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(Vocal Collection). Contents: All I Care About * All I Need Is The Girl * All Of You * Alone At The Drive-In Movie * Anywhere I Wander * Being Alive * Blow High, Blow Low * Bring Me My Bride * Buddy's Blues (The God-Why-Don't-You-Love-Me Blues) * C'est Moi * Can't Help Falling In Love * Celebration * Colorado, My Home * Come Back To Me * Dear Old Syracuse * Do I Love You Because You're Beautiful? * Don't Get Around Much Anymore * Empty Chairs At Empty Tables * A Fellow Needs A Girl * Get Me To The Church On Time * Haben Sie Gehort Das Deutsche Band? (Have You Ever Heard The German Band?) * Heaven's Light * I Can See It * I Could Write A Book * I Don't Remember You * I Have Dreamed * I Know About Love * I Met A Girl * I Want To Be With You * I Wish I Were In Love Again * I Won't Send Roses * I'll Build A Stairway To Paradise * I'll Never Say No * I've Just Seen Her (As Nobody Else Has Seen Her) * If Ever I Would Leave You * If I Can't Love Her * If I Loved You * The Impossible Dream (The Quest) * It Only Happens When I Dance With You * It Only Takes A Moment * Jackie (La Chanson De Jacky) * Jailhouse Rock * Joey, Joey, Joey * Kansas City * The Kite (Charlie Brown's Kite) * Let Me Sing And I'm Happy * Lizzie's Comin' Home * Lonely Room * A Lot Of Livin' To Do * Love, I Hear * Loving You * Luck Be A Lady * Make Someone Happy * Man Of La Mancha (I, Don Quixote) * Me * My Defenses Are Down * My Name * My Romance * Nothing Can Stop Me Now! * Old Devil Moon * On A Clear Day (You Can See Forever) * On Broadway * On The Street Where You Live * Once In A Lifetime * Once In Love With Amy * Once Upon A Time * Out Of This World * Out There * People Will Say We're In Love * Put On A Happy Face * The Sadder But Wiser Girl * Santa Fe (from Walt Disney's NEWSIES) * A Secretary Is Not A Toy * She (He) Touched Me * The Shortest Day Of The Year * Some Enchanted Evening * Somebody Loves Me * Someone Like You * Something Was Missing * Something, Somewhere * Stayin' Alive * Steppin' Out With My Baby * Ten Minutes Ago * That's For Me * There's No Reason In The World * They Call The Wind Maria * 'Til Him * (Walking) Among My Yesterdays * Were Thine That Special Face * What Kind Of Fool Am I? * When She Loved Me * Where Is The Life That Late I Led? * Where Or When * Who Can I Turn To (When Nobody Needs Me) * Who Do You Love I Hope * Why Should I Wake Up? * With So Little To Be Sure Of * YesterdayYou're Never Fully Dressed Without A Smile * Young And Foolish
THE STORY: Jo is in a pickle: She has twenty-four hours to save Hiram Hall--her father's once-famous country-western saloon in Rexford, Kansas--from foreclosure. Although the place has seen better days, Jo is determined to keep it open. But what will pack i
The show is a fund raiser put on by the Little Sisters of Hoboken to raise money to bury sisters accidently poisoned by the convent cook, Sister Julia (Child of God). -- Publisher's description.
The Taxi Cabaret follows six people in their twenties during their first year in New York City. Scott, an aspiring novelist, discovers that you do not have to suffer to write. Mark and Sara test their relationship when they move in together. Zach lives an E-ZPass lifestyle, staying safely in the closet, while the eternally unlucky but relentlessly optimistic Karen falls for him, only to have her heart broken. C.C. is an actress/temp who longs for something in her life that will last more than sixteen bars.
In Blues Mamas and Broadway Belters, songwriter, scholar, and dramatist Masi Asare explores the singing practice of black women singers in US musical theatre between 1900 and 1970. Asare shows how a vanguard of black women singers including Gertrude “Ma” Rainey, Bessie Smith, Ethel Waters, Pearl Bailey, Juanita Hall, Lena Horne, Eartha Kitt, Diahann Carroll, and Leslie Uggams created a lineage of highly trained and effective voice teachers whose sound and vocal techniques continue to be heard today. Challenging pervasive narratives that these and other black women possessed “untrained” voices, Asare theorizes singing as a form of sonic citational practice—how the sound of the teacher’s voice lives on in the student’s singing. From vaudeville-blues shouters, black torch singers, and character actresses to nightclub vocalists and Broadway glamour girls, Asare locates black women of the musical stage in the context of historical voice pedagogy. She invites readers not only to study these singers, but to study with them—taking seriously what they and their contemporaries have taught about the voice. Ultimately, Asare speaks to the need to feel and hear the racial history in contemporary musical theatre.
"A new interpretation of the l965 Broadway musical"--Cover, p. 3.
(Easy Piano Songbook). This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.
Plays, musicals, movies, documentaries, places to visit, books to read, and other stagey surprises. A must-have bucket list for all thespians who are serious about their love for the theatre!