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Spanning four decades, these essays, speeches and meditations interrogate the world around us. They are concerned with race, gender and globalisation. The sweep of American history and the current state of politics. The duty of the press and the role of the artist. Throughout Mouth Full of Blood our search for truth, moral integrity and expertise is met by Toni Morrison with controlled anger, elegance and literary excellence.
Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.
Blood Matters explores blood as a distinct category of inquiry in medieval and early modern Europe and draws together scholars who might not otherwise be in conversation.
Examines the significance of sibling relationships, or the lack of them, as portrayed in literature. Many of the 13 essays compare two or more novels, most of which are from the Victorian era or the 20th century. Paper edition (613-X), $14.95. Annotation copyright by Book News, Inc., Portland, OR
Coming from a society where women were barred from serious writing and teaching, Julian, an anchorite of the great medieval city of Norwich, nevertheless uses her womanlines and the English vernacular of the day to describe a series of revelations which she received from God in the year 1373. She identifies the female nature of Christ's suffering and the motherhood of God, using images from domestic daily life, emphasizing the homeliness of God's love. She writes in a lively and unpretentious manner and her theology is precise without ever being pedantic.
Embark on a journey of spiritual growth with Julian of Norwich as your guide. Popular retreat leader and former monk Robert Fruehwirth explores the stages of faith development using Julian's Revelations of Divine Love, inviting readers into a deeper, more honest and grounded faith. Julian of Norwich is an ideal companion for personal spiritual growth because her mystical experiences led her to a kind of faith that makes sense to 21st century Christians — a God of unconditional love, of merciful compassion and honesty, and radical belief in the goodness of creation and humanity. Her example provides a map for a faith journey from initial trust, through critical questions and struggle, to resolution – a pattern many experience today. Fans of Julian will find this a fresh and different exposition of her work, combining the commonly understood teachings of Julian with an exploration of what happens when we try to live them.
On Trauma and Traumatic Memory focuses on the role of writing to preserve memories, to excavate traumas and to heal the ever-present scars of the past. The first part of the book focuses on trauma recalled through films, fiction and documentaries. The second chapter is devoted to analysing trauma in fiction, while the third deals with trauma in poetry. The topic of trauma is of interest to scholars across the globe, both students and professors, and is taught in almost all universities. This volume gathers research papers from different universities around the world, including India, Italy, Tunisia and the USA.
The residents of a sleepy English village are dreaming—and their nightmares are turning into realities—in this “brilliantly nasty” horror novel from the Bram Stoker Award-winning author of Anno Dracula (Sunday Telegraph) Paul, a young academic composing a thesis about the end of the world, and his girlfriend have come to the tiny English village of Alder for the summer. Their idea of a rural retreat gradually sours as the laws of nature begin to break down around them . . . It would appear that the annual rock music festival held by the bizarre Agapemone sect is the only thing shattering the peace of Alder. But as the temperature rises, it becomes clear that the tiny village may not be the Heaven on Earth that their leader, Reverend Anthony Jago, is trying to create. Residents’ nightmares are coming true—unleashing creatures from local legend, science fiction, and the dark side of the human mind upon the town.
At the time of the Spanish conquest, Ch’olti’ was spoken throughout much of the southern Maya lowlands in what is present-day Petén and Chiquimula, and is closely related to that spoken by the authors of the Classic Maya inscriptions. This book presents for the first time a facsimile, transcription, English and Spanish translation, and grammatical analysis of the Morán Manuscript, a Colonial-era document that provides the sole attestation of Ch’olti’. In addition to its value as a chronicle of the Colonial period, the Morán Manuscript is crucial to our understanding of the Classic Maya, particularly their language, captured in thousands of intricately carved and painted hieroglyphic inscriptions. Robertson, Law, and Haertel, regarded as the ablest interpreters of Ch’olti’ now working in Mayan linguistics, provide not only a painstaking presentation of language data but also a detailed history of the manuscript itself. They discuss the document’s probable authorship, investigate where and by whom Ch’olti’ was spoken at contact, and infer how speakers maintained their expressive capabilities in the face of colonial oppression. The transcribed Ch’olti’ texts feature an orthographically standardized version with a morpheme-by-morpheme gloss, a literal English translation that preserves many of the poetic structures and metaphors, and a flowing translation in both English and Spanish. The publication of this document marks a major contribution to the fields of Maya epigraphy, Mayan linguistics, ethnohistory, and Mesoamerican languages. It will serve as the definitive presentation of the Morán Manuscript and stand as a major contribution to further understanding the language of the Maya inscriptions in Mexico and Guatemala.
Sri Guru Granth Sahib is generally known as the holy scripture of Sikhism, the worlds fifth largest religion. But this holy scripture is neither a storybook nor just the philosophy of the Sikh saints or prophets. It is more like a collection of divine revelations and hymns, expressing the feelings of love and devotion of the Sikh Gurus for the Supreme Being, along with the similar yearnings and longings of the devotees and saints from all faiths prevalent in Indian subcontinent during those times. The beauty of this 1430 page hymnal written in 22 different languages lies in the fact that while it spiritually connects the human mind to the original source of eternal bliss, it provides a very practical and effective way to live in love and harmony with other fellow human beings irrespective of their faith, color, caste, creed, or race. The following are a few examples of the views of eminent writers and scholars regarding Sri Guru Granth Sahib: Mankinds religious future may be obscure, yet one thing can be foreseen. The living higher religions are going to influence each other more than ever before, in the days of increasing communications between all parts of the world and branches of the human race. In this coming religious debate, the Sikh religion and its scriptures, the Sri Guru Granth Sahib will have something of special value to say to the rest of the world. Arnold Toynbee- Historian I have studied the scripture of great religions, but I do not find elsewhere the same power of appeal to the heart and mind as I find here in these volumes [of Sri Guru Granth Sahib]. There is something strangely modern about these scriptures. They speak to the people of any religion or of none. They speak for the human heart and the searching mind. Mrs. Pearl S. Buck- Nobel Laureate In Volume five of the It Is The Same Light series (SGGS pages 801-1000), author Daljit Singh Jawa continues his humble effort to share the beauty of the SGGS with those who have limited familiarity with the language (Gurumukhi), history, or context. The following are some of the comments received on the volume 7 (pages 1201-1430 of SGGS): This translation of Guru Granth Sahib is one of the best English translations in my view, as it is in simple understandable English, each shabads summary message is given, there is connection between the shabads to reveal continuity of thought process in Guru jis message. Thanks to S Daljit Singh ji for the great work which will benefit future generations understand Guru Jis message easily. -Amarjit Singh, M.D., University at Buffalo, Buffalo, NY A monumental undertaking, reflecting a lifetime of devotion to the Sri Guru Granth Sahib and to the scholarly study of its voluminous texts. Both its rendition of the original Gurmukhi script, with accompanying English transliteration, and its erudite commentary on each of the Granths many hymns mark this work as a stunning achievement which will benefit all serious students of the Sikh religion and of world religions in general. -Barry Crawford, Ph.D., Washburn Univesity, Topeka, Kansas