled by the presence of his cousin Emma Cotton. Inspired by the blossoming suffragette movement, it is a cause which takes her to London and a meeting with ardent campaigner Tessa Wren. As Emma and Tessa are plunged into the turmoil of driving ambulances to the front line in France, Ben's wife, Lily, resigned to dying in a Swiss clinic, pushes her husband towards this courageous new woman . . .
Cornwall 1864. Josh and Miriam Retallick return home from Africa to find the chimneys smokeless, the men and women hungry, and Lottie, guarding goats on Bodmin Moor, an unmistakable Trago in looks and spirit. Josh soon takes stock of these hard times to become a new power in his native land. While Jane Trago, a sensual woman but an unfeeling mother, sweeps in like an ill wind to take up HER new trade in the local tavern. Against the fluctuating fortunes of the Sharptor mine we follow Lottie, as she is drawn first to Jethro Shovell, a dedicated trade unionist, and then to the smooth-talking aristocratic Hawken Strike. Little knowing how heavily the sins of the mother can fall - even on a daughter as wild as the moor...
Josh Retallick, hardy son of a respected Cornish family, and the wild Miriam, daughter of a drink-sodden copper miner, explore together the secret places and wild creatures of Bodmin Moor, unaware that fate will soon sweep them apart. Yet destiny brings them together again and again through hard and bitter years when the forces of property and power fight to crush the sturdy mining folk who refuse, come what may, to see their spirit broken . . .
1915: Ben Retallick is asked by a War Office friend to provide two traction engines for a secret expedition attempting to take two gunboats overland from Cape Town to Lake Tanganyika - more than 3,000 miles - to wrest control of the lake from the Germans. He sends engines with young Ruddlemoor as the driver, who meets a Portuguese East African nurse and takes her side against a group of white racist south Africans. Meanwhile Antonia St Anna is influential in having Ben released, when he is arrested on circumstantial evidence provided by a business rival and accused of being pro-German. In Brothers in War, E. V. Thompson returns to his acclaimed Retallick saga, immersing the family in the upheaval of the First World War and, through them, creating a captivating tale of love and war, loyalty and betrayal, loss and adventure that weaves its way from Cornwall to the uncharted territory of the depths of Africa - and an eventful conclusion in Cornwall once more.
In this original study, Hilde Hasselgård discusses the use of adverbials in English, through examining examples found in everyday texts. Adverbials - clause elements that typically refer to circumstances of time, space, reason and manner - cover a range of meanings and can be placed at the beginning, in the middle or at the end of a sentence. The description of the frequency of meaning types and discussion of the reasons for selecting positions show that the use of adverbials differs across text types. Adverbial usage is often linked to the general build-up of a text and part of its content and purpose. In using real texts, Hasselgård identifies a challenge for the classification of adjuncts, and also highlights that some adjuncts have uses that extend into the textual and interpersonal domains, obscuring the traditional divisions between adjuncts, disjuncts and conjuncts.