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A Journey Back to Nature
Science gossip and Country queries and notes are incorporated with this.
Position Pieces for Cello is designed to give students a logical and fun way to learn their way around the fingerboard. Each hand position is introduced with exercises called "Target Practice," "Geography Quiz," and "Names and Numbers." Following these exercises are tuneful cello duets which have been specifically composed to require students to play in that hand position. In this way, students gain a thorough knowledge of how to find the hand positions and, once there, which notes are possible to play. Using these pieces (with names like "I Was a Teenage Monster," "The Irish Tenor," and "I've Got the Blues, Baby"), position study on the cello has never been so much fun!
A winner of the Costa Book Award, "beautiful and moving poetry for the real world" (The Guardian) The Bees is Carol Ann Duffy's first collection of new poems as British poet laureate, and the much anticipated successor to the T. S. Eliot Prize–winning Rapture. After the intimate focus of the earlier book, The Bees finds Duffy using her full poetic range: there are drinking songs, love poems, poems to the weather, and poems of political anger. There are elegies, too, for beloved friends and—most movingly—for the poet's mother. As Duffy's voice rises in this collection, her music intensifies, and every poem patterns itself into song. Woven into and weaving through the book is its presiding spirit: the bee. Sometimes the bee is Duffy's subject, sometimes it strays into the poem or hovers at its edge—and the reader soon begins to anticipate its appearance. In the end, Duffy's point is clear: the bee symbolizes what we have left of grace in the world, and what is most precious and necessary for us to protect. The Bees is Duffy's clearest affirmation yet of her belief in the poem as "secular prayer," as the means by which we remind ourselves of what is most worthy of our attention and concern, our passion and our praise.
Did you know that bees have been around for over 100 million years? Or that the Brehon Laws included judgments about the rightful ownership of swarms? And why Irish beekeepers plant bluebells around their hives? From the perfection of their hexagonal honeycombs to their ordered matriarchal society, bees have been revered for thousands of years. In this beautifully illustrated book, beekeeper's daughter and student of folklore Eimear Chaomhánach weaves folktales about bees with memories of growing up in a beekeeping household, collecting swarms with her father and learning how to harvest honey. With legends about Aristotle and Irish saints and accounts of customs such as 'telling the bees', this is a fascinating look at the beliefs and traditions about bees and beekeeping.