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Belle Brezing made a major career move when she stepped off the streets of Lexington, Kentucky, and into Jennie Hill's bawdy house -- an upscale brothel run out of a former residence of Mary Todd Lincoln. At nineteen, Brezing was already infamous as a youth steeped in death, sex, drugs, and scandal. But it was in Miss Hill's "respectable" establishment that she began to acquire the skills, manners, and business contacts that allowed her to ascend to power and influence as an internationally known madam. In this revealing book, Maryjean Wall offers a tantalizing true story of vice and power in the Gilded Age South, as told through the life and times of the notorious Miss Belle. After years on the streets and working for Hill, Belle Brezing borrowed enough money to set up her own establishment -- her wealth and fame growing alongside the booming popularity of horse racing. Soon, her houses were known internationally, and powerful patrons from the industrial cities of the Northeast courted her in the lavish parlors of her gilt-and-mirror mansion. Secrecy was a moral code in the sequestered demimonde of prostitution in Victorian America, so little has been written about the Southern madam credited with inspiring the character Belle Watling in Margaret Mitchell's Gone with the Wind. Following Brezing from her birth amid the ruins of the Civil War to the height of her scarlet fame and beyond, Wall uses her story to explore a wider world of sex, business, politics, and power. The result is a scintillating tale that is as enthralling as any fiction.
The story of the famous madam who was the inspiration for the character Belle Watling in Gone With The Wind.
Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.
A Caldecott Honor winner! Micha Archer's gorgeous, detailed collages give readers a fresh outlook on the splendors of nature. When two curious kids embark on a "wonder walk," they let their imaginations soar as they look at the world in a whole new light. They have thought-provoking questions for everything they see: Is the sun the world's light bulb? Is dirt the world's skin? Are rivers the earth's veins? Is the wind the world breathing? I wonder . . . Young readers will wonder too, as they ponder these gorgeous pages and make all kinds of new connections. What a wonderful world indeed!
Most people may think of ranchers and cowboys as men. But although they are under-chronicled, ranch women work from dark to dark, keeping step with hired hands, brothers, fathers and husbands. They blaze trails through unforgiving scrub. They cook supper and feed bulls. At any given time, they wear the hats--and the gloves--of geologist, veterinarian, lawyer and mechanic. They are fierce and feminine and powerful. Photojournalist and writer Alyssa Banta spent over a year following more than a dozen Texas women through their grueling daily routines, from the messy confines of the working chute to the sprawling reaches of the back pasture. The result of this unprecedented access is an intimate portrait of the challenges and achievements of the ranch women of the Lone Star State, along with the land and livestock that sustain them.
Despite its illustrious beginnings as the "Athens of the west," Lexington has always had a darker side lurking just beneath its glossy sheen. It didn't take long for the first intellectual hub west of the Alleghenies to quickly morph into a city with the same scandalous inclinations as neighboring Louisville and Cincinnati. Filled with tales of infamous duels, cheating congressmen, and much more, Wicked Lexington offers the first collection the city's rowdy and ruckus history. From Belle Brezing's infamous brothel of the late 1800s, frequented by some of the city's most prominent businessmen, and once pardoned by the governor, to historic sports scandals of the 1900s, local author Fiona Young-Brown tracks Lexington's penchant for misdeeds from founding to modern times.
The “captivating” true story of the notorious Gilded Age madam who inspired the Belle Watling character in Gone with the Wind (The Wall Street Journal). Belle Brezing made a major career move when she stepped off the streets of Lexington, Kentucky, and into Jennie Hill’s bawdy house—an upscale brothel run out of a former residence of Mary Todd Lincoln. At nineteen, Brezing was already infamous as a youth steeped in death, sex, drugs, and scandal. But it was in Miss Hill’s “respectable” establishment that she began to acquire the skills, manners, and business contacts that allowed her to ascend to power and influence as an internationally known madam. In this revealing book, Maryjean Wall offers a tantalizing true story of vice and power in the Gilded Age South, as told through the life and times of the notorious Miss Belle. After years on the streets and working for Hill, Belle Brezing borrowed enough money to set up her own establishment—her wealth and fame growing alongside the booming popularity of horse racing. Soon, her houses were known internationally, and powerful patrons from the industrial cities of the Northeast courted her in the lavish parlors of her gilt-and-mirror mansion. Secrecy was a moral code in the sequestered demimonde of prostitution in Victorian America, so little has been written about the Southern madam credited with inspiring the character Belle Watling in Margaret Mitchell’s Gone with the Wind. Following Brezing from her birth amid the ruins of the Civil War to the height of her scarlet fame and beyond, Wall uses her story to explore a wider world of sex, business, politics, and power. The result is a scintillating tale as enthralling as any fiction.
On October 26, 1961, after an evening of studying with friends on the campus of Transylvania University, nineteen-year-old student Betty Gail Brown got into her car around midnight—presumably headed for home. But she would never arrive. Three hours later, Brown was found dead in a driveway near the center of campus, strangled to death with her own brassiere. Kentuckians from across the state became engrossed in the proceedings as lead after lead went nowhere. Four years later, the police investigation completely stalled. In 1965, a drifter named Alex Arnold Jr. confessed to the killing while in jail on other charges in Oregon. Arnold was brought to Lexington, indicted for the murder of Betty Gail Brown, and put on trial, where he entered a plea of not guilty. Robert G. Lawson was a young attorney at a local firm when a senior member asked him to help defend Arnold, and he offers a meticulous record of the case in Who Killed Betty Gail Brown? During the trial, the courtroom was packed daily, but witnesses failed to produce any concrete evidence. Arnold was an alcoholic whose memory was unreliable, and his confused, inconsistent answers to questions about the night of the homicide did not add up. Since the trial, new leads have come and gone, but Betty Gail Brown's murder remains unsolved. A written transcript of the court proceedings does not exist; and thus Lawson, drawing upon police and court records, newspaper articles, personal files, and his own notes, provides an invaluable record of one of Kentucky's most famous cold cases.
This groundbreaking volume is the first text devoted to psychogenic movement disorders. Co-published by Lippincott Williams & Wilkins and the American Academy of Neurology, the book contains the highlights of an international, multidisciplinary conference on these disorders and features contributions from leading neurologists, psychiatrists, psychologists, physiatrists, and basic scientists. Major sections discuss the phenomenology of psychogenic movement disorders from both the neurologist's and the psychiatrist's viewpoint. Subsequent sections examine recent findings on pathophysiology and describe current diagnostic techniques and therapies. Also included are abstracts of 16 seminal free communications presented at the conference.
The story of the tempestuous romance between Rhett Butler and Scarlet O'Hara is set amid the drama of the Civil War.